Track Listing

1. Once Again
2. That's My D.J.
3. Hold Up
4. Too Deep
5. Smash Your Head
6. Minute by Minute
7. Ask About Me
8. Summer Smoke
9. Friday Night
10. Hand Clap
11. Give and Go
12. Bounce That
13. Warm It Up
14. Double Pump
15. Overtime
16. Peak Out

Product Details

• Amazon Sales Rank: #5727 in Music
• Released on: 2006-05-09
• Number of discs: 1

Album Description
"A fusion of Tigerbeat6's pop destruction and 2ManyDJs' mainstream mash-ups." -URB

"Girl Talk...accelerates beats, distorts textures, pitches up flow, and sets up strange juxtapositions to render absurd the sexed-up aura of hip-hop and dance pop." - CLEVELAND SCENE

"In a time when kids can barely sit through an entire album by just one artist, this A.D.D. mix will keep them sedated and/or spastic." - XLR8R

Girl Talk (a.k.a. Gregg Gillis) is back with his third album on Illegal Art! With each release getting closer to his notorious semi-naked live show, Night Ripper is focused less on beat-fuckery and more on bringing heat to the party. It bangs as a continuous mix packed with wildly disparate Top 40 genres and eras. Current hip-hop hits, soft rock radio standards, party classics, grunge masterpieces, R&B singles, glossy club-shakers and rock anthems are all layered and pieced together into one nonstop celebration of pop and excess declared "a plunderphonics party record" by Mark Hosler of Negativland.

Girl Talk tours regularly and actively participates and collaborates with other "on the verge" Midwest and East Coast artists such as Grand Buffet (Fighting), Drop the Lime (Tigerbeat6), Chris Glover (Interscope) and Hearts of Darknesses (Schematic/Asphodel).

Customer Reviews

Sounds of the Last 3 Decades
I love those late night infomercials for CD packages from Time-Life, you know like "sounds of the seventies" or "AM Gold." I love those infomercials because I don't have to sit through the entire song, I just hear the best parts and it gives me a memory from my childhood. This CD takes that idea a bit further. Not only do I get snippets of songs from the 70s, but there are songs included that were popular last month. All of it is swirled together and it don't stop. I've been facinated with "mash-ups" for quite a while, but this fills all of my want to hear any others. The pace of this disc keeps my attention the whole time. I have been listening to it so much I am a little afraid I'm going to memorize it and it will become predictable. There are some highlights: Notorious B.I.G. mixed with "Tiny Dancer," and my favorite, 2 LIVE Crew "We want some P****" playing over Pavement and Paul McCartney "Silly Love Songs." I love hearing Neutral Milk Hotel counting off at some point. I love hearing Ciara mixed in. M.I.A. sounds great in there at some point too. I don't know who does the song "Kryptonite," but on here it's great. I really hope to hear more from GIRL TALK and I hope it doesn't get popular enough to get pulled, maybe I shouldn't even be writing a review. Maybe I should give it a crappy review, but it rocks!

Hooked on Everything
Keep this album at arm's length as long as possible and see how long before you're in its embrace. Owes as much to the "Hooked on Classics" genre of the 70s as it does contemporary mix n' mashes. The tracks manage to convey two ideas at once, and just as often, two truths about the same idea, as when the a 1970's chorus of "I love youuuu..." is matched with the 90's hip hop chant, "we want some pu**y..." Any song is as good as the next but why not try Bounce That which seems to hit a special kind of transendence toward the middle. Not suitable for children.

The best record of the year
The title may seem a hasty assignment, but I have proclaimed (at last count) five different records that were supposed to be the best of the year. However, just when I think that the industry cannot surprise me beyond belief, artists keep doing it.
Most people will give this record a listen and associate the word "mash-up" with it. However apt the term may be, the production and the execution defies this definition and steps back as athird party and redefines all previous notions of the synonyms of and even the word itself.
Pitchfork Media claimed that, no matter how ambitious, no one can name all of the samples used on the record. This, with the word "mash-up" on the brain, may sound somewhat impossible. But, when Girl Talk uses anywhere between 20 and 40 samples on any one given track, the record becomes a finely arranged symphony of pop music and pop-culture. In essence, the disc makes me think of a research paper. The writer, Girl Talk, researched his beats, vocals, and instrumental lines beyond the call of duty. This record is a manifesto.
Just as a final note, Girl Talk does not just separate songs and their vocal lines, but shows his genius by splitting songs up and alternating pieces of songs in and out of the song, one minute mixing the vocals over a random mash of beats and instrumentals, and then alternates to the previous lyric set's instrumental track with a completely different sample on top of it.

To associate this artist: DJ Shadow and pop-culture meets the Invisible Skratch Picklz.