Product Description

Down-on-his-luck Slevin stumbles into a running feud between two New York gangsters, The Boss and The Rabbi. Tracked by the mysterious assassin Goodkat and distracted by his flirtatious neighbor, Slevin must use his wits to cheat death.

Product Details

• Amazon Sales Rank: #7396 in DVD
• Brand: WELLSPRING/GENIUS
• Released on: 2006-09-12
• Rating: R (Restricted)
• Aspect ratio: 1.66:1
• Formats: Closed-captioned, Color, Dolby, DTS Surround Sound, DVD, Widescreen, NTSC
• Original language: English
• Subtitled in: Spanish
• Number of discs: 1
• Dimensions: .25 pounds
• Running time: 109 minutes

Amazon.com
How boring it is to label a movie Tarantino-esque anymore. The thing is, when it comes to an offering like Lucky Number Slevin, the shoe fits, and the result is anything but boring. Gruesome killings, arid wit, self-reflexive pop culture references, an A-list cast, and style-heavy production values abound, which gives the proceedings an epoxy bond that seals the Q.T. homage factor. Josh Hartnett--who spends a lot of buffed-up time with his shirt off--is Slevin Kelevra, a hapless fellow visiting his New York friend Nick. But Nick has disappeared, which sets off a mistaken-identity thrill ride when two goons grab Slevin (he's in Nick's apartment so he must be Nick) and take him to their crime lord boss, the Boss (Morgan Freeman). The Boss doesn't care about Slevin's wrong-man protests; he just wants the $96,000 Nick owes him. In one of many offers he can't refuse, Slevin has to agree to murder the son of the Boss's felonious arch rival, the Rabbi (Ben Kingsley) or take the bullet himself. But Slevin turns out to be no ordinary patsy. Thrown into the ingeniously designed production, clever plot twists, and academic nods to Bond, Hitchcock, and obscure old cartoons are Lucy Liu as a sexy coroner, Stanley Tucci as an obsessed cop, and Bruce Willis as a wily hit man with his finger in many pots. With so much visual and narrative trickery, there's almost too much to absorb in one viewing of this convoluted jigsaw puzzle of revenge and entertaining mayhem. Lucky Number Slevin isn't quite up to par with similarly brainy thrillers like Memento and The Usual Suspects, but the prospect of seeing it again in order to get your bearings is just as appealing.--Ted Fry

From The New Yorker
Paul McGuigan's rackety thriller starts a quarter of a century ago, then leaps to the present day. The connection between these two time zones is one of the mysteries of the movie, though not so mysterious that most viewers won't have worked it out after an hour. The film badly wants to be baffling, just as it yearns to be cynical, thuggish, and smart—not unlike the Boss (Morgan Freeman) and the Rabbi (Ben Kingsley), a pair of hoods who nourish a mutual hatred. Each is also interested in Slevin (Josh Hartnett), a hapless young man who finds himself in the wrong apartment at the wrong time. The ensuing complications are borrowed, with acknowledgement, from "North by Northwest," although it was possibly unwise to invite comparisons with one of cinema's most smoothly pleasurable tales. McGuigan's movie is more concerned with pleasing itself, and in that pursuit many strong supporting players, such as Stanley Tucci, Lucy Liu, Danny Aiello, and Bruce Willis, are left embarrassed and stranded. Only one puzzle remains: given that we see both the Willis of today and the Willis of yesteryear, how come he looks younger now?
Copyright © 2006 The New Yorker

Customer Reviews

So much more than you think it is
I wasn't exactly sure about the whole idea and concept behind this movie as I walked into it tonight, since all it took was a fifteen second glimpse of a TV trailer and the ambiguous claim about a case of mistaken identity that uncoiled my interest into full blown curiosity.

I was floored and blown away by the movie and at the same time really proud of trusting my gut feeling about good flicks. I was thrown off many times by the black humor since I knew it wasn't a comedy as Slevin (Josh Hartnett) had what seemed like a really unlucky chain of events that have spiraled him into a big, hot mess. As he arrives in New York to meet up with an old school friend after being fired from work, cheated on by his girlfriend back home and mugged down the block, all he finds is an empty apartment and no sign of Nick, his old friend. He proceeds to shower and dress as unexpectedly the next door neighbor, Lucy Liu, drops by to borrow some sugar. They become quick friends with matching quirky personalities and from that point on things go from laughingly bad to worse.

Slevin is mistaken for Nick, who apparently owes money to two rivaling mafia type bosses who hate each other and he gets pulled into their personal war. This movie was so full of twists and turns that I forgot to eat my snacks and almost left my purse at the theater at the end. I recommend not reading too much about it and skipping long trailers because this beauty can be given away on a silver platter and to miss that feeling in the theater of realizing the true story would be a sin. I was really impressed by the actors in this movie and I think Josh who looks like a teen-movie type of an actor did a brilliant job! Bruce Willis is also quickly becoming one of my favorite actors, here as a slick top class assasin, I was impressed greatly!

I enjoyed the twisted suspense, murder mystery comic relief type of a story so much that I was unable to concentrate on my book on the way home. I couldn't read or think, all I was consumed by was the story. This movies is an odd-ball, eccentric, quirky, unconventional and refreshing cinematographic achievement. The line between good and bad guy was blurred consitantly and the story dug deeper and deeper into my curious brain. I'm really glad I got to see it on the big screen.
And last but not last let me tell you, the loud people in front of us who wear eatting and laughing quickly became mutes so sucked into the story that I forgot I was furious with them before. It kept everyone entertained and made them gasp at the right time and the hip music at the end really wrapped the whole thing together nicely.

