Product Description

After years of incredibly bad dates, Charlie (Jennifer Lopez) thinks she's met the perfect man...until she meets his possessive and merciless mother! Jane Fonda returns to Hollywood to play the worst mother-in-law ever who will do everything she can to break up the happy couple!

DVD Features:
Audio Commentary
Deleted Scenes
Featurette

Product Details

• Amazon Sales Rank: #4270 in DVD
• Brand: LOPEZ,JENNIFER
• Released on: 2005-08-30
• Rating: PG-13 (Parental Guidance Suggested)
• Aspect ratio: 2.35:1
• Formats: Closed-captioned, Color, DVD, Widescreen, NTSC
• Original language: English
• Subtitled in: English, Spanish
• Number of discs: 2
• Dimensions: .40 pounds
• Running time: 101 minutes

Amazon.com
As an esteemed television journalist put out to pasture by the networks and faced with the engagement of her son, Jane Fonda is fierce, funny, and ready to rumble as the title character in Monster-in-Law in a way that the rest of the film itself never really is. Jennifer Lopez, the film's other above-the-title star, is set to marry handsome, wealthy Michael Vartan but has one helluva time dealing with his insanely possessive mother. The result is pretty much what you'd expect--lots of snarls and slapstick and an easy, kisses-all-around conclusion, though it is surprising (and maybe a little disheartening) to watch Fonda throw herself into such disposable comedy with such gusto. Director Robert Luketic, who slept while Reese Witherspoon tottered off with his Legally Blonde, once again relies solely on the assembled talent: He leaves a high-wattage Lopez playing things a little too cute, a reedy Vartan looking visibly disinterested, and canny comedian Wanda Sykes making what she can--which, luckily, is a lot--of her role as Fonda's wisecracking personal assistant (the type of black sidekick role that's an indication of how creakily formulaic the film is). See it for Fonda, if you feel like it, then wish her a better engagement in the future. --Steve Wiecking

From The New Yorker
In this comedy set in L.A., there are banks of flowers everywhere-great rolling tapestries of petals laid out in private homes, on the sets of TV talk shows, in restaurants. In case we missed the blooming-and-blossoming theme, the heroine, Charlie (Jennifer Lopez), a Venice Beach free spirit who works as a dog-walker, caterer, and temp, also paints floral whatnots on the walls of her apartment. Charlie, in an equivalent to Ben Stiller's role in "Meet the Parents," falls in love with a dreamboat (Michael Vartan) and has to do battle with his drunkenly possessive mother, played by the great Jane Fonda, who, in a misguided "comeback," gives a performance so strenuous that it's almost unwatchable. O.K., it's silly to get upset. "Monster-in-Law" is just a commercial product, as squarely aimed at teen-age girls as an advertisement for pink cell phones. Still, the self-confident fatuity and condescension of the entire show are offensive. The two lovers don't have an idea, an opinion, a trace of wit-all they want to do is cuddle and disappear into the petunias-and-roses California kitsch. Written by Anya Kochoff and directed by Robert Luketic. -David Denby
Copyright © 2006 The New Yorker

Customer Reviews

Not The Train Wreck I Was Expecting, But...
"Monster-In-Law" is not the train wreck I was expecting, but it could've been so much more.

Charlie (Jennifer Lopez) works a series of temp jobs and enjoys everything she does, making ends meet. It makes life interesting. One day, she meets Kevin (Michael Vartan), a doctor, and they quickly fall in love. Kevin's Mom is Viola Fields (Jane Fonda), a successful Barbara Walters-like network news anchor, with problems of her own. Kevin brings Charlie to his mother's estate to meet her. Kevin decides to propose, in front of his mother. Viola clearly disapproves and sets about breaking them up. As she and Ruby (Wanda Sykes), her assistant, set a series of events in motion, Charlie gradually begins to realize what she is working against and fights back.

"Monster-In-Law", directed by Robert Luketic ("Legally Blond", "Win a Date With Tad Hamilton!"), frequently veers into sitcom territory.

