Track Listing

1. Tarkus: Eruption/Stones of Years/Iconolast/Mass/Manticore/The ...
2. Jeremy Bender
3. Bitches Crystal
4. Only Way (Hymn)
5. Infinite Space (Conclusion)
6. Time and a Place
7. Are You Ready Eddy?

Product Details

• Amazon Sales Rank: #23243 in Music
• Brand: Emerson
• Released on: 2007-04-24
• Number of discs: 1
• Format: Original recording remastered
• Dimensions: .21 pounds

Album Description
On the strength of an epic 20-minute opening track, ELP's second album, Tarkus, set the gold standard for progressive rock upon its release in 1971. Though the "Tarkus" medley is the album's centerpiece, it is only one half of a great album that demonstrates what these incredible musicians were capable of. Remastered from the original master tapes.

Customer Reviews

what a great listen
Emerson, Lake and Palmer once again gives the world another satisfying listen. Again, the keyboards are everywhere, just like on the debut. This time, though, they sort of changed gears and gave us some shorter and catchier tunes on Side 2.

The first half of the album is one GIANT medley of keyboards. It's really surprising to me how, even before I got into lengthy prog pieces and jams, I was STILL able to enjoy this song. It's because the band knows how to make their jams melodic and interesting. That was something they did very well back in the day.

It's a shame most people ignore the shorter songs on the second side of the album. There's some good stuff there, and entirely worth hearing if you're a fan of the band.

Are You Ready, Eddy?
When it comes to Emerson Lake & Palmer, one of two pieces is usually voted the band's pinnacle of achievement: "Karn Evil 9" from 1973's BRAIN SALAD SURGERY or the titular suite from 1971's TARKUS. And if "Karn Evil 9" is one of my top candidates for Best Prog Work Ever, "Tarkus" is a monolithic achievement nevertheless, one of the first sidelong epics in the annals of progressive rock, and one of its greatest.

Flying high on Keith Emerson's savage keyboards, grounded by Carl Palmer's seismic drumming, embroidered with Greg Lake's dour vocals and complementary bass licks, "Tarkus" alternates peaks of the loftiest beauty with storms of the basest profanity. There's a plot in Lake's overblown lyrics somewhere - I think it has to do with war, and the armadillo-tank on the LP cover, and something about a manticore as well - but lyrics have never been all that important in prog. They sound profound, and that's all that matters. The suite is partitioned into seven movements, but it's often difficult, amidst the hail of screaming organ solos and percussive whiplash, to discern where one ends and another begins. Besides, I listen to "Tarkus" as a whole, a mammoth example of everything good (and bad) about prog rock, so it's rather pointless to focus on the individual parts. It's a monster, to be sure, some of the most intricate, bloodthirstily confrontational music of the rock era.

Two prog workouts ("Bitches Crystal", "A Time & a Place"), a pair of goofy throwaways ("Jeremy Bender", "Are You Ready Eddy?"), and a bipartite mini-epic ("The Only Way (Hymn)"/"Infinite Space(Conclusion)") flesh out the remainder of the disc. After a behemothic opening like the title cut, the rest of TARKUS should be an anticlimax, and in many ways it is. But if it doesn't achieve the demented grandeur of Side I, Side II allows the band to calm down, stretch out, and defuse their self-conscious pomposity a bit. "The Only Way (Hymn)"/"Infinite Space (Conclusion)" in particular is great, featuring ecclesiastical organ, blazing bass figures, and a couple melodies "borrowed" from Bach.

If 70s prog ever needed a "poster band", there would be few acts better qualified to fill that role than ELP. By the same token, TARKUS plays about as near a 70s prog "poster album" as any album possibly could.

Progressive Rock Masterpiece
This is one the best if not THE best Progressive Rock albums ever recorded.
The combination of Classical music score structures and heavy progressive rock
is absolutely awe inspiring .Keith Emerson even out does himself here. I personally don't think that there is an other album with as amazing heavy keyboard work out there to be found. This coming from a huge Jon Lord fan so that is no small compliment. The drumming and bass playing are both also masterly laid down to provide the perfect foundation to hold the wild organ leads together even as Carl Palmer the drummer dishes out some very wild and musical licks all his own. Greg Lake's vocals are as passionate as ever as is his low end playing . All this and "Lucky Man " too. What else could a 70's heavy progressive rock fan ask for?!?!?
I say nothing ...buy it now the re-master sounds great !!!