Product Description

As hard-hitting as its title, Brute Force was the first of Jules Dassin’s forays into the crime genre, a prison melodrama that takes a critical look at American society as well. Burt Lancaster is the timeworn Joe Collins, who, along with his fellow inmates, lives under the heavy thumb of the sadistic, power-tripping guard Captain Munsey (a riveting Hume Cronyn). Only Collins’s dreams of escape keep him going, but how can he possibly bust out of Munsey’s chains? Matter-of-fact and ferocious, Brute Force builds to an explosive climax that shows that man’s desperation for freedom knows no bounds.

Product Details

• Amazon Sales Rank: #40883 in DVD
• Brand: Image Entertainment
• Released on: 2007-04-17
• Rating: Unrated
• Aspect ratio: 1.33:1
• Formats: Black & White, DVD, NTSC
• Original language: English
• Number of discs: 1
• Dimensions: 1.00 pounds
• Running time: 98 minutes

Amazon.com
Jules Dassin's brooding, brutal drama about a prison wound to the breaking point by a sadistic captain of the guards is a classic film noir as well as one of the greatest prison films ever made. Burt Lancaster (in only his third film but already commanding the screen like a pro) is the savvy prison veteran whose clashes with Hume Cronyn (the ambitious guard with a god complex) land him first in solitary then in the claustrophobic drain pipe, a muddy, airless work detail that slowly kills every man assigned to it. With the help of his cellmate buddies and former gangland boss Charles Bickford he hatches a plan to break out, but Cronyn has his own plans for the unbreakable prisoner. Dassin's oppressive prison is thick with atmosphere: cavernous buildings and halls that echo with the footsteps of inmates and the clanking of bars, overcrowded cells that seem to close in on the men, a busy machine shop where the film's most memorable scene takes place--the ruthless assassination of a stoolie in a pounding metal press. Cinematographer William Daniels, a master of Hollywood's soft-focus glamour, creates a harsh, hard-edged look for the film, softened only by looming shadows. A sense of doom hovers over everything, culminating in an explosive finale, but the barbaric, brutish violence hangs in the air long after the film is over. --Sean Axmaker

On the DVD
Criterion's beautiful restored print of Brute Force is accompanied by a small collection of supporting materials, including a commentary track by longtime film noir experts Alain Silver and James Ursini. They give a good brief on the film's history, such as the disagreements between producer Mark Hellinger and director Jules Dassin on the subject of the movie's use of flashbacks--an approach that would break the claustrophobia of the prison sequences and introduce female characters. Hellinger wanted the backstory, Dassin objected, and the producer won; but the point is definitely arguable. Prison-movie specialist Paul Mason gives a useful 15-minute talk, partly on Brute Force and partly on the genre of prison movies. Criterion's booklet has an excellent essay by critic Michael Atkinson, a vintage 1947 profile of the colorful columnist-turned-producer Hellinger, and an intriguing, bitter exchange of letters between Hellinger and Production Code chief Joseph Breen on the subject of the film's censorship problems. --Robert Horton

Customer Reviews

Uncompromisingly Brutal, Pessimistic, and Affecting.
"Brute Force" is one of the most violent film noirs of the classic era, as well as one of the most pessimistic -and this is after some violence was removed to comply with the Production Code. The story takes place within the confines of Westgate Penitentiary, an overcrowded prison whose deficient living conditions and sadistic guards make the inmates' lives nearly unbearable. Prison life is no less than a war between the inmates and guard Captain Munsey (Hume Cronyn), who routinely uses blackmail and torture to control the prisoners. When the warden revokes all the inmates' privileges in response to the deaths of two men, inmate Joe Collins (Burt Lancaster) hatches a violent and risky escape plan with his cellmates and a senior, well-respected prisoner named Gallagher (Charles Bickford).

Director Jules Dessin doesn't let a glimmer of hope into this film. The violence is brutal and wholly without sentiment or regret. The utter hopelessness of the situation in the prison is overwhelming. Brute force is the only means in Westgate Penitentiary. The standout performance is by Hume Cronyn as the Nazi-inspired Captain Munsey, an unabashed sadist who uses social Darwinism to rationalize absolute dominance of the prisoners, who are, after all, behind bars, not free to challenge him. The prison doctor, a disgraced surgeon named Walters (Art Smith), numbs himself with alcohol and articulates the film's themes. "Do you know what this prison is?" he says. "One big human bomb!"

The film is a little too long, and the flashback scenes of wives and girlfriends are superfluous. This is perhaps the most blatantly existential film noir. It takes the position of Sartrean philosophy, articulated by Dr. Walters, which is juxtaposed with Nietzschean philosophy, articulated by Capt. Munsey. I'm not normally captivated by either of these schools of thought, but "Brute Force" kept me interested for the duration of the film. It is a brutal, beautiful film with sharp dialogue, solid character writing, and great attention to detail.

The DVD (Image Entertainment 1999): This is a good print of the film with no obvious image or sound problems. Bonus features include filmographies of director Jules Dessin, writer Richard Brooks, and 3 of the film's stars. (Choose "Filmographies", then "next" to see them.) The "Stills and Pressbook Gallery" (4 minutes) is a slideshow, with accompanying them music by Miklos Rozsa, of production stills, posters, and advertisements for the film.

A Hammer
There's a feverish undercurrent to this prison film that occasionally erupts into outright delirium ( the prison break, the interrogation scene). As delivered by blacklisted director Jules Dassin and screenwriter Richard Brooks, the film's anti-fascist message is put in your face, not in your lap. Still it's exciting stuff, except for the draggy domestic scenes that are meant to humanize the cons, but instead disrupt the film's relentless pace and super-charged atmosphere. Burt Lancaster gives a career performance, while Hume Cronyn is surprisingly effective as the sly Nazi-like warden. There are many familiar faces in the supporting cast, especially Art Smith as the humane but feckless doctor and Sir Lancelot as his calypso assistant. I suspect there's a provocative parable lurking somewhere in the subtext, something about the inability of liberals (the old warden and the doc) to contain the brute force it takes to keep people in prison. This is revealed at film's end when the camera dollys back to reveal the doc behind office bars and speaking toward the camera. Then we know the movie is about more than a bunch of desperate convicts trying to break through prison walls. Despite its many flaws, this stark melodrama keeps coming at you with the mesmerizing force of an uplifted hammer and should not be missed.

Brute Force
Excellent movie! Unlike today's movies with lots of special effects and very little story developement with dialogue, this movie is the opposite.
A must-see for all Burt Lancaster fans.