The acting is very broad and cartoonish. At one point, Charlie, having pulled one off on Viola, shakes her head and sniggers, much like a Hanna Barbera cartoon character. Lopez's character is all over the place. At one moment, she appears to be normal and caring and sympathetic, the other, she is acting like Peg Bundy from "Married with Children". Fonda, returning to feature films after 15 years, is clearly having fun chewing the scenery. And it is fun to watch her. But she is so over the top and Lopez is over the top only part of the time, that it seems like a bad sitcom. Wanda Sykes is very funny as Ruby. Her natural allegiance is with Viola, someone she has worked with for years, maybe decades, but she isn't beyond dressing down her boss, pointing out the problems with her theories. When she realizes that this isn't going to stop her boss, and Charlie is a stronger adversary, she begins to root a little for her. Michael Vartan (from TVs "Alias") is a very handsome guy, but he is virtually non-existent in this film. He is such a flat, boring character that he gets completely lost in the wake of Hurricane Fonda and Tropical Storm Lopez.

The film would've worked better if the two lead actresses were more complimentary. As Fonda chews the scenery, Lopez moves from trying to portray a real woman to matching the overblown antics of her co-star. It might have been more successful if one of the two were cartoonish while the other was more natural. Providing more balance to the proceedings. Or, if they were equally outlandish. As it is, the film seems unbalanced. Strange.

This sort of story naturally lends itself to a darker tone, but the filmmakers have steered clear of that. If the story moves slightly towards "dark territory", it quickly veers back into the safe and sunny territory everyone feels was necessary to earn the film mass acceptance. At one point, Viola is so fed up with Charlie that she is about to smash up some almonds and slip them into Charlie's food. Earlier, Charlie remarked that she was allergic to nuts. Ruby talks her out of it. Why does she have to talk Viola out of it? The story sets up that Viola is more than a little egomaniacal, more than a little crazy, more than a little excessive. It seems like her character would go through with something like this, no matter what. They pull Viola back because they want her to remain sympathetic, for the sappy, sweet ending.

I did laugh. More than I expected to. Much of this laughter was created by Wanda Sykes. Ruby is the type of all-knowing character every lead used to have. Think Thelma Ritter in the 50s. A couple of her one-liners made me laugh out loud.

Because the filmmakers pull the punches, they rob the film of any dark humor and relegate it to the annals of forgettable comedies on the shelf of every video store throughout the country.

From all of the horrible reviews I have read, I was expecting "Monster-In-Law" to be completely dreadful. I was surprised that I found myself laughing at the absurd situations. Certainly worth checking out on video, but a bargain matinee is pushing it.

Slapstick Return for Jane Fonda
This movie isn't as bad as a lot of reviewers make it out to be. In a sea of unrelenting bad box office movies, this film at least keeps it's head above water. For Jennifer Lopez fans, there is enough sweetness factor to keep them happy. The plot is familiar and formulamatic, yet light and often funny. Charlie (Lopez) has lead a life of many part time jobs and is getting along just fine till she has a chance meeting with Dr. Kevin Fields (played a bit woodenly by Alias' Michael Vartan)and falls in love. Things couldn't be better until Kevin arranges for Charlie to meet his mother, Viola Fields (Fonda)a talk show host put out to pasture by her network and recently released after a break down from a hospital who has nothing left in life but making her son's prespective dates miserable. Kevin chooses to ask Charlie to marry him in front tof his mother and the hijinks begin. Viola has other plans and is hell bent to break them up. But as misery loves company, Charlie decides to fight back. Throw in Wanda Sykes as Viola's personal assistant who wants no part in this struggle and this makes for some very comical moments. Sykes is great in her small role but really chews on the scenery and makes the most of a role written far to small for this large comedic talent. The movie is largely entertaining but you may want to rent it before actually making the purchase. Worth a viewing at least.

Funny do not go by critics one of the best comadies in years I loved it!!
Great from start to finish. The story fallows Charlie (Jennifer Lopez)one day, she meets Kevin (Michael Vartan), a doctor, and they quickly fall in love. Kevin's Mom is Viola Fields (Jane Fonda), a successful Barbara Walters-like network news anchor, with problems of her own. Kevin brings Charlie to his mother's estate to meet her. Kevin decides to propose, in front of his mother. Viola clearly disapproves and sets about breaking them up. As she and Ruby (Wanda Sykes), her assistant, set a series of events in motion, Charlie gradually begins to realize what she is working against and fights back. The acting is great all the characors do great jobs. Theres Jennifer Lopez who is innocent and then fights back and it's hallarious when she fights back. Then theres Jane Fonda who is perfect as the mother in law from hell. Wonda Sykes dose a great supporting role. the movie has reat one liners that will elave you laughing. The movie is predictable but it's still lots of fun froms tart to finish.