Product Description

Wheel of Time is acclaimed filmmaker Werner Herzog's (Grizzly Man, Aguirre: The Wrath of God, Fitzcarraldo) gorgeously photographed look at the largest Buddhist ritual in Bodh Gaya, India. It is said that Buddha found enlightenment under a tree in Bodh Gaya and today, Buddhist monks are ordained in this holy place. Herzog magically captures the lengthy pilgrimage (which for some, is over 3,000 miles), the monk's creation of the beautiful and intricate sand mandala (the wheel of time) along with many secret rituals that have never been seen before on film. He delivers a personal and introspective look at what Buddhism really means to its most ardent followers, as well as giving outsiders an intimate look into a fascinating way of life.

Product Details

• Amazon Sales Rank: #44158 in DVD
• Brand: Genius
• Released on: 2005-10-25
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Color, Dolby, DVD, NTSC
• Original language: English, German, Tibetan
• Number of discs: 1
• Running time: 80 minutes

Amazon.com
As filmmaker and cultural anthropologist, Werner Herzog brings his unique powers of observation to Buddhist rituals in Wheel of Time. The documentary's title refers to the central symbol that forms the physical and spiritual hub of an intricately detailed sand mandala that is the centerpiece of the Kalachakra initiation, a Buddhist ceremony that attracts several hundred thousand monks and pilgrims to Bodh Gaya, India (the original site of the Buddha's enlightenment) in 2002. Through well-chosen images and his own sparse but effective narration, Herzog chronicles this spiritual conclave, incorporating brief interview clips with His Holiness, the Dalai Lama, a lively debate between high-level monks at the gathering, an interview with a Tibetan political prisoner who'd spent 37 years in jail, and a visit to the sacred Mount Kailash in Tibet, where the faithful endure a high-altitude 52-kilometer trek to worship on holy ground. Having recovered from illness that prevented his full participation in the Bodh Gaya ceremony, the Dalai Lama appears at another Buddhist ceremony in Graz, Austria, where another sand mandala symbolizes the deep significance of Buddhist inner peace. Herzog's fascination with these rituals is infectious, and with a powerful soundtrack of Tibetan music and Buddhist monks' chanting, Wheel of Time achieves its own quiet quality of grace. --Jeff Shannon

Customer Reviews

Cultivating compassion
In 2002 Werner Herzog went to India to observe the festival of Kalachakra, the ritual that takes place every few years to allow Tibetan Buddhist monks to become ordained. An estimated 500,000 Buddhists attended the initiation at Bodh Gaya, the land where the Buddha is believed to have gained enlightenment. The resulting documentary, Wheel of Time, is not a typical Herzog film about manic eccentrics at odds with nature but an often sublime look at an endangered culture whose very way of life is threatened. Herzog admits that he knows little about Buddhism and we do not learn very much about it in the film, yet as we observe the rituals, the celebrations, and the devotion of Tibetan Buddhists we learn much about the richness of their tradition and their strength as a people.

The festival, which lasts ten days, arose out of the desire to create a strong positive bond for inner peace among a large number of people. The monks begin with chants, music, and mantra recitation to bless the site so that it will be conducive for creating the sand mandala. The magnificently beautiful mandala, which signifies the wheel of time, is carefully constructed at the start of the festival using fourteen different tints of colored sand, then dismantled at the end to dramatize the impermanence of all things. Once built, it is kept in a glass case for the duration of the proceedings so that it will not be disturbed. The most striking aspect of the film are the scenes showing the devotion of the participants. Using two interpreters, Herzog interviews a monk who took three and one-half years to reach the festival while doing prostrations on the 3000-mile journey.

The prostrations, which are similar to bowing and touching the ground, serve as a reminder that we cannot reach enlightenment without first dispelling arrogance and the affliction of pride. In this case, the monk has developed lesions on his hand and a wound on his forehead from touching the earth so many times, yet it hasn't dampened his spirit. Other Buddhists are shown trying to do 100,000 prostrations in six weeks in front of the tree under which the Buddha is supposed to have sat. Herzog introduces a moment of humor when he films a young child imitating the adults by doing his own prostrations but not quite getting the hang of it. In a sequence of rare beauty accompanied by transcendent Tibetan music, we see a Buddhist pilgrimage to worship at the foot of 22,000-foot Mount Kailash, a mountain that is considered in Buddhist and Hindu tradition to be the center of the universe.

