Product Details
DJ Spooky Presents - In Fine Style: 50,000 Volts of Trojan Records

DJ Spooky Presents - In Fine Style: 50,000 Volts of Trojan Records
DJ Spooky

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Track Listing

Disc 1:

  1. Sweet Like Candy - Winston Williams
  2. Nice Nice - The Kingstonians
  3. 007 Shanty Town - Desmond Dekker & the Aces
  4. Funky, Funky Reggae
  5. Shades of Hudson - Dennis Alcapone
  6. Summertime - B.B. Seaton
  7. Disco Devil - Lee "Scratch" Perry
  8. Jah Jah Man - Sly & Robbie
  9. Lama Lava - Augustus Pablo
  10. Come Together - Israelites
  11. Old Fashioned Way - Ken Boothe
  12. Rain - Bruce Ruffin
  13. Your Ace from Outer Space - U-Roy
  14. Rooster - Tommy McCook & the Supersonics
  15. Trail of Pama Dice
  16. Ba Ba Boom - The Jamaicans
  17. Fever - Susan Cadogan
  18. Morning Sun - Alan Barry

Disc 2:

  1. DJ's Choice - Winston Williams
  2. Screaming Target - Big Youth
  3. Great Musical Battle - Derrick Morgan
  4. Russians Are Coming (Take Five) - Val Bennett
  5. Popcorn - The Upsetters
  6. Brother Noah - The Shadows
  7. Reform Institute
  8. Bridgeport [Dub]
  9. King Tubby's Explosion [Dub]
  10. Dynamic Fashion Way - U-Roy,
  11. Yah We Deh - Barrington Levy
  12. Here Comes the Judge - Peter Tosh
  13. Flat Foot Hustling - Dillinger
  14. Hot Sauce (Aka the Argo Man Is Back)
  15. Rudy a Message to You - Dandy Livingstone
  16. Rough Rider [Live] - Special Beat

Product Details

  • Amazon Sales Rank: #51145 in Music
  • Released on: 2006-06-27
  • Number of discs: 2
  • Dimensions: .29 pounds

Editorial Reviews

Amazon.com
If you were expecting some airy, intellectual double disc dissertation on reggae by "arguably DJ culture's most intellectual turntablist," the Derrida-quoting DJ Spooky, you'd thankfully be very wrong here. In fact, of the many, many collections of Trojan's amazing trove of Jamaican music, this is easily one of the best, seamlessly blending the tightest and deepest ska, roots reggae, dub, and rocksteady tracks from the label's vast archives. Obscurities hold their own next to the most well-known tracks, making it a superb gift for both the reggae neophyte and the total "head." In Fine Style: 50,000 Volts of Trojan Records is so good, you're surprised it's not on Soul Jazz--all this from "the only DJ on the scene with degrees in philosophy and French culture," who happens also to have spent much of his youth visiting family and friends in Jamaica. That familiarity shows, and this mix never disappoints. Huzzah! --Mike McGonigal


Customer Reviews

DJ Spooky Pays Tribute to Jamaican Dancehall Culture.5
DJ Spooky pays tribute to the earliest of the deejay cultures, the reggae dancehall selectors in his newest cd, "In Fine Style." In the 70s, a real authentic underground culture of Jamaican deejays, toasters and sound engineers pioneered roots consciousness style of the earliest reggae music. Spooky's selections are from the massive vaults of Trojan records founded by Duke Reid, a prominent deejay and music producer from the earliest days of the dancehall sound system in Jamaica. In addition to the superlative remix album, a bonus album of unremixed reggae classics is included.

The Jamaican deejay culture had a big impact on the emerging New York hip hop scene when Jamaican performers like Big Youth and U-Roy brought the technique of toasting (rhyming lyrics over a vinyl riddim track of music) in the mid-Seventies. Long before rap music mogul Russell Simmons' first protege, Curtis Blow, emerged as one of the earliest rap artists in 1980, the Harlem and Bronx hip-hop dance scene was inundated with the sound of Jamaican toasters rapping in the Trenchtown native tongue patois of the Queen's English.

Hip hop expanded the horizon by adopting Trenchtown rapping to a uniquely American "ghetto-style" treatment. Kurtis Blow and Run-DMC rhymed their street poetry to the music of planetary funk masters like James Brown, Afrika Bambaataa and George Clnton's Parliment-Funkdelic bands. In essence those early years of Trojan Records and the emergence of reggae defined the direction of American pop music for the next thirty years.

Producers like King Tubby, Duke Reid and the Mad Professors created drum n' bass heavy dub plates of popular reggae dancehall hits, especially designed for toasting. Dub plates had crashing waves of psychedelic echoes and a remix that often emphasized the "one drop" or the third beat of the measure in which a reggae drummer would hit the snare. Reggae "riddim" breaks from the conventional emphasis of the 2nd and 4th beats in most blues, rock and pop music. This down tempo off-rythym technique of "one drop" drumming and rythym guitar playing gives reggae music it's distinctive "heartbeat" quality.

Most of the songs here like the remix of Max Romeo's "Iron Shirt" & Desmond Dekker's "007 Shanty Town" are familiar to early reggae/ska enthusiasts and DJ Spooky resists the temptation to overplay his hand by doing anything more clean up the master tapes with a cleaner mix of the music. The second CD is similar to Thievery Corporation's 2001 selection of unremixed virgin masters from the vault of Verve's jazz recordings.

Intrestingly enough, DJ Spooky's selections vary between jazz and pop influenced tracks and the more traditional roots reggae. A lot of the tracks are hard to find, even for a hardcore vintage Trojan Reocrds collector like myself.

For roots reggae collectors, the 34 selected early reggae classics make "In Fine Style" the roots reggae reissue jewel of the year for 2006. For those who are newer fans of reggae, trust me on this...DJ Spooky's selections may sound a bit antiquated upon your first listen; but you will discover many rewards with repeated listening.

Best Reggae Compilation of All Time?5
A case could surely be made that this is the best reggae compilation of all time. Not only is it "heavy" and "funky" and "soulful," it also has a sense of fun. Don't worry that DJ Spooky merely collected these tunes without applying his remixing magic. That doesn't matter. He should be thanked for putting together such a top-shelf compilation. Lots of tracks could be discussed, but I wish to call attentioin to one track in particular. I think it's track 7 on disc one: DISCO DEVIL. This, in my opinion, is the true gem of the entire compilation. If you're familiar with that Lee Perry produced song, "Chase the Devil," you know, "I'm gonna put on an iron shirt, and chase Satan out of Earth..." Well DISCO DEVIL is another version of that song that Lee Perry put together and it is absolutely brilliant, I can't stop listening to it, it's so cool. So I thank you, Mr. Spooky.

A Great Compilation...Did You Know There Is A Second One?5
I agree with all the others, just a great compilation of early ska, dub, reggae, etc. not mixed, but it still has a great flow. However some people may not know, but Spooky recently released another 2 disc set called "DJ Spooky Presents: Riddim Come Forward 50,000 Volts of Trojan Records". I think it is a strictly UK thing. I couldn't find it on here, but you can find it at the Amazon UK site. Really worth checking out, just order it from them, it really doesn't cost much more than anything bought from this amazon either. The first disc on the second version is a "mix", not totally manipulated like Spooky can do, but it still is a continuous mix with Spooky throwing in his own flare. The second disc is just another compilation (not the same songs as the first disc mix). So you get two more discs full of great music. Just listening to it for the first time, but it is in the same vein as this release, just lots of classic tunes. Check it out.