Product Description

History meets mystery in this award-winning PBS series, with four all-new feature-length episodes set at the height of World War II. Michael Kitchen (Out of Africa) returns as the laconic Christopher Foyle, detective chief superintendent in the English town of Hastings. War has torn the social fabric of this once-quiet coastal community, and Foyle’s investigations explore the violence and opportunism that the conflict has fostered on the home front.

Also starring Anthony Howell and Honeysuckle Weeks, and featuring Kenneth Colley, Dermot Crowley, Liz Fraser, Philip Jackson, Michael Jayston, Corey Johnson, Jonah Lotan, and Roy Marsden.

THE MYSTERIES:

Product Details

• Amazon Sales Rank: #9540 in DVD
• Released on: 2007-07-17
• Aspect ratio: 1.66:1
• Number of discs: 4
• Formats: Box set, Closed-captioned, Color, DVD, Widescreen, NTSC
• Original language: English
• Number of discs: 4
• Running time: 400 minutes

Amazon.com
The excellent Foyle's War returns with four episodes (each on its own disc) that first appeared on television in 2006 and '07. As before, the show's "history meets mystery" tagline pretty much sums it up, as Detective Chief Superintendent Christopher Foyle solves murders and various other heinous crimes in and around bucolic Hastings, England, while World War II rages on at home and abroad. "Invasion," the first episode, marks the arrival of American forces in 1942, not long after Pearl Harbor. Not all the locals are thrilled to see them; disparaging remarks about the G.I.s showing up "late" are common, and many a stiff upper lip curls at the Yanks' brash, boisterous behavior. Thus when a Hastings barmaid turns up strangled at a dance arranged by the Americans to get to know their hosts, fingers are quickly pointed at the "invaders." But Foyle and his assistants, Sgt. Paul Milner (Anthony Howell) and driver Samantha "Sam" Stewart (the delightfully named Honeysuckle Weeks), have other suspects, and the detective, who comes on a bit like Columbo without the trench coat and other idiosyncrasies, manages to sort through them while somehow keeping the Brit-Yank enmity from festering and dealing with the deadly effects of the illegal "hooch" the barmaid and her employer were brewing.

This balance of deftly intertwined elements typifies a series in which each installment is essentially a 90-minute movie; in "Bad Blood," murder, romance both illicit and international, and the appalling specter of Britain's experiments with biological weapons like anthrax are all on the bill, while gambling, sabotage, personal tragedy, and yet more murder feature in "Bleak Midwinter" and "Casualties of War." The mysteries aren't especially confounding; what the quietly persistent Foyle does is less interesting than how he does it. And while it's set in wartime, the war and its impact on the English (who endure the death and injuries visited upon their young men, along with shortages of gas, electricity, and such) is more often a backdrop than a central focus. Each disc includes a several pages of often fascinating text about the "historical truth" behind a given episode, while other bonus features include cast filmographies and a brief "making of" documentary on disc 1. All in all, while it may not appeal to fans of the fast-paced, effects-laden cop procedurals popular on American TV, Foyle's War is a classy production, well written (by creator Anthony Horowitz), nicely photographed, and well worth the investment of both time and money. --Sam Graham

Library Bookwatch
"Fascinating and entertaining mysteries"

Shakefire.com
A+ - What can I say about the show other then I loved it?

Customer Reviews

Have We Been Foyled for the Last Time???
Upon watching the last thrilling episode, in which Foyle confronts the insurmountable stumbling blocks of wartime necessity headlong by tendering his resignation----After all, the Ruhr dams must be busted!----I had to go online to make sure that a new season was coming up. I have become addicted to this low-key but absorbing, instructive, and endlessly entertaining mystery series. And there are still about three years of World War II to go.

As this series continues, the leading characters, Chief Inspector Foyle (Michael Kitchen) and Samantha (Honeysuckle Weeks), become ever more engaging. The settings of Hastings and the Sussex countryside become ever more picturesque. Moreover, as the mysteries become ever more intriguing, the narrative of Britain during the Blitz----the people's hardships, their gallantry, and in many cases their victimization by unscrupulous profiteers----becomes indelibly compelling. The series would make an excellent teaching tool in a history class, since it not only presents a fascinating account of the war but it also gives a realistic depiction of the toll that war takes on the civilian population. This splendid BBC series puts a human face both on casualties and survivors, whom the modern media tend to dismiss with the callous and meaningless catchphrase, "collateral damage."

