Product Description

Studio: Sony Pictures Home Ent Release Date: 09/25/2007

Product Details

• Amazon Sales Rank: #191373 in DVD
• Brand: Sony
• Released on: 2006-03-28
• Rating: Unrated
• Aspect ratio: 1.85:1
• Formats: AC-3, Dolby, Dubbed, Subtitled, Widescreen, NTSC
• Original language: English, Japanese
• Subtitled in: English, French, Spanish
• Dubbed in: French
• Dimensions: 1.00 pounds
• Running time: 92 minutes

Amazon.com
It's not the scary hit that The Ring was in 2002, but The Grudge makes a similarly convincing case for American remakes of popular Japanese horror films. Barely a year passed between the release of Takashi Shimizu's creepy ghost story Ju-On: The Grudge and the production of this American remake, set in Tokyo and starring Sarah Michelle Gellar in her first post-Buffy horror film. About the only significant difference between the two films is the importing of a mostly-American cast (including Bill Pullman, Clea DuVall and Grace Zabriskie), but The Grudge was reconfigured (by screenwriter Stephen Susco) to allow Shimizu to refine and improve the spookiest highlights of his earlier version, which enjoyed previous incarnations as a short film and two made-for-Japanese-video features. Surprising box-office analysts with a $40 million opening weekend, The Grudge may disappoint hard-core horror fans because it lacks gore and graphic violence, but as a creepy tale about a very haunted house, it's guaranteed to send a few chills up your spine. --Jeff Shannon

From The New Yorker
Here's a new one: the Japanese horror film "Ju-on" gets its tepid Hollywood makeover by its original director, Takashi Shimizu. The movie is your standard haunted-house boilerplate, with an American exchange student in Tokyo (Sarah Michelle Gellar) out to solve the mystery. There are rattling sounds, dark shadows, and the always reliable sightings of ghosts (in this case a zombified boy). As Gellar chases the nasty demons around, people keep entering the house and the body count rises. There's no plot to speak of, and no real terror, just a collection of nicely photographed scenes. -Bruce Diones
Copyright © 2006 The New Yorker

Customer Reviews

More of an interesting production than a great horror movie
Despite the $39 million that "The Grudge" earned in its opening weekend to make it the #1 film in the nation, I had low expectations when I popped this DVD in to watch. This was because my youngest daughter had rushed out to see the film (because it had Sarah Michelle Gellar a.k.a. "Buffy the Vampire" in it) and she was bitterly disappointed. While I would not trust her opinion as to what is a great movie (she loves "Gone With the Wind" but does not get "The Godfather"), I thought she would know what was a bad horror movie. Consequently, I think my expectations for "The Grudge" were so low that there was nowhere to go but up once I actually watched it.

I knew this 2004 horror film was a remake of the Japanese movie "Ju-on," in the tradition of "Ringu"/"The Ring," but I did not know that it was filmed in Japan by the same director, Takashi Shimizu (I tend to avoid finding out a lot about films until I actually see them so that I be pure of mind when I first watch them). This makes a big difference because the idea behind this production is behind both the strengths and the weaknesses of "The Grudge" as a film. However, since I lived in Japan for a couple of years, have enjoyed Japanese films in general and "Spirited Away" in particular, and have an ability to understand non-linear narrative forms, I have to admit that I have a peculiar position from which to view the film (so take what follows with a grain of salt).

As the opening of the film explains, "When someone dies in the grip of a powerful rage a curse is born. The curse gathers in that place of death. Those who encounter it will be consumed by its fury." When you listen to the DVD extras you learn that there is another key ingredient: the source of that rage is that the victim does not know why they were murdered. This is important because this is not your typical American horror movie where the guilty die grizzly deaths. The innocent are the only items on the menu this time around. If you want other clear indications that this is a Japanese horror movie then notice that Shimizu goes for the creeps over suspense (guessing who is next to die is never difficult), the camera never lingers on the film's grossest images, and seeing the ghost happens early and often. The last one presents the most problems in terms of cultural translation because the Japanese conception of demons is so foreign to American audiences (I know, duh, but it is true) as is the idea of a Japanese monster house ("Obakeyashiki").

Executive producer Sam Raimi had seen "Ju-on" and came up with the idea of remaking the movie in Japan with the same director but with American actors for an English speaking audience. So this is not the same thing as splicing in scenes of Raymond Burr to turn "Gojira" into "Godzilla," but it is somewhat pointed in that same direction. Stephen Susco's screenplay has to come up with reasons why the American actors are working (and dying) in Japan and while he certainly comes up with plausible means of employment, there is an elephant in the living room in that the body count consists mostly of gaijin but that is never a part of the equation. Granted, Detective Nakagawa (Ryo Ishibashi) is suspicious of the house given what had happened three years earlier, but this film really needed to deal with the gaijin issue better (I was going to say that having more Japanese killed off in the movie would help, but then we have the problem a gaijin being the heroine in a story set in Japan).

