Product Details
1952, Vol. 2

1952, Vol. 2
Oscar Peterson

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Track Listing

  1. Too Marvelous For Words
  2. But Not For Me
  3. Thou Swell
  4. Willow Weep For Me
  5. Pick Yourself Up
  6. Long Ago And Far Away
  7. Love Walked In
  8. I Got Rhythm
  9. A Fine Romance
  10. A Foggy Day
  11. Strike Up The Band
  12. The Man I Love
  13. Let's Do It
  14. It Ain't Necessarily So
  15. I've Got My Love To Keep Me Warm
  16. I've Got A Crush On You
  17. Night And Day
  18. Isn't This A Lovely Day
  19. What Is This Thing Called Love?
  20. Oh, Lady Be Good!
  21. 'S Wonderful

Product Details

  • Amazon Sales Rank: #677852 in Music
  • Released on: 2005-11-08
  • Number of discs: 1
  • Dimensions: .21 pounds

Customer Reviews

Oscar on Classics, Vol.6: The saga continues5
This is the sixth volume in the Classics series of Oscar Peterson's complete output in chronological order. Included are a couple of sides from a February session, two more from a May/June session, and then 17 sides from a massive November/December session, which represent only about half the output of that date, if it was a single date (mx. numbers are consecutive, however); all were done for Norman Granz and appeared originally on Clef or Mercury. Also, all are trio recordings, with Barney Kessel on guitar and Ray Brown on bass.

The February recordings feature Peterson's singing, which is Nat Cole-influenced and quite pleasant. By the next session Oscar had begun his first round of Songbook recordings, with all the selections by either Richard Rodgers, Gershwin, Cole Porter, Berlin, or Jerome Kern. Some highlights include an unusually slow tempo on A FOGGY DAY, Kessel playing follow-the-leader to Peterson on STRIKE UP THE BAND, the very slow pace taken on ISN'T THIS A LOVELY DAY, the nice bluesy feel created on the slower-than-usual LADY BE GOOD, and the interesting opening to 'S WONDERFUL where the tempos vary before going into straight 4/4. Barney Kessel is an excellent single-note guitar soloist, and is particularly fine on THOU SWELL, I GOT RHYTHM, and 'S WONDERFUL. Many think that this trio was the best Oscar ever worked with, and I tend to agree (though Herb Ellis was no slouch, either). Great songs played by a great jazz trio: what more could you ask for?