Bach Edition: Complete Works (155 CD Box Set)
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Average customer review:Track Listing
Disc 1:
- Without tempo indication
- Adagio
- Allegro
- Menuet - Trio I - Polonaise - Trio II
- Without tempo indication
- Andante
- Allegro assai
- Without tempo indication
- Adagio
- Allegro
Disc 2:
- Allegro
- Andante
- Presto
- Allegro
- Affettuoso
- Allegro
- Without tempo indication
- Adagio ma non tanto
- Allegro
Disc 3:
- I. Ouverture
- II. Courante
- III. Gavotte I & II (alternativement)
- IV. Forlane
- V. Menuet I & II (alternativement)
- VI. Bourée I & II (alternativement)
- VII. Passepied I & II
- Sinfonia
- I. Ouverture
- II. Rondeau
- III. Sarabande
- IV. Bourée I & II (alternativement)
- V. Polonaise
- VI. Menuet
- VII. Badinerie
Disc 4:
- I. Ouverture
- II. Air
- III. Gavotte I & II
- IV. Bourée
- V. Gigue
- Wir müssen durch viel Trübsal in das Reich Gottes eingehen
- I. Ouverture
- II. Bourée I & II
- III. Gavotte
- IV. Menuet I & II (alternativement)
- V. Réjouissance
Disc 5:
- Allegro
- Adagio
- Allegro
- Allegro
- Adagio
- Allegro assai
- Allegro
- Largo
- Presto
- Allegro
- Andante
- Allegro assai
- Allegro
- Adagio
- Allegro
Disc 6:
- Allegro
- Adagio
- Allegro
- Without tempo indication
- Siciliano
- Allegro
- Without tempo indication
- Adagio e piano sempre
- Allegro
- Allegro
- Larghetto
- Allegro ma non tanto
Disc 7:
- Without tempo indication
- Largo
- Presto
- Without tempo indication
- Andante
- Allegro assai
- Without tempo indication
- Andante
- Allegro assai
- Allegro
- Largo ovvero adagio
- Allegro
- Without tempo indication
- Largo
- Allegro
Disc 8:
- Without tempo indication
- Adagio ovvero largo
- Fuga
- Without tempo indication
- Andante
- Allegro Assai
- Without tempo indication
- Alla siciliana
- Allegro
- Without tempo indication
- Adagio
- Allegro
Disc 9:
- Allegro
- Adagio
- Alla breve
- Allegro
- Adagio
- Allegro
- Allegro
- Larghetto
- Allegro ma non tanto
- Vivace
- Largo
- Allegro
Disc 10:
- Adagio
- Fuga (allegro)
- Siciliana
- Presto
- Allemanda
- Double
- Corrente
- Double, presto
- Sarabande
- Double
- Tempo di Borea
- Double
- Grave
- Fuga
- Andante
- Allegro
Disc 11:
- Allemanda
- Corrente
- Sarabande
- Giga
- Ciacona
- Adagio
- Fuga
- Largo
- Allegro assai
- Preludio
- Loure
- Gavotee & Rondeau
- Menuet 1 - Menuet 2 - Menuet 1
- Bourrée
- Gigue
Disc 12:
- Prelude
- Allemande
- Courante
- Sarabande
- Minuet I & II
- Gigue
- Prelude
- Allemande
- Courante
- Sarabande
- Bourrée I & II
- Gigue
- Prelude
- Allemande
- Courante
- Sarabande
- Gavotte I & II
- Gigue
Disc 13:
- Prelude
- Allemande
- Courante
- Sarabande
- Minuet I & II
- Gigue
- Prelude
- Allemande
- Courante
- Sarabande
- Bourrée I & II
- Gigue
- Prelude
- Allemande
- Courante
- Sarabande
- Gavotte I & II
- Gigue
Disc 14:
- Andante
- Largo e dolce
- Presto
- Allegro moderato
- Siciliano
- Allegro
- Vivace
- Largo e dolce
- Allegro
Disc 15:
- Andante
- Allegro
- Adagio
- Menuet 1 & 2
- Adagio ma non tanto
- Allegro
- Andante
- Allegro
- Adagio ma non tanto
- Allegro
- Siciliano
- Allegro assai
- Allemande
- Corrente
- Sarabande
- Bourrée anglaise
Disc 16:
- Prelude
- Allemande
- Courante
- Sarabande
- Gavotte 1 & 2
- Gigue
- Prelude
- Allemande
- Courante
- Sarabande
- Bourrée
- Gigue
- Prelude
- Fugue
- Sarabande
