Track Listing

1. You're Just a Country Boy
2. Simple Love
3. Jacob's Dream
4. Away Down the River
5. Sawing on the Strings
6. Down to the River to Pray
7. Baby Mine
8. Molly Bán
9. How's the World Treating You (duet with James Taylor)
10. The Scarlet Tide
11. Whiskey Lullaby (duet with Brad Paisley)
12. You Will Be My Ain True Love
13. I Give You to His Heart
14. Get Me Through December
15. Missing You (duet with John Waite)
16. Lay Down Beside Me (previously unreleased duet with John Waite)

Product Details

• Amazon Sales Rank: #628 in Music
• Released on: 2007-04-03
• Number of discs: 1
• Dimensions: .22 pounds

Album Description
"A Hundred Miles or More: A Collection" is comprised of 16 tracks, highlighting Alison Krauss's career outside of her traditional releases with longtime band Union Station. The album features Krauss's collaboration with John Waite on the single "Missing You," as well as Krauss's contributions to film soundtracks, including the Oscar-nominated songs "The Scarlet Tide" and "You Will Be My Ain True Love," written for the motion picture "Cold Mountain," and "Down to the River to Pray" from the film "O Brother, Where Art Thou?" Known for her collaborations, Krauss also includes several duets in the collection such as the 2003 hit with Brad Paisley, "Whiskey Lullaby," and her duet with James Taylor for the tribute album "Livin', Lovin', Losin': Songs of the Louvin Brothers," "How's the World Treating You." The collection debuts five new songs: "You're Just a Country Boy," "Jacob's Dream," "Simple Love," "Lay Down Beside Me," and "Away Down the River," all of which feature Krauss as a producer.

Amazon.com
A Hundred Miles or More carries the subtitle A Collection, and what a curious collection it is--cuts from soundtracks, side projects, and tribute albums, plus guest duets on other artists' albums and five previously unreleased tracks. In other words, this is a collection of Alison Krauss performances that have never appeared on an Alison Krauss album, though it holds together better than such a grab-bag approach might suggest. Highlights such as her duet with Brad Paisley on "Whiskey Lullaby" and her a cappella rendition of "Down to the River to Pray" from O Brother, Where Art Thou? will be familiar to most Krauss fans, though it's doubtful that many share her infatuation with retro rocker John Waite (with whom she revives his "Missing You" and duets on a cover of Don Williams's "Lay Down Beside Me."). Other projects represented range from Disney to the Chieftains to the Louvin Brothers (she duets with James Taylor on their "How's the World Treating You." There's minimal contribution from her Union Station band--making this a solo release by default--and little information to indicate whether the previously unreleased tracks were outtakes from earlier releases or recently recorded for this one. --Don McLeese

Lonely Runs Both Ways

Live

Now That I've Found You: A Collection

Customer Reviews

Pure crystal vocals. Excellent !
Not exactly a best of rather more a gathering of tracks that might be less familiar with the work she's done outside of bluegrass and her albums with Union Station.
It's an interestingly eclectic compilation that embraces both her film soundtrack contributions and collaborations.
Both in the case of the traditional folk tune "You Will Be My Ain True Love" which was an Oscar nominated duet with Sting from "Cold Mountain". Other film music is represented here with "The Scarlet Tide", again Oscar nominated from "Cold Mountain", "I Give You To His Heart" from the animation "The Prince of Egypt" and, perhaps best known, the unaccompanied own "To The River To Pray" from "O Brother, Where Art Thou?"
Not strictly a soundtrack recording, the bluegrass fiddling "Sawing On The Strings" stems from the 2004 CMT Flame Worthy Awards show while "Baby Mine" is trawled from a Disney tribute album.
It's another tribute collection, this time to the Louvins, that provides "How's The World Treating You", a haunting old school country duet with James Taylor.
Elsewhere on the collaborations front there's mainstream country suicide ditty "Whisky Lullaby" from Brad Paisley's "Mud On The Tires" while "Get me Through December" and "Molly Ban" respectively hail from albums by Natalie MacMaster and The Chieftains.
Perhaps the most surprising pairing though is with rocker John Waite whom she shares duties with on his biggest hit, "Missing You".
A second duet with Waite, the moody yearning country ballad "Lay Down Beside Me", is one of five previously unreleased recordings (all produced by Krauss) that make this all the more essential for Krauss completists. The remaining four new cuts all come at the start of the album, running down from mountain air piano ballad "You're Just A Country Boy" through the rippling Appalachian tinkles of "Simple Love" and the bluesy folk "Jacob's Dream" to slow swaying, banjo flecked lullaby "Away Down The Rive"r that shows off Krauss's pure crystal stream vocals to excellent effect.
A new album should be along later this year or early next, but for now this will tide fans over quite nicely.

Alison Krauss Better With Union Station
This CD, which does not pretend to be bluegrass music, suffers from the absence of the Union Station musicians and the lack of upbeat songs. The best song, "Jacob's Dream," is about the death of two pioneer children. Alison Krauss has beautiful vocals, but I was not entertained by the material. The last CD by Alison Krauss and Union Station, "Lonely Runs Both Ways." is terrific.

Alison's new collection - good, not great
Alison Krauss' sweet singing style is something I love to listen to, really even more than her bluegrass work. As such, this is mostly a welcome collection, especially as it gathers together songs from a variety of sources such as soundtracks and tribute albums. I had heard many of them before, but a few were new to me, such as "The Scarlet Tide" from the Cold Mountain soundtrack (a real gem). There are many duets, some of which - with James Taylor on "How's The World Treating You" - work better than others (Brad Paisley). Then there are the five new songs... The CD starts right out with four of them, and they are pretty, but also fairly uniform in terms of being slow, weepy tunes. I guess that's handy for hardcore fans who already have the other songs on the CD, but I think the producers made an error in starting the disc out that way. It kind of gets the proceedings off to a sluggish start. I'm thinking that Alison would not do four brand new songs in a row in a concert setting - she wouldn't want to destroy the momentum. So why do it on a collection of some of her best other work? So the new songs should have been spread throughout the album. Still, the volume and diversity of the material on Hundred Miles makes it a CD that more than justifies its existence. (My final musing (rant?) ... The overwhelming dominance of 5-star customer reviews for EVERYTHING new that comes out on this site makes me wonder what it would take for some of those reviewers to EVER rate something less than five stars... It must be nice to live in a world where everything is perfect!)