Product Description

Written By: Teleplay Robert Geller, based on the Ernest Hemingway classic

Starring: Richard Backus, Nancy Marchand

Directed By: Robert Young Harold Krebs (Richard Backus) went off to fight World War I. Then he came home and found himself wishing it had never ended. To Ernest Hemingway (Pulitzer Prize Winner), the hardest part of the war was coming home. This is the essence of "Soldier's Home" a story with many similarities to the recent experience of our veterans.

Harold finds he doesn't fit in anymore. He's outgrown his old life and now needs peace and quiet to work things out for himself. Yet he's pressured by his loving but misunderstanding mother (Nancy Marchand, The Sopranos) to rejoin a community in which he feels alien. An intense and personal character study from the giant of American Literature, Harold discovers going home is never easy-and maybe isn't even possible.

DVD Features: Author Bio, Actor Bio, Printable Study Guide, About the American Short Story Collection, Audio Interview – Robert Geller, Henry Fonda Intro

Seen on PBS

Product Details

• Amazon Sales Rank: #93447 in DVD
• Released on: 2006-01-10
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Color, DVD, NTSC
• Original language: English
• Number of discs: 1
• Running time: 42 minutes

The New York Times
"An Extraordinary experiment in the blending of scholarship, cinematic art…first rate talents."

Customer Reviews

Best Hemingway on Film
While there is a movie of almost every novel Hemingway published in his lifetime, this gem is heads above any other film version of his fiction.

Soldier's Home is a short story based on a World War I veteran's homecoming to his small Oklahoma town, but most recognize the town as as Hemingway's Oak Park, and some of the familial tension as based on his own. The Nick Adams stories of the same period were more identifiably autobiographical; the transposition to Oklahoma with a differently named veteran may have been to erect a second veil of privacy.

But all of this matters little except as orientation. The economy of Hemingway's fictional method included, as a major technique, the witholding of explanatory background and baggage. The problem with most Hemingway films is that they attempt to put back in what he cut. This one does not. It leaves the story straight as Kentucky whiskey, bitter as pickle brine -- effects Hollywood would never likely produce given its commercial demands (public television made this film). The effect is quite startling -- not only the costumes and speech, but the whole invisible aura of the time transmitted as clean as if they had color film and sound back then.

To say much more would spoil the story, except that it effectively explains how the lost generation got lost.