- Gigue-double
Disc 17:
- Prelude
- Fugue
- Allegro
- Prelude
- Loure
- Gavotte en rondeau
- Menuet 1 & 2
- Bourrée
- Gigue
Disc 18:
- Adagio
- Allegro ma non tanto
- Andante
- Allegro moderato
- (Adagio)
- (Allegro)
- Andante
- Allegro
- Prelude
- Fugue
- Vivace
- Adagio
- Allegro
Disc 19:
- Musical Offering. Ricercare a 3
- Musical Offering. Ricercare a 6
- Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo. Largo
- Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo. Allegro
- Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo. Andante
- Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo. Allegro
- Thematis Regii, Elaborationes Canonicae. Canon a 2 cancrizans
- Thematis Regii, Elaborationes Canonicae. Canon a 2 in unisono
- Thematis Regii, Elaborationes Canonicae. Canon a 2 motum contrarium
- Thematis Regii, Elaborationes Canonicae. Canon a 2 per augmentationum, contrario motu
- Thematis Regii, Elaborationes Canonicae. Canon a 2 per tonos
- Thematis Regii, Elaborationes Canonicae. Fuga canonica in Epidiapente
- Thematis Regii, Elaborationes Canonicae. Canon perpetuus super Thema Regium
- Thematis Regii, Elaborationes Canonicae. Canon a 2
- Thematis Regii, Elaborationes Canonicae. Canon a 4
- Thematis Regii, Elaborationes Canonicae. Canon perpetuus
- [Part 1]
- [Part 2]
- Canon simplex
- All'roverscio
- Beide sugleich, motu recto e contrario
- Motu contrario e recto
- Canon duplex a 4
- Canon simplex über besagtes
- Idem a 3
- Canon simplex a 3
- Canon in unisono post semi fugam a 3
- Alio modo
- Evolutio
- Canon duplex a 5
- Canon duplex a 5
- Canon duplex a 6
- Canon a 4 augmentationem et diminutionem
Disc 20:
- Adagio
- Allegro
- Andante
- Allegro
- Without tempo indication
- Allegro assai
- Andante
- Presto
- Adagio
- Allegro
- Adagio ma non tanto
- Allegro
Disc 21:
- Siciliano, largo
- Allegro
- Adagio
- Allegro
- Largo
- Allegro
- Adagio
- Vivace
- Allegro
- Largo
- Allegro
- Adagio
- Allegro
- 3rd Movement. Cantabile, ma un poco adagio
- 4th Movement. Adagio
Disc 22:
- Aria
- Präludium
- Rezitativ und Arie: Ich habe genug
Disc 23:
- (Prelude) - adagio ma non tanto
- Allemande
- Gigue
- Adagio
- Vivace
- Largo
- Presto
- Adagio
- Allegro ma non presto
- Adagio e piano
- Presto
- Largo
- Vivace
- Adagio
- Presto
Disc 24:
- Prelude & Fugue No. 1 in C major. Praeludium
- Prelude & Fugue No. 1 in C major. Fuga
- Prelude & Fugue No. 2 in C minor. Preludium
- Prelude & Fugue No. 2 in C minor. Fuga
- Prelude & Fugue No. 3 in C sharp major. Praeludium
- Prelude & Fugue No. 3 in C sharp major. Fuga
- Prelude & Fugue No. 4 in C sharp minor. Praeludium
- Prelude & Fugue No. 4 in C sharp minor. Fuga
- Prelude & Fugue No. 5 in D major. Praeludium
- Prelude & Fugue No. 5 in D major. Fuga
- Prelude & Fugue No. 6 in D minor. Praeludium
- Prelude & Fugue No. 6 in D minor. Fuga
- Prelude & Fugue No. 7 in E flat major. Praeludium
- Prelude & Fugue No. 7 in E flat major. Fuga
- Prelude & Fugue No. 8 in E flat minor. Praeludium
- Prelude & Fugue No. 8 in E flat minor. Fuga
- Prelude & Fugue No. 9 in E major. Praeludium
- Prelude & Fugue No. 9 in E major. Fuga
- Prelude & Fugue No. 10 in E minor. Praeludium
- Prelude & Fugue No. 10 in E minor. Fuga
- Prelude & Fugue No. 11 in F major. Praeludium
- Prelude & Fugue No. 11 in F major. Fuga
