Track Listing

1. Sleeping Lessons
2. Australia
3. Pam Berry
4. Phantom Limb
5. Sea Legs
6. Red Rabbits
7. Turn On Me
8. Black Wave
9. Spilt Needles
10. Girl Sailor
11. A Comet Appears

Product Details

• Amazon Sales Rank: #4572 in Music
• Released on: 2007-01-23
• Number of discs: 1
• Dimensions: .17 pounds

Album Description
It could be said that the Shins third album, Wincing the Night Away is the most heavily anticipated record of 2007. Post Garden State notoriety, the band has reached beyond their indie-darling status to something approaching mainstream recognition. Recorded over time in James Mercer's basement studio, Phil Ek's Seattle digs, and in Oregon City with veteran engineer Joe Chiccarelli (Beck, U2) - Wincing the Night Away is a whole new animal. It is the sound of a band growing up and out. Mercer's infectious, indelible melodic style is still at the core, and unfaltering. But anything can happen around it - and in this case, it does. Channeling a Morrissey vibe, "Sea Legs" pairs a hip-hop (yes, hip-hop) beat with lush melodic lines and searing guitars. Elsewhere the band toys with tweaked-out piano steeped in psychedelic strings ("Red Rabbit"); fractured synth samples ("Spilt Needles"); gauzy, arpeggiated keyboards cloaking thunderous anthems ("Sleeping Lessons"); and, taking cues from early Jesus and Mary Chain albums - sweeping, fuzztoned epics ("Phantom Limb"). Finally, "Turn on Me," "Girl Sailor" and "Australia" are the lilting, exhilarating, rollicking, rock-solid pop songs we've all come to covet from The Shins.

Amazon.com
Indie-rock's hardest-working slackers finally release their third album, on which they've made the clear transition from bedroom-pop to stadium-rock without losing everything that makes them great. Those soaring vocals that sound like the unholiest collision of the Cure and Simon and Garfunkel, the nimble pop hooks that are never overused, those lyrics that are as self-deprecating and razor sharp as they are playful--dude, it's all still here. Relax, you can still swoon. Musically, there are some new elements, from the ragged surf-rock that propels "Pam Berry" to the near hip-hop beats of "Sea Legs" and percolating electronica on "Sleeping Lessons" (which two thirds of the way through shows Band of Horses how to write a song). Wincing is neither the clever genre recombinant exercise of their second album nor is it the perfect little self-contained universe of their debut. This is not the Shins' best album; it's their growing pains third record. James Mercer has learned how to shout his words so the folks in the back row can hear; a slightly harder edge and more confidence is on display. But it doesn't gel fully. Mercer remains one of the most talented songwriters working in pop today, and what this album proves is that the group deserves to move beyond the little Zach-Braff-movie-watching, This-American-Life-listening, Frappuccino-sipping demo-ghetto they've found themselves in. Wincing confidently bristles with stupendous and smart rock music that deserves to be enjoyed by your kid brother and your folks as much as your dorm-mates. --Mike McGonigal

The Shins Get Their "Sea Legs"

More from the Shins & Friends

Oh, Inverted World

Chutes Too Narrow

Garden State Soundtrack (Features tracks by the Shins)

The New York Times
..a bit more warm-blooded than the first two, full of characters trying to decide between trying anew or giving up. - (Kelefa Sanneh)