Whew! I can now rest easy. There will indeed be another season of "Foyle's War" in 2008.

flawless
From Michael Kitchen to Honeysuckle Weeks to the plots to the scenes, this is as flawless a series of movies as I can remember. Classy, poignant at times, funny.

Conveys the WWII period in England in depth without detracting from the plot. Despite the quality of backstory and the depth of the primary characters, these episodes remain mysteries. Amidst the background of war in England in the forties, Foyle hunts what some might see as petty murders or "just thieves". It reminds me of Night of the Generals, showing the single-mindedness and bulldog grip a police officer can have even though the world around him seems to be crumbling.

An expensive, quality piece of storytelling and movie making.

I have the series-to-date and eagerly wait for more.

Michael Kitchen triumphs again as detective chief superintendent Christopher Foyle.
Michael Kitchen triumphs again as detective chief "superintendent Christopher Foyle. He often identifies himself, however, rather more charmingly: "My name is Foyle. I'm a police officer." No badge is shown or papers presented while so introducing himself. Such would be superfluous though as Kitchen's Foyle, in mannerisms, demeanor, as well as the way his carries himself, makes it rather apparent that he is in law enforcement. And to boot, all this takes place in the early days of the 4th decade of the 20th century, "in the beautiful southern English countryside amid the disorder and danger of World War II"(to quote the packaging).

As in all Foyle episodes a murder takes place and Kitchen methodically goes about solving it. He has a sergeant for assistance as well as an actress side-kick (whose most unusual name in real life is Honeysuckle Weeks) who plays an army soldier seconded to drive for Foyle, who is without a license to do so. Like in many detective dramas the who did it is rather less important than the drama getting to that point. Actually, these hour and forty minute long Foyle episodes often go by for me without my giving much serious contemplation toward the solution Foyle seeks. Ever play chess and really focus on 3, 4, 5, 6 possible moves in advance and then play a casual game of chess just for fun? That's how I personally watch Foyle's War. I'm not too interested in guessing then second guessing again & again who I think is the murderer. (I do do that often with David Suchet's Hercule Poirot Agatha Christie mystery dramas, but alas, do too much guessing wrong there, however.


The episodes:
"Invasion"
March 1942: The US Army Corps of Engineers arrives in Hastings to build an aerodrome and Foyle needs to calm a local farmer whose land has been requisitioned by the government. In this episode we also are treated to a guest appearance by Philip Jackson; aka Chief Inspector Jap from Agatha Cristie's Poirot series, although he's but a pub owner herein. And we also get a major development in the Sam Stewart/Andrew Foyle relationship.


"Bad Blood"
A lone aircraft drops a bomb over farmland. Nearby sheep start dying, then a farmers wife, and Sam falls ill.

"Bleak Midwinter"
December 1942: DCS Foyle investigates the death of Grace Phillips who died in what appears to be an accident in a munitions factory.



"Casualties of War"
March 1943: Foyle receives a visit from his goddaughter, who he has not seen for 10 years, and her young son who is shell shocked from when his school was bombed.


Watching Foyle is also very much a period drama, as I've said, giving one a feel for wartime England, the country lanes, the occasional military vehicle and soldier(s), authentic clothes, hats, people on missions greater than themselves passing through the lens. My advice thus is not to overly focus on actively trying to solve these tough-to-crack mysteries to better revel in the actual performances herein. Notwithstanding the "Columbo" series being a totally different style of show, Foyle's War shares a number of similarities with Peter Falk's famed detective: the who-did-it is not the most interesting part of the show, but watching the very deliberate and understated detective go about his job. I particularly relish Columbo's speech manners and the way he draws things out as if they were salt water taffy as he hems and haws, pauses, retreats, etc. Michael Kitchen's Foyle, albeit in his own unique way, is entertaining just to watch as well. He is a man of few words, but very communicative with his demeanor, facial expressions, and the like. A hostile possible suspect verbally lambasts Foyle in one episode, for instance, while Foyle looks into this man's eyes watching him vent. When the man finishes, Foyle begins to pass the man on his way out. The man comes after Foyle trying to add a coda to his venting and when doing so attempts to grab hold of Foyle's arm. Foyle simply continues on his way and half over his shoulder, simply says to a uniformed officer behind him, "arrest this man." In another episode a person asks how Foyle knew something that would be hard to know and came to the conclusion that he did. To which Foyle responds, a picture in his hand, and a knowing expression on his expressive face: "I found this in her diary. I found the diary under her pillow." Maybe I'm just a glutton for language precisely employed, language--bereft of unneeded words---delivered with style. Cheers