A River Ain't Too Much to Love
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Average customer review:Track Listing
- Palimpsest
- Say Valley Maker
- Well
- Rock Bottom Riser
- I Feel Like the Mother of the World
- In the Pines
- Drinking at the Dam
- Running the Loping
- I'm New Here
- Let Me See the Colts
Product Details
- Amazon Sales Rank: #83705 in Music
- Released on: 2005-05-31
- Number of discs: 1
Editorial Reviews
Amazon.com
Bill Callahan is one of a number of performers who present their work under the banner of a band name. It's generally just him, other times with various cohorts along. This set is given added punch and sparkle by the quietly incessant rhythms of drummer Jim White (his rolling foundation for "The Well" sounds like a cowboy gallop across the prairie). Also, it's great to hear acoustic guitars being utilized for music not tied to just folk traditions. Callahan's songs are slices of Americana at its finest--from the Yankee transcendentalism of New England forefathers to the sweep of westward expansion and the chokehold of loss and longing. The first song's opening words are "winter weather" and the closing number's final phrase is "thinking of the future." In between lies just about anything you need. --David Greenberger
Customer Reviews
There's a lot to love about River
This album is fantastic. All I can say is that Bill Callahan rarely dissapoints, and he definitely delivers again A River Ain't Much to Love. For the uninitiated, Smog has a similar vibe to The Velvet Underground, and Leonard Cohen. But don't let that distract you because this guy still maintains a great deal of originality. This album was recorded in Willie Nelson's studio, and you can definitely detect a bit of folk/country flavor on this album. The song Rock Bottom Riser is a complete standout. I would say that if you are new to Smog this as good as any point to jump in, as all of his works are pretty consistent. If you're an old fan this album will nto dissapoint, and you'll probably find this to be his best album since Dongs of Sevotion or Red Apple Falls.
there is no love where there is no bramble
i've been in and out of love with smog for years now. now 'A River Ain't Too Much To Love' has me convinced that this man is our generation's dylan, our cash, and our audrey hepburn. listen here, this man commands me to step into his world like the rosasharons outside my bedroom window command the honey bees to their nectar; the supply of sweet sweet honey is eternal. "with the grace of a corpse and a riptide i let go and i slide slide slide down river". if smog is already your cup of tea then you've no choice but to hang on for the ride but there's a dude on here who knock's on bill's vocals. that dude had cowpiss filling his eardrums when he threw the needle on. calahan's voice has never been more refined, more effortlessly palpable than on any other album. his words are crisp and sharp and wrapped in a bandage of unrelentless love. that dude said the first track 'Palimpset' instantly rubbed him the wrong way. that dude aparently has no soul. 'Palimpset' is bill gracefully crashing through the barrier of apathy all of you sour-nosed indie rockers and lo-fi mourners live behind. he grabs your smooth skinned hand and dips it in the mud he just waded through to get here and says listen up, i've been fumbling around love all these years and i've finally got it by the nose. i've finally got it. i saw smog play four years ago and their performance was disappointing. i saw smog play four nights ago and my girl had to prop my bottom lip up with a stick. if you are fortunate enough to find yourself before this band on stage imagine the energy on this album magnified tenfold. don't forget about jim white, dirty three drummer and smog pillar. this guy cuts the skins with such grace and subtle complexity; white is the mortar in the sound that makes up the four walls in a home you won't ever want (have) to leave. thanks, smog.
Low key genius
This album goes brilliantly with a bottle of red wine.
Fantastic simple guitar work and some wry lyrics.
Highlights: The Well; In the Pines




