Product Description

Chronicles one of the bloodiest battles of World War II, focusing on the men who raised the flag at Iwo Jima and were subsequently hailed as heroes and used to raise money for the war effort.
Genre: Feature Film-Drama
Rating: R
Release Date: 22-MAY-2007
Media Type: DVD

Product Details

• Amazon Sales Rank: #50531 in DVD
• Brand: PHILLIPPE,RYAN
• Released on: 2007-05-22
• Rating: R (Restricted)
• Aspect ratio: 2.35:1
• Formats: AC-3, Collector's Edition, Color, Dolby, Dubbed, DVD, Special Edition, Subtitled, Widescreen, NTSC
• Original language: English, French
• Subtitled in: English, Spanish
• Dubbed in: French
• Number of discs: 2
• Dimensions: .25 pounds
• Running time: 132 minutes

Amazon.com
Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities – and resentful pawns in a wartime publicity campaign – after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers

Other World War II DVDs

Essential DVDs by Director Clint Eastwood

Flags of Our Fathers by James Bradley

On the DVDs
The two-disc special edition of Flags of Our Fathers offers a fine balance of behind-the-scenes production features and archival history. Disc 1 is entirely dedicated to Clint Eastwood's acclaimed wartime drama, paired with an abundance of special features on disc 2. First up is a three-minute introduction by Clint Eastwood, who explains his attraction to James Bradley's nonfiction bestseller, how he partnered with Steven Spielberg to coproduce this ambitious production, and the themes of wartime valor and misguided celebrity that he wished to illuminate. Next, author Bradley recalls the process of seeing his book translated to film (including interview clips with screenwriters William Broyles Jr. and Paul Haggis) and his involvement with the production as an authoritative consultant. In the 20-minute featurette "Six Brave Men," the actors who played the celebrated Iwo Jima flag-raisers speak about their characters, how they fit into the history of Iwo Jima, and the responsibility of honoring their memories with historically accurate portrayals.

"The Making of an Epic" is a 30-minute behind-the-scenes documentary covering all aspects of production, from the decision to film in Iceland (where black volcanic sand matched the barren beaches of Iwo Jima) to the individual contributions of key personnel, most notably cinematographer Tom Stern, editor Joel Cox, costume designer Deborah Hopper, the late, great production designer Henry Bumstead, and Eastwood's longtime casting director, the late Phyllis Huffman. (The making-of feature is dedicated to Bumstead and Huffman, who both succumbed to cancer shortly after production was completed.) "Raising the Flag" (running a little over three minutes) focuses on the cast and crew's meticulous re-creation of the second Iwo Jima flag-raising, demonstrating the reverent care with which each soldier's movements were duplicated in exacting detail. "Looking into the Past" is a nearly 10-minute assembly of 1945 newsreel footage, showing many of the actual events that were dramatized in Eastwood's film, and demonstrating the impressive efforts that went into making Flags of Our Fathers as authentic as it could possibly be. The 15-minute "Visual Effects" featurette provides a detailed analysis of Digital Domain's diligent efforts to achieve convincing photo-realistic images in the film's epic-scale battle sequences, home-front bond rallies, and other sequences where CGI wizardry was required. The original theatrical trailer for Flags of Our Fathers is also included. --Jeff Shannon

Customer Reviews

Read the Book FIRST!!!
For all the negative responses to the movie "Flags of Our Fathers" I would guess 85% did not read the book with the same title by James Bradley, son of John "Doc" Bradley. This book will give you the whole, true story of what the movie is all about with many details not shown in the film. You will get so much more out of the movie. I can't even fathom seeing the film beforehand. I am absolutely NOT soliciting the book but I am personally acquainted with the Bradley family and my extended family from Antigo, Wisconsin were very good friends with John and continue to be with his wife Betty. My cousins went to school with James and his siblings. John was the funeral director for my grandmother and others I know. I have attended memorials for "Jack" in Appleton, WI (where he went to school), after the book was released. Jim Bradley, the author of "Flags of Our Fathers" agonized over writing the book and consulted with his family whether to do it until he got the go ahead from his mother. Since his father only spoke of the war once to his family is the reason, in the movie, there isn't much personal information on him. People who wrote other reviews stated that they were confused as to why James was interviewing other WWII, Iwo Jima families. This is why. As for the other "stars" of the movie, which very little is said about their personal lives before and then again after the war you will find many details in the book which will help you to understand what lies beneath each personality. I cried when I read the book and I cried when I saw the movie. PLEASE read the book first, or if you've already seen the movie before reading the book, read it and then go back and see the movie again!

