Product Description

When a doubting young boy takes an extraordinary train ride to the North Pole, he embarks on a journey of self-discovery that shows him that the wonder of life never fades for those who believe.

Product Details

• Amazon Sales Rank: #11152 in DVD
• Brand: Warner Brothers
• Released on: 2006-10-10
• Rating: PG (Parental Guidance Suggested)
• Aspect ratio: 2.40:1
• Formats: Anamorphic, Color, Dolby, Subtitled, Widescreen
• Original language: English
• Subtitled in: English, French, Spanish
• Dubbed in: French, Spanish
• Number of discs: 1
• Dimensions: 1.00 pounds
• Running time: 99 minutes

Features

• When a doubting young boy takes an extraordinary train ride to the North Pole, he embarks on a journey of self-discovery that shows him that the wonder of life never fades for those who believe.Running Time: 100 min. Format: DVD HD Genre: ANIMATION Rating: G Age: 012569809659 UPC: 012569809659 Manufacturer No: 80965

Amazon.com
Destined to become a holiday perennial, The Polar Express also heralded a brave new world of all-digital filmmaking. Critics and audiences were divided between those who hailed it as an instant classic that captures the visual splendor and evocative innocence of Chris Van Allsburg's popular children's book, and those who felt that the innovative use of "performance capture"--to accurately translate live performances into all-digital characters--was an eerie and not-quite-lifelike distraction from the story's epic-scale North Pole adventure. In any case it's a benign, kind-hearted celebration of the yuletide spirit, especially for kids who have almost grown out of their need to believe in Santa Claus. Tom Hanks is the nominal "star" who performs five different computer-generated characters, but it's the visuals that steal this show, as director Robert Zemeckis indulges his tireless pursuit of technological innovation. No matter how you respond to the many wonders on display, it's clear that The Polar Express represents a significant milestone in the digital revolution of cinema. If it also fills you with the joy of Christmas (in spite of its Nuremberg-like rally of frantic elves), so much the better. --Jeff Shannon

DVD features
The most intriguing feature on the two-disc DVD is probably the six-minute sequence featuring a new song performed by the two engine-room characters, Smokey and Steamer. The animation is crude and the song is nothing special, but it does preserve the dual performances of Michael Jeter (he played both characters), who passed away during filming. One of the striking aspects of The Polar Express is its use of motion-capture technology to turn real actors into animated characters, and that is examined in a significant portion of the five-part 11-minute featurette, in the "look at" Tom Hanks's multiple performances, and in an Easter egg that offers a side-by-side comparison of the actors in their motion-capture suits with the finished film in the "Hot Chocolate" number. There's also a live performance of Josh Groban singing "Believe" followed by an interview segment with him and composer Alan Silvestri, author Chris Van Allsburg providing a five-minute capsulization of his career, a PC game demo, and a kids' set-top game. The version of the film on DVD is the standard theatrical version, not the 3-D version seen in IMAX theaters. --David Horiuchi

The World of The Polar Express

The book by Chris Van Allsburg

The Soundtrack

The Magic Journey (Polar Express the Movie) (book)

Stills from Polar Express (click for larger image)

From The New Yorker
Chris Van Allsburg's twenty-nine-page picture book about a young boy's travels to the North Pole to meet Santa Claus gets an expanded, expensive telling in Robert Zemeckis's Christmas bauble. The film is a hybrid of sorts-a computer-animated movie filmed with live actors in a process called "performance capture." This technique makes for a gorgeous holiday card (the digital backgrounds twinkle and shine), but the look of the "captured" characters is something of a disappointment. Tom Hanks (in a number of roles) and the other actors do a nice job of voicing their parts, but the waxy animated faces they've been given are off-putting. It's a bit like watching mannequins act. -Bruce Diones
Copyright © 2006 The New Yorker

Customer Reviews

Strictly talking about the "3-D" version....
My fiance and I both loved this movie when it was released and we still do. When we heard it was coming out on Blu Ray and on top of that 3-D we were beyond excited. Well that excitment was crushed when we got home, put it on and were almost given instant headaches from the old school red and blue 3-d glasses and the fact that no matter how hard we tried to see it, it just was nowhere near 3-d quality. We sat there contemplating whether or not it was just us or if the 3-d aspect of it sucked that bad and we came to the conclusion that it was definately the latter. So after a half hour of trying hard to like it we switched it to 2-d (thank god for blu ray for having that option) and saw how in 1080p it was almost 3-d itself.
Needless to say the very next day I went back to the store I purchased it from and changed it for the regular blu ray version (which was $5 cheaper than the 3-d version and totally worth the purchase, 5 stars for that version.) It was very sad that it did not work out because such an amazing holiday movie with such great animation would be a no brainer to have as 3-d but unfortunately it just is not worth the headache and strain.

Timeless and True Spirit of Christmas
I went to see this movie tonight with a mentally handicapped friend - "Michael" -- (from a L'Arche home here in Winnipeg, Canada). We were the first persons in the theatre for the very first evening showing in this city - and we were the last to leave. We thoroughly enjoyed ourselves - enchanted by the movie's subtleties and happily exhausted by its roller-coaster rides.

Time and again, Michael (who is sensitive, compassionate and with a good sense of humor) turned to me in the darkness, smiling in appreciation at the exact same moments I turned to see his reactions. Each time this happened, it was at a moment in the film when some little detail, perfectly captured through superb 'cinematography,' brought moisture to my normally cynical eye, and a warm smile to Michael's innocent face.