Customer Reviews

A step forward
Once again, the Shins have put out another fantastic album. While Chutes Too Narrow (their last album before this) took a more stripped-down approach to songwriting and producing, Wincing the Night Away has more in common with Oh, Inverted World, their first album, as far as instrumentation goes. Gone are the simple sonorities are Chutes Too Narrow, and back again are the lush, full sounds of songs like Caring is Creepy, from Oh, Inverted World. This album is, however, different from that one in that they stretch their sound and try more experimental things. Sometimes, this is very overt, such as on the hip-hop inspired Sea Legs. But even on the songs that sound like classic Shins (such as Turn On Me), there is a fuller, more spacious sound.
The lyrics on this album are far more ambitious than anything on either of the Shins' other two albums. Gone are the simple, unaffected love songs of Chutes Too Narrow (for example, "You want to fight for this love,/But honey, you cannot wrestle a dove"). They are replaced by more complex love songs, and more philosophical songs about human nature that we caught a glimpse of on So Says I. Some of Mercer's simple verses on the nature of humanity can be overwhelmingly beautiful. On "A Comet Appears" (the obligatory soft track at the end of the album, and perhaps this disc's best song), Mercer muses "Every post that you can hitch your faith on is a pie in the sky, chock full of lies, a tool we devised to make sinking stones fly." On Sleeping Lessons, the opening track, Mercer preaches "And if the old guard still offends, they've got nothing left on which we depend, so enlist every ounce of your bright blood and off with their heads." While the lyrics on this album still retain the awkward charm and absolute beauty of those on previous albums, Mercer has moved on to much more heavy subject matter and, for the most part, succeeded.
This album is absolutely up to par with previous Shins albums, and while it may not have quite the charm or beauty in simplicity which Chutes Too Narrow posess in spades, it makes up for it with an evolving sound and more mature lyrics. Hopefully, this album will be a good stepping stone to another great, and even more different, album, but on it's own, it is very, very good. Sleeping lessons, Phantom Limb, and A Comet appears are absolutely some of the best Shins tracks yet. Highly recommended to anyone who loved their first two albums (they are changing in a good way!), and also to those who didn't like their first two (it is more mature, less cutesy, and more overblown, which I can't see as being a good thing, but if you can't appreciate the beautiful understatedness of Chutes Too Narrow, I guess that's the only thing I can say that will make you give them a shot).

To all the Boo Hooers out there........
Oh no! They didn't produce the exact same records that the previous efforts were. They don't sound like "Oh, Inverted World," and "Chutes Too Narrow," they're not "indie" enough on this record, and Wah Wah Wah. Well guess what; If Pink Floyd didn't evolve, we would have been stuck with "Piper at the Gates of Dawn" for 20 years instead of being treated to "Dark Side of the Moon" and "Wish You Were Here." The Beatles would have never achieved Sgt. Pepper, Abbey Road and Let it Be. Newsflash to those whose heads are fastened securely up their bums. The mark of a great band is the ability to musically GROW. The first 2 albums were fun to listen to and were catchy, but this album is musically miles and miles ahead of them. Phantom Limbs has so much going on in it, it's almost hard to describe, let alone the relentless building to a crescendo. Sleeping Lessons? Such an arpeggio to open an album would have been unheard of for the other records. The use of what I think is a steel drum on Red Rabbits is pure genius. Another reviewer had it pretty much dead on. It is almost impossible to hate this album. I find this to be their best work. OOOOOOOOOOOOh I'm not cool.. I don't rate the first 2 as highly as this. It takes a bit more thought to "get" this album, but, that's how I like it. The use of several elements to produce one amazing song is the mark of talent. These guys have it while so many others pretend to. If you want the straight forward fluff, go listen to "New Hot Chick With No Musical Ability #53."

Capricious and Melodically Superb!
On this fulfilling and masterful album, The Shins have written and produced some of the most capricious, playful, and delicious melodies anyone has written in years. I cannot easily recall the last time I heard melodies this fun, with notes so varied yet perfectly seamed and intertwined. I liked The Shins before Wincing the Night Away. Now I love them.

It took listening to the album about five times before I fell in love with it, so if your ears react like mine give it a chance. At first it will seem all over the place.

All songs are great and two are brilliant:

1- Sleeping Lessons - Melodically, one of the most original songs ever written. Incredible!
2- Turn on Me - Currently, one of those hidden pop gems like Erasure's "A Little Respect", that was mostly unknown in 1988 (when released), was never a big hit anywhere, but everyone heard it and loved it years later as if it had been a huge hit. In Turn on Me's case, I hope it remains a hidden gem. With today's one-sided radio trend, I am almost certain it will remain relatively unknown to the world --- Great for all of us who would prefer not to have it overplayed like A Little Respect was.

If I were forced to compare the songs on this album to other artists, I would compare them to The Smiths/Morrisey in a more playful and joyful way, and Erasure in a more honest/down-to-earth/grass-rooted way, and much less "fabricated for appeal" way.

I love this album! I have no doubt it will be on my Top 5 albums of 2008.