Product Details
1900 / Novecento [NON-USA FORMAT, PAL, Reg.2.4 Import - Australia] [Region 4]

1900 / Novecento [NON-USA FORMAT, PAL, Reg.2.4 Import - Australia] [Region 4]
Directed by Bernardo Bertolucci

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Product Description

Australia released, PAL/Region 2.4 DVD:it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Mono ),French ( Mono ),German ( Mono ),Italian ( Mono ),Danish ( Subtitles ),Dutch ( Subtitles ),English ( Subtitles ),Finnish ( Subtitles ),French ( Subtitles ),German ( Subtitles ),Norwegian ( Subtitles ),WIDESCREEN (1.85:1), SPECIAL FEATURES: Interactive Menu, Scene Access, Uncut,SYNOPSIS: Set in Italy, the film follows the lives and interactions of two boys/men, one born a bastard of peasant stock (Depardieu), the other born to a land owner (de Niro). The drama spans from 1900 to about 1945, and focuses mainly on the rise of Fascism and the peasants' eventual reaction by supporting Communism, and how these events shape the destinies of the two main characters.


Product Details

  • Amazon Sales Rank: #65910 in DVD
  • Rating: R (Restricted)
  • Formats: Director's Cut, Import, PAL, Widescreen
  • Original language: English, German, Italian
  • Subtitled in: Danish, English, Finnish, French, German, Norwegian
  • Number of discs: 1
  • Running time: 302 minutes

Editorial Reviews

Amazon.com essential video
1900 is one of Bernardo Bertolucci's adventures in epic filmmaking that never found the reception he had hoped for. Originally more than six hours long, it was chopped down to four hours for its U.S. release and as a result looked, well, choppy. Eventually, he restored it to five hours--but one wonders at all the effort on behalf of this alternately muddled and stunning story. The film, with a decidedly socialist agenda, examines two lives that begin the same year in rural Italy: the weak-willed son of the aristocracy (Robert De Niro) and the hardy, courageous son of peasants (Gerard Depardieu). They grow up as best friends on the same estate, until class differences pull them apart and then the era's fascist politics divide them for good. Despite strong performances by both leads, as well as Sterling Hayden, Donald Sutherland, Dominique Sanda, and Burt Lancaster, this one is strictly for Bertolucci's most avid fans. --Marshall Fine


Customer Reviews

Bertolucci's epic masterpiece restored....one of the finest epics ever made...5
This is, in fact, Bertolucci's original cut of 315 (!) minutes. Having seen both the 255 minute version and the director's cut, one may actually say what kind of difference can there possibly be between these 2 versions? One is 4 1/4 hours, the other is 5 1/4 hours. They are both incredibly long versions, so what's the point? The point is that there is a huge difference. As incredible as it may sound, the shorter version seems longer, as it doesn't have the same narrative flow as the longer version does. There are subtle differences between the versions that make certain scenes different. For example, there is a scene where the leaders of the town go duck hunting (warning! Bertolucci shows the actual killing of ducks here, along with animals being slaughtered for food). They then go into a church to discuss bringing a new fascist order to the town. In the short version, the church scene only consists of the men talking. In the longer version, Bertolucci intercuts the dead ducks with the men talking, giving the scene a graver effect. The sex scenes are longer and more explicit in the longer version as well. I saw this long version at a Bertolucci retrospective, and there were college kids in the audience who were laughing at the sex scenes! The sex scenes, like in all of Bertolucci's work, are meant to be serious and natural, which they are. I suppose the young people of America have a difficult time taking sex seriously after a decade or so of lowbrow, childish, teenage "comedies". Some of the magnificent camera work got lost in the shorter version, because Bertolucci cut some of the beginnings and ends of scenes, where they would be a wonderful camera move opening or closing the scene. As for the film itself, it is incredibly ambitious and amazing to behold. Bertolucci just came off the amazingly successful Last Tango in Paris, and did something grandly ambitious. He should be commended for that. Many current day filmmakers would probably do a sequel to their already successful film to fill their pockets, and not give a hoot about anything else. Bertolucci originally wanted to release it in 2 parts, but the producer Alberto Grimaldi, who was reeling from the financial failure of Fellini's Cassanova (a film he produced), wanted no part of a 2 part film. So Bertolucci compromised. He only cut one entire scene. He made cuts within scenes (a technique that Terry Gilliam used on his film Brazil, when he had to trim his film from 142 minutes to 131). While this film is magnificent, it took a ton out of Bertolucci. He never worked with Grimaldi again (Grimaldi had produced Last Tango in addition to this film), and he didn't really recover his reputation as a great filmmaker until 10 years later with another epic, The Last Emperor. Since then, he's been erratic, but he can still make great cinema (watch The Dreamers, one of Bertolucci's best films). Since this is in fact the director's cut, by all means see it, rent it, buy it.

This is arguably one of the finest, most ambitious, and unique epic films ever made. When it was made in 1977, it was met with derision, confusement, and indifference. Many people are now able to view this film, and appreciate it for the masterpiece that it is.

About the different lenght versions of Novecento5
Let me clarify the question of the different versions of this masterpiece.
The first cut (never released) was 6:15. The European released version was 5:25. In the meanwhile, Alberto Grimaldi (the film's producer) was negociating with Paramount a 3:15 version, betraying Bertolucci, who didn't know a word about.
After the European succes, Fox offered Bertolucci to work on a 4:15 version for the U.S. market. He accepted, and made a second 4:40 version. But Grimaldi's opposition take the case to a court. A judge viewed all three 5:25, 4:40 and 3:15 versions. He concluded that Grimaldi's short version was detrimental and incoherent. So he invited Bertolucci to work in a 4:15 version.
Bernardo did a third cut to 4:10, that had its premiere in the New York Film Festival. There, critics were very negative, since they already knew the european 5:25 version, and compared so. But Bertolucci once declared that this was simply another film; no a single sequence was missing, it just had another pace. For a given moment, he even prefered this version. But years later, he recognizes the short version lacks the "inexorable passing of time" of the full one.
Let me recall this is the only film in history that has put toghether -for the production- all three major studios then, Fox, United Artists and Paramount.
All this information was taken from the book Bertolucci por Bertolucci, the spanish version of Scene madri di Bernardo Bertolucci, from Enzo Ungari, based on the interviews by Donald Ranvaud about The Last Emperor.
I definitely agree with the people asking for a remastering and release on DVD of the 5:25 original version.

105 years later! Release the DVD already!5
I'm still awaiting the American release of this magnificent epic. I've had this on VHS for over 15 years and have seen the film over 10 times. What a great way to spend five and a half hours!

There are magnificent performances by Deniro and Depardieu, by Dominique Sanda, Sterling Hayden, Burt Lancaster and others, including chilling performances by Donald Sutherland and Laura Betti. There are many memorable scenes as we travel through the 20th century captured by the always amazing cinematography of Vittorio Storarro which was at its apex in this film and il Conformisto.

While I appreciate Bertolucci's Socialist bent and his brilliant attacks on Fascism, the only down side to the film (if you don't mind the length) is Bertolucci's Socialist didacticism which is the only times the film loses its subtly and sinks to levels of propaganda.

Still this film compares favorably with other great epics of film history like the Godfather I & II and Lawrence of Arabia. Release it on DVD already!