Track Listing

1. Oh What A Beautiful Morning
2. Let The Good Times Roll
3. How Long Has This Been Going On?
4. Every Saturday Night
5. I Can't Stop Loving You
6. Cryin' Time
7. Busted
8. Come Live With Me
9. Feel So Bad
10. The Long And Winding Road
11. Look What They've Done To My Song
12. Georgia On My Mind

Product Details

• Amazon Sales Rank: #14640 in Music
• Brand: Dig
• Released on: 2006-10-03
• Number of discs: 1
• Dimensions: .23 pounds

Album Description
The producers of this CD discovered archival reels of Ray Charles and the Count Basie Orchestra performing live together in 1973. Although the vocals were superior, the remaining elements were or extremely poor quality. They decided to bring the current Count Basie Orchestra into the studio and, using the latest technology, they carefully and painstakingly laid down a new musical backdrop for Charles' towering vocals.

More from Ray Charles and the Count Basie Orchestra

Genius Loves Company	Ultimate Hits Collection	Ray! Soundtrack
America's #1 Band: The Columbia Years	Count Basie at Newport	Swing Shift

Amazon.com
To fake or not to fake: That is the question consumers must answer for themselves in assessing this feat of aural Photoshopping: an "imaginary concert" created by combining recently discovered soundboard tapes of Ray Charles's vocals from a mid-'70s European show and newly recorded backing by the Count Basie Orchestra--the "ghost band," still on the road 22 years after Count's passing. Charles is in exceptional voice, singing the heck out of standards like "How Long Has This Been Going On?," Genius classics like "Busted," and pop covers like Melanie's "Look What They've Done to My Song." His performance is a thrilling corrective to forgettable posthumous albums like Genius Loves Company, designed to cash in on the new audience created for him by the movie Ray. But as competently as the Basie band fill in the blanks under the direction of Bill Hughes, with Joey DeFrancesco guesting on organ, most of the new arrangements are rather pallid, and the ensemble lacks the personality of both the Basie orchestra and Charles's best groups. And as attractive as Ray Sings, Basie Swings may be for the casual listener, the gimmickry will appall serious fans, particularly since neither Charles nor Basie--who never collaborated in life--was around to lend his approval. Is The Doors Sing, Woody Herman Swings next? --Lloyd Sachs

From Amazon.ca
Ray Sings, Basie Swings proves not only that there's a market for Brother Ray's every last recorded utterance (and a breathless one at that), but that musical grafting can reap some seriously satisfying rewards. After Concord Records A&R chief John Burk mined his label's vaults in 2005 and came across tapes labeled "Ray/Basie," he made a move to re-record the songs, originally performed in the 1970s; the result is these 12 tracks, in which Charles's whiskey-weathered, old-soul vocals are laid over arrangements by the current Count Basie Orchestra. Charles fans couldn't ask for a classier pairing or more seamless studio wizardry: The classics, from "I Can't Stop Loving You" to "Busted" to "Georgia on My Mind," play as though orchestrated by the Genius himself--tight, nuanced, and intimate-sounding. Less familiar tracks, like the down-home deep-South number "Every Saturday Night" and a couple of covers ("Look What They've Done to My Song, Ma" and "The Long and Winding Road") offer so much in the way of novelty it's tempting to forget that what's playing is mostly the result of modern experimentation. Deep as the disc runs--and no one who who hears the broken-hearted "Cryin' Time" will deny it runs deep--the most essential track on Ray Sings, Basie Swings may be its most lighthearted one: There is no hearing Ray Charles sing "Oh What a Beautiful Morning"--even if it's four in the afternoon, even if it's raining torrentially--without agreeing. --Tammy La Gorce

Customer Reviews

The "Ray Charles & Count Basie Tapes". A must listen !
Undiscovered genius until now!
From the Fantasy master tape vaults a rare treasure was unearthed. Vintage, never-before-released, absolutely stunning Ray Charles performances; 'Genius' in his prime, singing a bevy of timeless Charles classics including 'Let the Good Times Roll,' 'I Can't Stop Loving You,' and 'Georgia on My Mind.'
The only problem was that-while the power and nuance of Ray's vocals were recorded perfectly clearly-the accompanying big band parts on this 2-track stereo tape were, conversely, quite poorly-recorded and barely audible.
But Ray Charles vocal performances this good just had to be released and heard somehow.
Fortunately, with the benefit of modern recording technology and one of the most swinging big bands on the planet-today's Count Basie Orchestra under the direction of Bill Hughes-these rousing big band arrangements were recreated and re-recorded in sync with Ray's incredible vocal performances, with excellent results.

5 Stars - BUY it, Listen and LOVE it!
Who cares how this recording was made? It sounds beautiful! Ray is in EXCELLENT voice, and the Basie Band sounds outstanding as usual. It is still the best big band out there today.

Why criticize the technology when we should be thankful for it. This is a beautiful album for fans of Ray, Basie, or just darned good music.

6 out of 5 stars!

Absolutely fabulous...but a deceptive package
A 1973 recording of Ray Charles at the absolute peak of his powers, matched to an outstanding big-band accompaniment by the "Count Basie Orchestra," a legacy band. The accompaniment was recorded in 2006, two years after Charles' death; William "Count" Basie died in 1984. In my humble, there are a couple of songs where the arrangement doesn't work well ("Every Saturday Night," for example), and I think "The Long and Winding Road" just wasn't a good choice for Ray Charles. That said, though, the album as a whole is simply jaw-dropping, and I play it constantly.

My complaint -- and it's a big one -- is the title, and the marketing. It's clear that almost half the reviewers here think that Count Basie is on this CD. He isn't, of course -- but you have to read carefully to figure that out. If I had first heard this on the P.A. at my local mega-bookstore, I would have stampeded to the counter, purchased it instantly, and then felt angry and betrayed to discover that Basie ain't there at all.

They picked the right band for the accompaniment -- but they have no right to fool people into thinking they're buying Ray and the Count. One star off an otherwise fantastic CD.

For the nay-sayers: I'm delighted that Concord produced this CD. It's the best "new" music I've heard in a long, long time. They found a pristine recording of the vocal track of a Ray Charles concert -- what are they supposed to do, throw it away? Our great vocal performers -- Ella, Ray, Frank, Elvis (make your own list) -- are all gone, and there's no one, NO ONE, out there of their stature and talent. If an unreleased performance turns up, then record companies are doing us a service by producing it -- and if the recording NEEDS enhancement, then do it. All I ask is that they be honest about what the product is. Some pond-scum somewhere would love to make "Sinatra and Madonna: the Duets." I won't buy it, because that WOULD be a travesty (and because it'll suck, big-time).

Ray's dead -- but his voice lives on. The Count's dead -- but his spirit is alive and well in the legacy band that bears his name. Thank goodness for both, and for this CD. I only wish that the package were more honest, and that there were two or three times more material.