Product Description

For sheer pageantry and spectacle, few motion pictures can claim to equal the splendor of Cecil B. DeMille's 1956 remake of his epic The Ten Commandments. Filmed in Egypt and the Sinai with one of the biggest sets ever constructed for a motion picture, this version tells the story of the life of Moses (Charlton Heston), once favored in the Pharaoh's (Yul Brynner) household, who turned his back on a privileged life to lead his people to freedom. With a rare on-screen introduction by Cecil B. DeMille himself, this unforgettable movie experience is enhanced by a Dolby surround stereo soundtrack.

Product Details

• Amazon Sales Rank: #627 in DVD
• Brand: PARAMOUNT HOME VIDEO
• Released on: 2006-03-21
• Rating: G (General Audience)
• Aspect ratio: 1.78:1
• Formats: Box set, Black & White, Color, DVD, Full Screen, Widescreen, NTSC
• Original language: English
• Subtitled in: English
• Number of discs: 3
• Dimensions: .55 pounds
• Running time: 356 minutes

Amazon.com essential video
Legendary silent film director Cecil B. DeMille didn't much alter the way he made movies after sound came in, and this 1956 biblical drama is proof of that. While graced with such 1950s niceties as VistaVision and Technicolor, The Ten Commandments (DeMille had already filmed an earlier version in 1923) has an anachronistic, impassioned style that finds lead actors Charlton Heston and Yul Brynner expressively posing while hundreds of extras writhe either in the presence of God's power or from orgiastic heat. DeMille, as always, plays both sides of the fence as far as sin goes, surrounding Heston's Moses with worshipful music and heavenly special effects while also making the sexy action around the cult of the Golden Calf look like fun. You have to see The Ten Commandments to understand its peculiar resonance as an old-new movie, complete with several still-impressive effects such as the parting of the Red Sea. --Tom Keogh

Customer Reviews

It's DeMille...You'll Either Love It or Hate It!
While Cecil B. DeMille's directorial skills were sometimes too rooted in the more grandiose style of the silent era, he CERTAINLY was ALWAYS a master showman, and his 1956 remake of "The Ten Commandments" is a whale of a show! Both pious and profane, posturing and sincere, it isn't great history, but it abounds in spectacle. While he was in poor health during the filming (suffering a seizure that was either a stroke or mild heart attack, while working under the 130-degree Egyptian sun), his distinctive 'style' was never more in evidence, with broad, overwrought performances, dazzling costumes and sets, monumental climaxes, and morals that are repeatedly hammered home. In 'classic' DeMille, there ARE no 'grays', everything is 'good' or 'evil', and 'evil' WILL be punished! Watching the film, you'll either enjoy the 'ride', or you'll groan, again and again. Personally, I love it, even with it's unintentional(?) campiness!

Among my favorite 'so bad it's FUN' moments are 'Rameses' Yul Brynner and 'Nefretiri' Anne Baxter's frequent use of "Moses, Moses..." whenever he predicts something dire (Brynner looks like he can barely keep a straight face, uttering the phrase); 'Sephora' Yvonne De Carlo's stoic, yet impassioned pitch to Moses to marry her, always looking away ('into the future', I presume), when comparing her assets to Nefretiri's; 'Dathan' Edward G. Robinson's entire performance (nearly epic hamminess from one of America's finest film actors); Woody Strode's Ethiopian 'Princess' companion, who praises Moses' kindness with so much heat and honey that Nefretiri suspects he was fooling around, down south; and Sir Cedric Hardwicke's 'Sethi', turning an Egyptian Pharoah into a world-weary lovable executive-type (one can't help but wonder how Rameses could be HIS son!)

Compared to Baxter's scenery-chewing, and Brynner's posturing, Charlton Heston's portrayal of Moses is so understated that he's often been criticized as 'wooden' in the role, which is unfair; while DeMille frequently posed him to match classic statues and paintings, his complete earnestness in the role, combined with his sheer physical presence, keeps him from receding into the backround of the spectacle that surrounds him. Despite thousands of Egyptian extras portraying Hebrews during the astonishing 'Exodus' sequence, filling the screen, Heston always grabs and holds your attention; certainly no actor has ever been a more memorable Moses!