- Prelude & Fugue No. 12 in F minor. Praeludium
- Prelude & Fugue No. 12 in F minor. Fuga
Disc 25:
- Prelude & Fugue No. 13 in F sharp major. Praeludium
- Prelude & Fugue No. 13 in F sharp major. Fuga
- Prelude & Fugue No. 14 in F sharp minor. Praeludium
- Prelude & Fugue No. 14 in F sharp minor. Fuga
- Prelude & Fugue No. 15 in G major. Praeludium
- Prelude & Fugue No. 15 in G major. Fuga
- Prelude & Fugue No. 16 in G minor. Praeludium
- Prelude & Fugue No. 16 in G minor. Fuga
- Prelude & Fugue No. 17 in A flat major. Praeludium
- Prelude & Fugue No. 17 in A flat major. Fuga
- Prelude & Fugue No. 18 in G sharp minor. Praeludium
- Prelude & Fugue No. 18 in G sharp minor. Fuga
- Prelude & Fugue No. 19 in A major. Praeludium
- Prelude & Fugue No. 19 in A major. Fuga
- Prelude & Fugue No. 20 in A minor. Praeludium
- Prelude & Fugue No. 20 in A minor. Fuga
- Prelude & Fugue No. 21 in B flat major. Praeludium
- Prelude & Fugue No. 21 in B flat major. Fuga
- Prelude & Fugue No. 22 in B flat minor. Praeludium
- Prelude & Fugue No. 22 in B flat minor. Fuga
- Prelude & Fugue No. 23 in B major. Praeludium
- Prelude & Fugue No. 23 in B major. Fuga
- Prelude & Fugue No. 24 in B minor. Praeludium
- Prelude & Fugue No. 24 in B minor. Fuga
Disc 26:
- Prelude & Fugue No. 1 in C major. Praeludium
- Prelude & Fugue No. 1 in C major. Fuga
- Prelude & Fugue No. 2 in C minor. Praeludium
- Prelude & Fugue No. 2 in C minor. Fuga
- Prelude & Fugue No. 3 in C sharp major. Praeludium
- Prelude & Fugue No. 3 in C sharp major. Fuga
- Prelude & Fugue No. 4 in C sharp minor. Praeludium
- Prelude & Fugue No. 4 in C sharp minor. Fuga
- Prelude & Fugue No. 5 in D major. Praeludium
- Prelude & Fugue No. 5 in D major. Fuga
- Prelude & Fugue No. 6 in D minor. Praeludium
- Prelude & Fugue No. 6 in D minor. Fuga
- Prelude & Fugue No. 7 in E flat major. Praeludium
- Prelude & Fugue No. 7 in E flat major. Fuga
- Prelude & Fugue No. 8 in E flat minor. Praeludium
- Prelude & Fugue No. 8 in E flat minor. Fuga
- Prelude & Fugue No. 9 in E major. Praeludium
- Prelude & Fugue No. 9 in E major. Fuga
- Prelude & Fugue No. 10 in E minor. Praeludium
- Prelude & Fugue No. 10 in E minor. Fuga
- Prelude & Fugue No. 11 in F major. Praeludium
- Prelude & Fugue No. 11 in F major. Fuga
- Prelude & Fugue No. 12 in F minor. Praeludium
- Prelude & Fugue No. 12 in F minor. Fuga
Disc 27:
- Prelude & Fugue No. 13 in F sharp major. Praeludium
- Prelude & Fugue No. 13 in F sharp major. Fuga
- Prelude & Fugue No. 14 in F sharp minor. Praeludium
- Prelude & Fugue No. 14 in F sharp minor. Fuga
- Prelude & Fugue No. 15 in G major. Praeludium
- Prelude & Fugue No. 15 in G major. Fuga
- Prelude & Fugue No. 16 in G minor. Praeludium
- Prelude & Fugue No. 16 in G minor. Fuga
- Prelude & Fugue No. 17 in A flat major. Praeludium
- Prelude & Fugue No. 17 in A flat major. Fuga
- Prelude & Fugue No. 18 in G sharp minor. Praeludium
- Prelude & Fugue No. 18 in G sharp minor. Fuga
- Prelude & Fugue No. 19 in A major. Praeludium
- Prelude & Fugue No. 19 in A major. Fuga
- Prelude & Fugue No. 20 in A minor. Praeludium
- Prelude & Fugue No. 20 in A minor. Fuga
- Prelude & Fugue No. 21 in B flat major. Praeludium
- Prelude & Fugue No. 21 in B flat major. Fuga
- Prelude & Fugue No. 22 in B flat minor. Praeludium
- Prelude & Fugue No. 22 in B flat minor. Fuga