Some examples: There is a lone, black child on this apparent 'dream train' to the North Pole - a girl of about ten or eleven years, and like a painting come to life, the miraculous technology at work in this film captures the particular sensibilities of this compassionate, black youngster --- We see small mannerisms of someone comfortable with herself in a way the other (ten or so) white kids on the train are not. And the effect is profound --- the movie audience, including some children of that same age group, went silent at such moments in the film.

My friend Michael - who has a 'savant' genius for perceiving my emotions, and expressing them for me out loud in public --- Michael turned to me with a delighted smile when the girl on the train reaches out to hold the hands of the poorest boy, sitting alone in the rear compartment; and later, she hugs two other boys, (one of them the central character) --- at their final parting. At that moment I held up a finger to my lips to try to hush Michael, but couldn't prevent him from saying aloud: "She's such a sweetheart." There were murmurs of appreciation in the darkness around us, responding to this innocent sentiment.

There is a sublime moment, on the back platform of the moving train -- the Northern Lights glimmering in the distance -- when the young girl joins in song with the poorest kid on the train (a younger boy from a dilapidated home on the "far side of the tracks"). I admit to being overcome with emotion during this duet (a lovely, strong melody with poignant lyrics) - and I blurted out loud to Michael, after the first chorus: "What a wonderful song!" The refrain includes the words "When Christmas comes to town." [It's a song so good that, with some future 'cover versions' by serious musicians who could do it justice --- this "Christmas Comes to Town" song could, I believe, deservedly join the small list of true, Christmas 'classics.']

I'd have to agree with anyone who thinks this movie is a little short on plot. And yet . . . once you've suspended disbelief -- beginning with an earth-shattering, Christmas-eve arrival of a steam-puffing, passenger train on a small-town Michigan street, directly outside the home of the movie's central character -- once we've swallowed that premise, the movie disarmingly embraces the child in us, (including our fears) and our reservations vanish without our noticing.

Just as great `realistic' painters, (think Rembrandt or Vermeer) worked wonders of light & shadow that no mere photograph could ever capture, so too this computer-animated marvel takes your breath away through an accumulation of tiny but acute observations that could never be captured by conventional cinematography. Prime examples from the opening scenes:

A shaft of light illuminates the boy's bedroom, and he is reflected in a chrome, automobile hubcap leaning against a wall; at once we share his view -- through the keyhole of his bedroom door - we can see only the backs and the dressing gowns of mother and father, as they say goodnight to the boy's young sister, after determining the state of her belief in Santa's existence - a belief no longer shared by the older brother, whose eye is at the keyhole.

Later, on the train, there's an exquisite close up of the boy's face, a slight blemish above the pores on his upper right cheek; the `camera' pans in rotation, capturing perfectly, the texture of the boy's hair, and that of the young black girl sitting beside him -- subtleties of such perfection one wonders if the unique, artistic accomplishment of "Polar Express" could ever be surpassed.

The film's last scene, consists entirely of a close-up view of a small, silver bell (of the type associated with sleigh rides) with its attached 'ribbon' of red leather. The little bell helps make the final point about `Belief' --- in things unseen, (or forgotten, and thus inaccessible to some adults). So simple, so powerful, so enlightening an image. My friend Michael turned to me at that moment, with a radiant smile. And we just shook our heads in awe.

----

Yes, this movie must have SOME shortcomings - one or two moments that don't quite work as intended by the creators. But right now, in the afterglow, I can't recall what they were. The film was just too satisfying an experience!

I'm a 57-year-old grandfather who happens to believe that "The Polar Express" is the first, true Christmas classic in almost 60 years. Not since the original Kris Kringle "Miracle" movie of 1947, has any film (to my jaded eye) so transcended our secular, commercial views of the Holiday Season, with such uplifting and fresh reminders of the timeless and true spirit of Christmas.

Mark Blackburn
Winnipeg Canada.

3D: Disappointing, Double Vision, Disaster
The other reviews for this seem to have been lifted from the regular version of the Polar Express DVD. This review is solely for the 3D version. If you haven't purchased it yet, avoid it like a petrified fruitcake. I saw this film in 3D Imax and was so enchanted with the 3D effects that I couldn't wait for a 3D release of the DVD. I was disappointed to see on the packaging that the 3D used the red/blue method which generally eliminates the color scheme of the movie right off the bat. (I noticed that the 3D version of "Journey to the Center of the Earth" which was released the same day came with the more modern polarized glasses with the neutral color. I haven't seen that yet and can't comment on the success of that process with that particular DVD)

What makes this presentation of the Polar Express in 3D such a failure is that THE GLASSES DON'T JOIN THE RED AND BLUE CHANNELS INTO ONE IMAGE. Everything in the mid to foreground is seen in double vision which is extremely annoying. We switched to the 2D version less than 5 minutes into the film because it was too disconcerting to see 2 chins...4 arms...etc. Whoever made the decision to present the film in this manner should be fired for incompetence.

The bottom line is that THE 3D EFFECT IS SO INCREDIBLY SLIGHT that it can't outweigh the major problems with the faulty technique. If you enjoy this film, as I do, avoid the disappointment and skip this disaster. Maybe they'll try again in the future with a more successful presentation...until then...do yourself a favor STICK TO THE 2D VERSION!