However, at some point a decision was made for Jeff Betancourt to edit "The Grudge" in a non-linear fashion. Now, what they came up with is an interesting approach, but clearly most viewers are not picking up on what is happening right away. Beginning with the opening deaths before the title credits are over, "The Grudge" follows the first death backwards to the beginning of the tale and the second forward to the ending. These two plotlines alternate to the climax in which they actually come together. Unfortunately, this is just way too convenient as the only way that our heroine can understand what is going on. At a point where the puzzle is coming together we are wondering how this is happening when the focus should be on understanding why everything is happening.

Another way in which the production is more interesting than the movie is the limited use of CGI. Throughout the commentary track, Gellar talks about the lengths to which Japanese filmmakers keep things real. The shot of the hand coming out of the back of her character's head in the shower is not a CGI shot. The ghost creepily crawling down the stairs is all the performance of actress Takako Fuji and not a puppet on wires or anything else. When characters listen to messages on an answering machine, there are actually messages on the answering machine. But, again, unless you check out the DVD extras you have no way of appreciating the realism of this particular movie. The more you check out the more you will rethink what is going on in the movie.

"The Grudge" is a creepy movie where the ghost is a lot more interesting than Karen the heroine. But then most of the characters are simply in the wrong place at the wrong time so that bad things can happen to them. Still, my wife screamed twice and jumped three times while watching this, so it can have the desired effect (at least on those unaccustomed to the way modern horror films work). More importantly, the attempt to make a Japanese horror movie for Americans, versus an American version of a Japanese horror movie, is worth paying attention to. Ultimately, I am trying to convince you to watch this movie twice, after checking out all of the DVD features in between.

"The Grudge" vs. "The Ring"
There are many different kinds of scary movies. There are the teenage flicks, like "Freddy vs. Jason" that are all gore and seem to be ongoing metaphors that sex and drugs are bad. Meanwhile, there are the 'adult' mature scary movies, like "The Ring" and "The Grudge". In my opinion, "The Ring" was not scary. The only startling parts were, as a previous reviewer said, the closet scene and the very end. "The Ring" is very suspensful, I'll give it that, but it still left me wondering...
"The Grudge" on the other hand, which I saw last night (opening night) was DARN scary. I went to see it with my friend and we both brought our teddy bears as a joke. Well, we did end up clutching those teddy bears throughout the movie. In the theatre, people jumped, screamed, cried, and laughed. The laughter was nervous laughter, the laughter of people that have seen the trailer and know that, for example, that a hand is going to come out of SMG's head in the shower scene. Before seeing the movie, I had watched the trailer several times, and got scared just watching that. The movie has so many creepy scenes. It may not be rated R, but that doesn't mean it's not worth the money. My friend Lynn covered her eyes whenever the "scary" music started to play and missed half of the movie. I had to explain everything to her afterwards. I was pleased with how the movie wrapped up--I understood how the curse started. It was easy to wrap my 15-year old head around the concept.
One of my favorite scenes in the movie was the part where the horrid creature/ghost is stalking the woman Susan (I think her name was Susan). The noise made by the creature is un-nerving and makes me shiver now. I won't give anything away...but the ending is superb. Not quite as suspensful as "The Ring" ending, but still good. There were SO many scary scenes in "The Grudge" that it made up for it. In the long run, "The Grudge" is a great movie to see with a friend or a boyfriend/girlfriend.
SMG does a great job as Karen and all Buffy fans (such as me) will love seeing her on the big screen in a movie that is not goofy like "Scooby Doo".

The Grudge
Many have given "The Grudge" a very unjust rating, most likely because it isn't the typical American mindless gore that we have seen in so many horror films of both the past (Friday the 13th?) and present (Seed of Chucky?). While those films cirtainly have appeal to many fans of the genre, they hardly require your strict attention to follow the plot. "The Grudge" is different in that it doesn't use gore, or even violence (for the most part) to accomplish the scare. Instead it uses long approaches into scenes in which the audience can anticipate the outcome but is still startled and surprised when it actually happens.

The ending to the movie has been one of its most criticized points, but it is very much in sticking to Japanese tradition where man is not the stronger than the spirit world surrounding him, and with many of the other modern horror flicks.

Overall I am not a fan of the horror genre - usually finding them more funny in their rediculousness than scary, but I can say that this is one of the very few movies that have actually scared me. To me that is all it takes to be a good horror movie.

I enthusiastically recomend it and agree with one of the other reviewers here - it is better to watch it once, then watch all of the special features - including the cast & crew commentary - and then watch it again to pick up on all the things you missed the first time.

The only bad comment I might have is that noone ever really fought for their life, and I doubt many of the characters would have been so ,literally, scared stiff.