Flawed But Still Powerful
Iwo Jima ("Sulfur Island" in Japanese) is a little island six hundred miles south of Tokyo. (Today there is only a Japanese military base now, and you cannot visit the island.) But the name of the island got famous immediately after one photo was taken and published in America nationwide during WWII. The memorable image of six soldiers raising a flag gave courage to the people in America, and three surviving soldiers returning their country became national heroes. It's a famous story.

Clint Eastwood's new film `Flags of Our Fathers' does not try to `debunk' this story. It gives human face to these flag-holing soldiers without over-glorifying them, showing what happened to these heroes John "Doc" Bradley (Ryan Phillippe), Rene Gagnon (Jesse Bradford) and Ira Hayes (Adam Beach) before, during, and after the Battle of Iwo Jima. Familiar actors like Jamie Bell, Paul Walker, Robert Patrick and Barry Pepper appear, but the three above play the pivotal roles here.

Remember this is a war movie, and the battle scenes on the beach are often disturbing. (One of the film's producers is Steven Spielberg). Though the fight scenes are less bloody and brutal than those of `Saving Private Ryan,' they are still honest, often shocking, not only because of the bullets and grenades, but because of the confusion and total chaos of the grey-colored battlefield. Eastwood refuses to soften or sensationalize anything, but the results are riveting.

Though the film's theme is clear, its narrative requires our patience a little. The film's story goes back and forth (screenplay part done by Paul Haggis, `Crush'), and this only makes the film look slightly detached from us. The disjointed story requires us to reconstruct, not follow, the experiences of the soldiers. The emotions are certainly there on the screen (thanks to the effective acting), but I am not sure that this is the best way to visualize them. But as I said, the three actors did a fine job as three soldiers who travel around the country for Bond rallies where they have to face another reality during wartime - they are war heroes and people expect them to behave as such.

Finally, some people, not without good reason, say this film is dull. It is true that Eastwood's films tend to be slow, and he takes time to show certain things about the characters. He avoids melodramatic storytelling and showy camerawork, and that does not change in this film. If the battle scenes look confusing, it is perhaps because the war is confusing. If the descirtios of their life as war hero look boring, that is because it is really boring; they were required to do the same thing again and again before finally being forgotten. We just share their feeling, but perhaps too much of it.

This is Clint Eastwood's most ambitious film (and there is "Letters from Iwo Jima" still waiting), and maybe too ambitious as far as its screenplay is concerned. I am impressed with the film, however, with the sincere message from the director who realized the one of the saddest events in history for both people in America and Japan with his touch subtle and powerful at the same time.

I Don't Even Like War Movies, But This Was Great...
In 2006, Clint Eastwood launched one of his most inspired projects; Two war movies, set during World War II on the Japanese island of Iwo Jima. "Flags of Our Fathers" was the first. It received generally good reviews, but had a lukewarm reception from audiences. Then came the 2nd one, the Japanese language "Letters from Iwo Jima." That film received great reviews, was embraced by audiences, and was nominated for Best Picture. Having said that, "Flags of Our Fathers" definitely falls into the category of underrated. I don't particularly like war movies, but this is a great film and I think it's one of the best films of 2006. The cast is made up of mostly young actors, often called "pretty-boys" such as Ryan Phillippe, Jesse Bradford, and Paul Walker.
It also features an Oscar worthy supporting performance by Adam Beach and some great supporting work by Jamie Bell, Barry Pepper, and others. Phillippe plays John "Doc" Bradley, a Navy Corpsman. Bradford plays Rene Gagon, a runner. Beach plays Ira Hayes, an Indian. These three men go from mere soldiers to American heroes after a picture is taken of them raising the flag. Thrust into the spotlight, the men cope with being considered heroes when they point out that the real heroes are the men lying dead on the island of Iwo Jima. Eastwood uses cinematography with a heightened visual reality that makes the film a wonder to behold. Now, as I said, audiences haven't received this movie in the same way they did say "Saving Private Ryan." I will say that out of the last few films Eastwood has directed (Mystic River & Million Dollar Baby), this one is the weakest. But it's an inspired project with a great script, terrific cinematography, wonderful performances, and great direction. Beach (a relative newcomer) delivers the best performance in the movie, really getting under the skin of the most troubled of the characters. Phillippe and Bradford are also very good, although hardly Oscar worthy. A lot of people complain that the film doesn't make you care enough about the characters and that is partly true. It's certainly not as character-driven as "Saving Private Ryan" or "The Deer Hunter," but I liked the characters and did care about them so I guess it's just a matter of perspective. Even if you're hesitant to see this film because you don't like war movies or something, I urge you to see it. It's a great film.

GRADE: A-