Product Description

Nine days after her seventeenth birthday, singing sensation Renee Olstead and her stunning bluesy jazz voice take flight with her second major-label album, Skylark. Backed by esteemed producer/arranger David Foster (Josh Groban, Michael Buble, Celine Dion) on strings, piano, horns and often keyboards, Olstead stamps her mark on standards and modern classics and premieres four originals she co-wrote, including one with Foster. Following her 2004 #1 Jazz self-titled album, Olstead soars on Skylark.

Track Listing

1. Midnight Man
2. Lover Man
3. Stars Fell On Alabama
4. My Baby Just Cares For Me
5. When I Fall In Love (featuring Chris Botti)
6. Thanks For The Boogie Ride
7. Hold Me Now
8. Skylark
9. Midnight In Austin Texas (special guest Robert Randolph)
10. Hit The Road Jack
11. You've Changed
12. Ain't We Got Fun
13. Nothing But The Blame

Product Details

• Amazon Sales Rank: #1590 in Music
• Released on: 2009-01-27
• Number of discs: 1
• Dimensions: .20 pounds

Customer Reviews

Finally, it's here! So worth the wait.
I've been waiting for this CD for 2 years now. I actually met Renee at a dance club back in Nov. 2006, and she said the CD would be released in Jan. 07, but that they wanted to get it right before release. Well, she definitely got it right.

Her voice sounds more mature now, and as always, so wonderful to listen to. She has a style all her own, and so beautiful. And as a swing dancer, there's plenty to dance to on this CD as well. I've always loved Anita O'Day's "Thanks For the Boogie Ride," but Renee does her own take on the classic, and really shines.

My only wish is that "Through the Fire" would have been on the CD. But then it would have probably been delayed even more. If you love Renee, you've gotta have this CD.

Simply Stunning
I just have to say that this album was one of the best I have heard in a very long time. It's simply stunning that this is an eighteen year old that is okay with singing songs of substance rather than be wearing tight, sleazy clothes and singing about sex and boys like her counterparts. I am a 25 year old who used to love the pop scene (Paris Hilton, Girlicious, etc.) but have found solace in other genre's like classical, jazz, and thanks to this album, will now be listening to more swing. I caught her self titled album as well and was captivated by the range and emotion in her voice at such a young age. This album and the previous will be on repeat on my MP3 player and I cannot wait for a third album. Talent like this must never stop because this is all we have left in an otherwise talentless society nowadays. Just a note to Renee: No matter who criticizes you never sell out; continue to release great remakes and originals and set the tone for others. You don't have to catch up to them, they have to discover you!

Pretty Young White Girls..........
....aren't supposed to sing this repertoire this well. Well...there's Jane Monheit, but, great as Jane is, Renee is the new head of the list. (Diana Krall is a pretty white girl, but not young; Madeleine Peyroux is young and white). This record took too long to make, but I forgive whoever slowed it up...it is FABULOUS. Yes, I like gorgeous redheads, but that's irrelevant with singing this good.....

As to specifics...13 tracks...4 original compositions, of which I liked "Midnight in Austin, Texas" the best...9 old standards, that every girl and her sister has done before (some more than others, naturally). Well...it's like hearing them for the first time. "Stars Fell on Alabama"..."When I Fall in Love"..."Ain't We Got Fun"...Renee makes them her own. With Jazz, that's OK...in fact, it's the idea. (If Anna Netrebko did that in "Lucia", it would be a different matter). The Hoagy Carmichael/Johnny Mercer standard "Skylark", the title cut, has been done over and over, but NEVER better (the late Eileen Farrell did it for Reference Recordings ~20 years ago, but she was of an entirely different order of magnitude). Ray Charles recorded "Hit The Road Jack" at least 45 years ago; it's written for a man, but Renee did fine, and was smart enough not to mess with the lyrics.

If you get the idea that I believe this to be a REALLY special album, you're right. In a couple of tracks, including "Stars Fell...", the sound mimicked a 1930s broadcast...that's OK, it wasn't overdone. I do see the earlier reviewer's caveat about the engineering; my sub-woofer got a work-out. That aside, this is one of the greatest Jazz albums I've ever heard. (Yes, Diana, I still love you). The little girl from her self-titled recording is growing up very nicely. Don't fail to grab this....ten stars, at least.