Classic Country Gold
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Average customer review:Track Listing
Disc 1:
- Hey, Good Lookin' - Hank Williams
- It Wasn't God Who Made Honky Tonk Angels - Kitty Wells
- Sixteen Tons - Tennessee Ernie Ford
- Why Baby Why - Webb Pierce, Red Sovine
- I Walk the Line - Johnny Cash
- All I Have to Do Is Dream - The Everly Brothers
- Hello Walls - Faron Young
- Walk on By - Leroy Van Dyke, Leroy Van Dyke
- I Fall to Pieces - Patsy Cline
- Tender Years - George Jones
- King of the Road - Roger Miller
- Make the World Go Away - Eddy Arnold
- Mama Tried - Merle Haggard
- Hello Darlin' - Conway Twitty
- Coal Miner's Daughter - Loretta Lynn
- Help Me Make It Through the Night - Sammi Smith
- Kiss an Angel Good Mornin' - Charley Pride
- Chantilly Lace - Jerry Lee Lewis
Disc 2:
- Happiest Girl in the Whole U.S.A. - Donna Fargo
- Eleven Roses - Hank Williams, Jr.
- I Love - Tom T. Hall
- Jolene - Dolly Parton
- Before the Next Teardrop Falls - Freddy Fender
- Rhinestone Cowboy - Glen Campbell
- San Antonio Stroll - Tanya Tucker
- Luckenbach, Texas (Back to the Basics of Love) - Waylon Jennings
- Don't It Make My Brown Eyes Blue - Crystal Gayle
- Gambler - Kenny Rogers
- Do You Know You Are My Sunshine - The Statler Brothers
- I Believe in You - Don Williams
- Elvira - The Oak Ridge Boys
- I Was Country When Country Wasn't Cool - George Jones, Barbara Mandrell
- Fourteen Carat Mind - Gene Watson
- God Bless the U.S.A. - Lee Greenwood
- Eighteen Wheels and a Dozen Roses - Kathy Mattea
- Timber, I'm Falling in Love - Patty Loveless
Product Details
- Amazon Sales Rank: #8876 in Music
- Released on: 2005-07-26
- Number of discs: 2
- Format: Original recording remastered
Customer Reviews
Four decades of country number ones
Only one of the thirty-six tracks here didn't make it to number one in the American country singles charts, that being God bless the USA, which the compilers understandably selected to represent Lee Greenwood here in preference to any of his country number one hits. In its way, that selection shows that number one is not the only thing that matters in the music business - some of the most famous songs in popular music never made it to number one in any chart. Nevertheless, the number one position does indicate a certain measure of popularity and this collection contains many great country classics.
This compilation, being by Hip-O, has easy access to the vaults of the record labels that are now part of the Universal group, so those labels dominate - however, Hip-O have licensed some tracks from the Sony / BMG group, so Dolly Parton, Johnny Cash, Waylon Jennings, Charley Pride and Eddy Arnold are included. The real surprise is that Reba McEntire and George Strait, two artists who each had several number one hits for Universal labels in the eighties, are omitted. You'd think it was easier for Hip-O to include them than to worry about Dolly and the others.
The tracks are in chronological sequence, beginning with Hank Williams in 1951 and ending with Patty Loveless in 1989. 1989 is an interesting and appropriate end-point, as that was the year when a new generation of singers changed everything in country music, or so it seemed. Of course, the new generation has recorded a lot of great music (though how much of it can truly be described as country is a matter for debate) but I know that many country fans regard 1989 as the beginning of the end of their kind of country music.
The compiler clearly likes the seventies best as there are fifteen tracks from that decade with seven tracks each from the fifties, sixties and eighties. I can well understand the compiler's preference, as it was a very good decade for country music, both at home in America and internationally.
With a compilation like this, it is always possible to argue about track selection - whether the song selected for the chosen artist is the best, whether some omitted artists should have been included and so on - but when you look at it overall, this is a brilliant compilation that provides a great introduction to four decades of country music - and it comes with liner notes by Rich Kienzle.
+ 1/2 stars...Nearly Forty Years of Classic Country
This 36-track collection chronologically covers nearly four decades of country music beginning with Hank Williams 1951 hit "Hey, Good Lookin'" and ending with Patty Loveless's 1989 hit "Timber, I'm Falling in Love." For any 2-CD set to adequately cover four decades is a nearly impossible task--especially when both discs run under sixty minutes.
This collection could easily have been expanded by an additional dozen or more tracks, allowing the compilers to focus more attention on country's golden era, namely the fifties and the sixties. There are only five tracks from the fifties and eight from the sixties, while the seventies--an era marked by crossover artists like Glen Campbell and Kenny Rogers--is represented by fifteen tracks (nearly half of the total).
In fact, the compilers of this anthology placed a lot of emphasis on crossover hits. Twenty of these No. 1 country hits also hit the top 40 on the pop charts, with "Sixteen Tons," "All I Have To Do Is Dream," "Before the Next Teardrop Falls" and "Rhinestone Cowboy" placing No. 1 on both charts.
There's only one serious misstep in the song selection. While it DID reach the top of the country charts in 1972, Jerry Lee Lewis's versions of the Big Bopper's "Chantilly Lace" simply is out of place. And personally, I could have done without Lee Greenwood's maudlin "God Bless the U.S.A." [Besides, it's the only song that didn't reach No. 1.] The only other flaw in this collection is that even though it runs through 1989, there are no artists from country's new traditionalism movement. Where's George Strait or Randy Travis?
With that said, this is an overall satisfying--albeit brief--look at four decades of country music. HIGHLY RECOMMENDED
Country gold standard
Mainstream, popular Country music is what you get on this double CD album. From the dawn of the 1950s, when commercial recording interests took a firm hold on this particular strand of America's musical tradition, to the end of the 1980s, when other styles started to squeeze Country out of the charts.
In the late 60s and early 70s, it was widely acknowledged that the two gods of Country were Johnny Cash and Jim Reeves (selling better than ever after his untimely death). So it is strange that Reeves's star has waned so quickly, and he is excluded from a compilation like this. That would have been unthinkable thirty years ago; now it is unremarkable.
On the other hand, Jerry Lee Lewis definitely does not belong here. When Tennessee Ernie Ford says "If you see me coming, better stand aside. A lot of men didn't, a lot of men died", you don't really take him seriously. When Lewis introduces himself as "The Killer", you get the uneasy feeling he really means it. His music is on the fringes of country and his attitude is on the edge of sanity.
Still, this is a good, representative collection and is available at bargain prices, so has to be recommended. I always take it when I drive through the Mojave or the Sierras. For me, this is music for the open road.