- Prelude & Fugue No. 23 in B major. Praeludium
- Prelude & Fugue No. 23 in B major. Fuga
- Prelude & Fugue No. 24 in B minor. Praeludium
- Prelude & Fugue No. 24 in B minor. Fuga
Disc 28:
- Praeludium
- Allemande
- Corrente
- Sarabande
- Menuet 1 / Menuet 2
- Giga
- Sinfonia
- Allemande
- Courante
- Sarabande
- Rondeaux
- Capriccio
- Toccata
- Allemanda
- Corrente
- Air
- Sarabande
- Tempo di Gavotta
- Gigue
Disc 29:
- Fantasia
- Allemande
- Corrente
- Sarabande
- Burlesca
- Scherzo
- Gigue
- Ouvertüre
- Allemande
- Courante
- Aria
- Sarabande
- Menuet
- Gigue
- Praeambulum
- Allemande
- Corrente
- Sarabande
- Tempo di Minuetto
- Passepied
- Gigue
Disc 30:
- Fuga, nach dem Allegro der Sonata 6 in Jan Adam Reinkens
Disc 31:
- Preludio
Disc 32:
- Allegro
- Largo
- Presto
- Ouvertüre
- Courante
- Gavotte 1 & 2, da capo
- Passepied 1 & 2, da capo
- Sarabande
- Bourrée 1 & 2. da capo
- Gigue
- Echo
- Fantasie
- Fugue
Disc 33:
- Aria
- Variatio 1
- Variatio 2
- Variatio 3, canone all'unisono
- Variatio 4
- Variatio 5
- Variatio 6, canone alla seconda
- Variatio 7
- Variatio 8
- Variatio 9, canone alla terza
- Variatio 10, fughetta
- Variatio 11
- Variatio 12, canone alla quarta
- Variatio 13
- Variatio 14
- Variatio 15, canone alle quinta, andante
- Variatio 16, ouverture
- Variatio 17
- Variatio 18, canone alla sesta
- Variatio 19
- Variatio 20
- Variatio 21, canone alla settima
- Variatio 22, alla breve
- Variatio 23
- Variatio 24, canone all'ottava
- Variatio 25
- Variatio 26
- Variatio 27, canone alla nona
- Variatio 28
- Variatio 29
Product Details
- Amazon Sales Rank: #968 in Music
- Released on: 2006-10-17
- Number of discs: 155
- Format: Box set
Customer Reviews
Amazing.
This is an amazing bargain, and if you are tempted you need not hesitate. However it is far from uniformly excellent.
The core of the set is the complete religious cantatas. There are 60 cd of these. This is done by a small Dutch group, and the results are mixed. The choir is generally good, as is the small orchestra, but sometimes the soloists are not. I like them overall. Above all they are small scale performances. Don't expect John Elliot Gardiner.
With the major vocal works -- passions, B minor, etc -- the recordings are uniformly good, with usually big name groups. No worries here. The secular cantatas are also very good.
The harpsichord music is again a bit uneven, but mostly good. This won't be a favorite WTC, but it is quite listenable. The French, Englis suites, and partitas & inventions are very good indeed. The recorded sound is outstanding throughout.
The organ survey is first rate.
The instrumental music is also a mixed bag. The chamber music fares better than the orchestral, but the suites are quite good. The harpsichord concerti are beautifully recorded but at such a slow tempo I can only call them weird.
Definitely worth the price, which factors into the rating
[...]This Bach set is an amazing bargain. Clearly the set is geared towards the novice and you'll want to replace individual performances eventually; but much of this material is difficult or impossible to get elsewhere (except as part of one of the two other Complete Bach cycles), and you'd be unlikely to anyway. Plus, there are many very good performances, which alone would make the set worthwhile at this price.