Bring body bags and a mop
Bodies accumulate quickly in LUCKY NUMBER SLEVIN - at least eight in the first 15 minutes, not including the horse. Then, I lost count.

As background to "now", the film flashes back a couple of decades to a fateful horse race. A young husband and father, privy to a tip about a horse doped for extra speed, takes out a foolishly big loan from a bookie and bets it all. His horse comes from behind, but then fails to finish in dramatic fashion. With no way for the loser to pay back the loan, the local Mob makes an example by brutally killing him, his wife, and his young son. Flash forward to "now".

Slevin (Josh Hartnett) arrives in New York to visit his friend Nick (Sam Jaeger). On his way to the latter's apartment, Slevin is mugged, his nose broken, and his wallet stolen. Arriving at Nick's place, Slevin finds it deserted and the door open, but decides to stay the night. The next day, Slevin is kidnapped, garbed only in a bath towel, from the apartment by two thugs and forced to meet with The Boss (Morgan Freeman) in his luxurious penthouse. The Boss believes Slevin to be Nick and claims the latter owes him $96K, but gives Slevin the option of eliminating the debt by killing the son of his archrival in crime, The Rabbi (Ben Kingsley), who lives in an identical penthouse immediately across the street. Unable to prove his real identity - remember the stolen wallet - Slevin has no choice but to agree to terms before returning to the apartment. Then, as if the day wasn't going bad enough, two of The Rabbi's goons kidnap Slevin and force him to meet with their employer, who, unaware of Slevin's shotgun arrangement with The Boss, claims that Nick owes him $32K. Both mobsters give Slevin three days to meet his obligation.

Slevin's life is further complicated by Lindsey (Lucy Liu), Nick's perky across-the-hall neighbor and NYC medical examiner, hard-boiled plainclothes cop Brikowski (Stanley Tucci), who has both The Boss and The Rabbi under surveillance from a dilapidated van who and wonders how Slevin enters the equation, and Mr. Goodkat (Bruce Willis), a mysterious paid assassin who's apparently working both sides of the street, so to speak.

LUCKY NUMBER SLEVIN is a fiendishly clever, albeit bloody, masterpiece of misdirection and long-delayed justice with a completely unexpected plot twist. This is perhaps the first film of 2006 that contains Oscar-worthy performances - Best Supporting Actor nominations for both Freeman and Kingsley.

The film, at times a very dark comedy, is given its lighter (and romantic) moments by the Lindsey character, whose presence on the screen is marked by a soundtrack turned quirky and playful, and her interaction with the vulnerable Slevin. As a couple, the two are enormously appealing.

Bruce Willis is in top form as the calm, dapper, efficient hit man working in the background to control the strings of his puppets, which apparently even include both The Boss and The Rabbi.

The cinematography, enhanced by uncluttered, modern and/or otherwise visually engaging sets, e.g. the first visit to the airport waiting room, the penthouse occupied by The Boss, and the hallway outside Nick's apartment, is inspired. Even the wallpaper in Lindsey's bedroom is eye-catching.

After a long work day followed by an evening meal, I'm likely to nod off even during a better-than-average film. LUCKY NUMBER SLEVIN kept my eyes open and riveted to the Big Screen for its entire runtime.

Darkly Hilarious and witty
I didn't know what I was getting myself into when we went to see Lucky Number Sleven last night. Having read some reviews that said it tried too hard, was too smart for its own good, etc, I just didn't know what to expect. I didnt' know much, or anything really, of the plot. I'm glad I didn't and I would recommend you don't either.

The first thing that struck me while watching Sleven was that there were a number of deaths upfront that didn't make a lick of sense. However, knowing this kind of film, I knew that eventually the webs would tighten to explain everything. While some reviewers are correct in saying that Lucky Number Sleven ultimately is too smart for its own good, it is still a fun, dark and violent time.

Sleven is sleekly and stylishly directed. The cinematography uses tricks to give a quickly moving, sleek and interesting feel. From the beginning montage, to the end, the cinematography is visually stimulating. As is the sets. The wallpaper in particular caught my eye. A mixing of classical contemporary style (as seen in the Boss' penthouse) mixing with modern designs. Visually pleasing to say the least but also helps set up characters.

The casting is perfect. In fact, this is one of the first times I've seen Lucy Liu in such an effervescent and bubbily role. It was a breath of fresh air to see her playing a non-bitchy, fun-loving person. Her banter with Josh Hartnett provides a ton of surreal humor and situations. Bruce Willis was terrific as the mysterious Smith, Morgan Freeman playing against his usual good guy role was terrific as was Ben Kingsley--though that's no surprise.

I don't want to talk about the plot because that's part of the fun in these films. I will say it is basically about Sleven being in the wrong place at the wrong time, so to speak. And he is mistaken for his friend who owes a lot of money. From there the plot takes off and the pacing is pitch perfect. It's kept alive by manic energy, absurd situations and hillarious banter between the characters. I was smirking, smiling or laughing through most of the film, even when it takes a couple turns into some darker territory.

A dark comedy, film-noir, Lucky Number Sleven was not at all what I expected. It was a lot better, fun and insane.

4 stars -- above the average, mostly because of the cast and the witty repartee that actually serves a point, but it tries too hard to be placed among the Usual Suspects and Mememtos of the world. Good humor, though.