The Dalai Lama explains wryly, however, that in reality each of us is truly the center of the universe. After waiting in long lines to witness the Dalai Lama conduct the main ceremony, the crowd is shocked into silence when he tells them that he is too ill to conduct the initiation and will have to wait until the next Kalachakra meeting in Graz, Austria in October. The Graz initiation ceremony is much smaller, however, being confined to a convention hall that can only fit 8000 people; however, everyone is grateful to see the Dalai Lama restored to health. In Austria, Herzog interviews a Tibetan monk who has just been released from a Chinese prison after serving a sentence of thirty-seven years for campaigning for a "Free Tibet". His ecstasy in greeting the Dalai Lama is ineffable. During the closing ceremony, the monks dismantle the Mandala, sweeping up the colored sands and the Dalai Lama releases the mixed sand to the river as a means of extending blessings to the world for peace and healing.

Herzog's mellifluous voice lends a measure of serenity to the proceedings and he seems to be a sympathetic if somewhat detached observer. While he makes every effort not to be intrusive, he cannot resist, however, staging a scene toward the end in which a bodyguard is seen presiding over an almost empty convention hall to illustrate the Buddhist concept of emptiness. Wheel of Time may not be Herzog's best work but it does contain moments of grace and images of spectacular beauty. Because of the destruction of their heritage, the Tibetans survive today mainly in the refugee camps of India. Any effort that promotes an understanding of their culture is very welcome and Wheel of Time provides us with an insight into an ancient tradition geared toward perfecting humanity through quieting the mind and cultivating compassion.

Rare glimpse at Kalachakra rites
This is a wonderful rare glimpse at the complex Kalachakra initiation rites, once performed only performed in Tibet. One of the most complex rituals in the world, Kalachakra initiation involves ten days of teaching and empowerments for initiates, and elaborate preparations involving even more time before hand.

For me, the emotional coda of the piece is when the Dalai Lama is forced to cancel the initiation due to illness. In response to a previous review posted on this site, the implication that the Dalai Lama is just too lazy or uncomfortable with his accommodations is insulting and absurd. Aside from the fact that the Dalai Lama has always performed this ritual in India or Tibet, his permanent residence is in India! The rituals are complex and mentally exhausting. Once the empowerments have started, it is extremely important to not stop for any reason. To prevent a broken ritual the Dalai Lama decided to postpone it to the next year. Furthermore, not a single person at the initiation would jeopardize the Dalai Lama's health for a ritual that could be performed at a later time.

werner on the wheel
I like to watch most anything by the documentarian Werner Herzog, and Wheel of Time was no exception. This film finds him in Bodh Gaya, India, where tradition has it that the Buddha first found enlightenment 2,500 years ago under the bo tree. Every few years a half million Buddhist pilgrims travel to Bodh Gaya for a sacred rite convened by the Dalai Lama called the Kalachakra ("Wheel of Time"). The pilgrims come from near and far, many by foot, making prostrations the length of the body the entire trip. One monk from Tibet took three years to travel the 3,000 miles, genuflecting the entire way. Others will make 100,000 of these prostrations once they arrive, a rite that takes six weeks. Central to the series of religious activities is a "mandala" or sculpture made of colored sands that the monks craft from a large stencil. The intricate work of art is destroyed after the rites, the sand returned to the earth, a symbol that all is transitory. In one scene the pilgrims circumambulate the 25 mile base of Mount Kailash (22,000 feet). Wheel of Time has less narration than other Herzog documentaries, leaving you to wonder what some of the throngs of worshippers are doing. Herzog is also much more circumspect with his typical critique. But the combination of color, scenery, history, religion, culture, and language make this a very good if not great film.