The film has some very obvious merits; many of the special effects (particularly the 'Angel of Death' vapor, and the massive parting of the Red Sea) are still astonishing, today; Elmer Bernstein's score is an often 'over-the-top' joy to listen to; and the cast includes some very entertaining supporting players, including Nina Foch, Vincent Price, and DeMille's longtime associate, Henry Wilcoxon.

Taken as spectacle, as a grand entertainment for the senses, "The Ten Commandments" is quite a show, and it's continued popularity over the past half-century is proof that many are still captivated by it.

Cecil B. DeMille, master showman, knew his audience!

Spellbinding. . .
Okay. I admit it. Watching this Biblical epic, when it was a mainstay on ABC each Easter evening for some 30 years, I practically had the whole script memorized. . .even knew when Anne Baxter, as over-eager Nefretiri, would slide into a wickedly wonderful pattern of over-acting. ("Moses. . ." she would coo, "take me in your arms. . .") I must have seen THE TEN COMMANDMENTS dozens of times, and yet, each year, I plopped my carcass on the couch on Easter evening, popcorn and suds in tow, and watched Cecil B. DeMille's 4-plus hour epic, completely mesmerized and entertained.

All of us know the story: a once-great Egyptian prince leads his true people, the Hebrews, into freedom from four centuries of slavery and bondage. It is a great story, as four books of the Old Testament aptly, well, attest. Yet what makes this flick truly wonderful, impressive, and fun to watch, is the scope and grand scale of DeMille's 1956 epic--from the awesome vistas of Egypt, portrayed on a blue screen in some Hollywood studio, to the blatantly corny, often laughable, dialogue and actions of its characters (a distant reflection of the silent film icon who dominates this picture). Accordingly, THE TEN COMMANDMENTS, in particular, this DVD Special Collector's Edition, is an absolute blast for film buffs thirsty for more trivia and knowledge regarding one of Hollywood's alltime classics.

Here, in the wonderful commentaries that accompany the film, "The Ten Commandments" student and author Katherine Orrison furnishes an incredible, interesting, and overwhelming avalanche of information. For instance: Did you know that DeMille's first choice for Queen Nefretiri was not Anne Baxter, but Audrey Hepburn? Yet, unfortunately, Hepburn lacked the figure to fill out the silk gowns so prevalent for her character, so Baxter got the nod. And. . .William Holden, not Yul Brynner, was pegged to play Rameses. . .yet Bill didn't want to have his head shaved, while Brynner was an international star following his clean-shaven skullcap in the "King And I." Brynner looked "Egyptian"; he got the part, Holden was dispatched.

And I loved the "diaper pen" disclosure of infant Fraser Heston, who, of course, is Charlton Heston's son, and who played the baby Moses. I've watched this movie, again, dozens of times, but I never noticed the glistening diaper pen on sturdy Fraser's diaper, as the baby laid in his willowy basket, until a giggling Orrison brought it to my attention. Yep, there it is; yet DeMille was on a tight schedule. No time to go back and correct.

In fact, I did not realize that DeMille, 75 when this film was made, suffered a devastating heart attack during production--a setback that threatened to bring the entire project to its knees, before his ambitious daughter filled in for her father, for three short days, before DeMille returned to navigate THE TEN COMMANDMENTS to its historical conclusion. This is good stuff, and Orrison furnishes minute details of just about everything in spellbinding fashion.

So, although Chuck and the gang no longer dominate ABC entertainment on Easter evenings, THE TEN COMMANDMENTS still dominates the hallowed tier of epic lexicons. This movie, after some 50 years, continues to uplift and entertain; and this collector's edition, with its objective grasp of the facts, merely enhances the viewing experience.
--D. Mikels, Author, WALK-ON

FINALLY, GREAT EXTRAS
The second DVD release of Cecil B. DeMille's 1956 landmark film THE TEN COMMANDMENTS -- Special Collector's Edition (Paramount) has all the extras you expected from the first. Charlton Heston hears God's voice and obeys bringing law and light and freedom to slaves. Elmer Bernstein's terrific score, great production design, still nifty effects, a six-part production documentary and a highly detailed commentary make this one for the library.