As far as I am concerned, the Hanssler Classics complete set is the best of the complete sets. I've reviewed that one separately. However, it is ten times more expensive, if you can even find it. Your other choice, the Bach 2000 set, contains the Leonhardt-Harnoncourt cycle of Cantatas, which I cannot stand. I agree with Jim Svejda when he noted that Harnoncourt and Leonhards "gleefully take turns mauling the luckless pieces beyond recognition."
One of the saddest facts of musical history is that Bach was not recognized for the genius that he was in his lifetime. His compositions were mostly occasional music that were played once. After his death, they were so little respected that much of the sheet music was sold for scrap paper and about a third of the Cantatas were lost forever. Fortunately we have what we do. That Brilliant Classics has made this wonderful music available at a price that allows a more widespread distribution makes it reason enough to purchase the set.
Brilliant Classics attempted to record the entirety of Bach's remaining compositions on period instruments utilizing the most recent Bach scholarship. 65% of the set are new recordings. The other 35% were licensed from other lables. Now some, like me, much prefer the recordings on modern instruments. I have yet to hear a harpsichord rendition of the Goldberg Variations that is superior to the top performances on piano (although it is a well-known fact that Bach hated the piano, which during his lifetime was little more than a toy). All of the keyboard works on this set are recorded on harpsichord. Pieter-Jan Belder records that Goldberg Variations. It has received fine reviews, but I simply cannot get beyond my prejudices against the harpsichord to comment meaningfully (it is quite lively, though).
That said, and with the reservation that this set is performed with nearly all period instruments, I can recommend it without hesitation at this price.
The Brilliant Classics set has an interesting history. It is based on 5-disc sets of the Cantatas sold at the Krudivat drug store chain in the Netherlands at bargain basement prices (the equivalent of pennies per Cantata). More than 100,000 sets were sold in the Netherlands alone. Pieter Jan Leusink, conductor of Holland Boys Choir and Netherlands Bach Collegium, recorded the Cantatas over a period of 15 months, an insanely short period of time. It is the first digital recording of the Cantatas. There is a consistency of performers in this cycle that is unrivaled, although not all of the performers performed at the same time. Also I find the women singers on the Rilling cycle of Cantatas better than anything a choir of boys can do, despite the unhistorical aspect of such. I doubt that female singers would have shocked Bach--after all, he married one. An interview with Leusink regarding the cycle can be found online.
Wonderful
I will not give it 5 stars because they are not all definitive recordings of the works. However, I was very surprised with the performance level of the entire set. The organ works are amazing as are the cantatas! And I don't mean good... I mean really good! Some of the harpsichord recordings sound like someone sight reading (and not all that well), and lack that fresh excitement of a truly great recording but they are technically accurate for the most part (tempos tend to get a little shaky around difficult passages and phrase endings, something that is not written in the music) See the Well-Tempered Clavier in this set to see what I am talking about. There are a few other flaws... Mainly in recording... For example (I'll take a popular work): The organ fugue in G minor BWV 578 "Little Fugue" is surrounded with noises... Almost like the sound of footsteps on a stage (see 1:06, 2:29, 2:53 and 2:39 in this piece). However, I believe it is the sound of the air pump re-filling the organ with air! Very cool for authenticity and period sound... Definitely not needed for these recordings. We get the point with the instrumentation; I don't need an auditory time machine to recreate the moment in full. Next they will add the sounds of the people in the church chatting in 18th century German. Please... Just the music! I am glad that the recordings are all done with period instruments though and great care (almost too much) was taken in authenticity. Don't get me wrong; I didn't toss out my Andras Schiff Inventions or my modern orchestra versions of his works. Quite the contrary... You can learn a lot about the music by listening to all versions. That's not a shot at the purists... Well, maybe it is. I mean if you only had period versions of Beethoven's symphonies, he would be trampled over by Mahler, Bruckner and the rest of the gang. That's a fact. But in the case of Bach, it is almost essential that you maintain the original instrumentation. Bach's music is so based on the relationship between voices and the subtlest of contrapuntal ideals. He is not a sculptor of sound, as Mozart, Beethoven and Brahms were, but more like a musical acrobat that can do summersaults on a wire an inch thick.
I could go into details, but it would take hundreds of pages! Just get it, and "spend the rest of your life with Bach"... I can't say anything more profound.
This set of 155 CDs is a true delight, and a great investment for the dedicated music fan. Plus, it looks awesome on your CD shelf.




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