Product Description

A breathtaking collection of unabridged stories from the Pulitzer Prize-Winning author of The Shipping News and Accordion Crimes

Annie Proulx's masterful language and fierce love of Wyoming are evident in this collection of stories about loneliness, quick violence, and the wrong kinds of love.

Close Range features stories of desperation, hard times, and unlikely elation, set in a landscape both brutal and magnificent. Enlivened by folk tales, flights of fancy, and details of ranch and rural work, they juxtapose Wyoming's traditional character and attitudes -- confrontation of tough problems, prejudice, persistence in the face of difficulty -- with the more benign values of the new west.

Stories in Close Range have appeared in The New Yorker, The Atlantic Monthly, Harper's and GQ. They have been selected for the O. Henry Stories 1998 and The Best American Short Stories of the Century and have won the National Magazine Award for Fiction. This is work by an author writing at the peak of her craft.

Product Details

• Amazon Sales Rank: #773313 in Books
• Published on: 2000-02-10
• Format: Bargain Price
• Number of items: 1
• Binding: Paperback
• 288 pages

Amazon.com Review
Pulitzer Prize-winner E. Annie Proulx forays through the underside of America's beloved Wild West in Close Range, a collection of stories about hardship and more hardship in Wyoming territory. Understanding that the West's infinite spaces tended to inspire neither introspection nor contemplation, but a violent and insatiable restlessness, Proulx's eight stories are dark reflections on the lives of a handful of characters striving to define themselves against the unforgiving landscapes. The three professional actors chosen to read the text give strong, resounding interpretations of the macabre tales. (Running time: 6 hours, 4 cassettes) --Natasha Senjanovich

From Library Journal
This marvelous collection proves that Proulx's Pulitzer Prize for The Shipping News was no one-shot deal. Set in Wyoming, the 11 stories "feature down-on-their-luck ranchers, cowboys, and working men who watch helplessly as the modern world leaves them behind." (LJ 5/1/99)
Copyright 2000 Reed Business Information, Inc.

From Kirkus Reviews
A vigorous second collection from Proulx (after Heart Songs and Other Stories, 1988): eleven nicely varied stories set in the roughhewn wasteland that one narrator calls a 97,000-square-miles dog's breakfast of outside exploiters, Republican ranchers and scenery.'' The characters here are windburned, fatalistic westerners stuck in the harsh lives they've made for themselves in this bitter demi-paradise. They include: hardworking, luckless ranchers (in the painfully concise ``Job History,'' and the sprawling ``Pair a Spurs,'' the latter a wry tale of divorce, sexual urgency, and sheer cussedness that bears fleeting resemblances to Proulx's Accordion Crimes); aging hellion Josanna Skiles (of ``A Lonely Coast'') and the lover who can neither tame her nor submit to her; a sagebrush Bluebeard and his inquisitive wife (in the amusingly fragmentary ``55 Miles to the Gas Pump''); and an itinerant rodeo cowboy (in ``The Mud Below'') whose vagrant spirit stubbornly kicks against memories of his disastrous childhood. Two stories are, effectively, miniature novels: ``People in Hell Just Want a Drink of Water,'' about memorably dysfunctional feuding families; and ``The Bunchgrass Edge of the World,'' which begins as a collection of random eccentricities, then coheres into a grimly funny parody of the family saga. ``The Blood Bay'' retells a familiar western folktale, adding just a whiff of Chaucer's ``Pardoner's Tale.'' And two prizewinning pieces brilliantly display Proulx's trademark whipsaw wit and raw, lusty language. ``The Half-Skinned Steer'' wrests a rich portrayal of the experience of unbelonging from the account of an old man's journey westward, for his brother's funeral, back to the embattled home he'd spent decades escaping. And the powerful ``Brokeback Mountain'' explores with plangent understated compassion the lifelong sexual love between two cowboys destined for separation, and the harsh truth that ``if you can't fix it you've got to stand it.'' Gritty, authoritative stories of loving, losing, and bearing the consequences. Nobody else writes like this, and Proulx has never written better. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

Customer Reviews

Wyoming as a state of the soul
I am a grown-up, middle aged man not drawn much to sentimentality. I am not a practiced reader of fiction and I have spent only one night in Wyoming. I just finished reading the final story in the collection, "Brokeback Mountain",about ten minutes ago.

I still have tears in my eyes. It seems to me that I am falling out of a dream into the wet and chill February morning by San Francisco Bay where I now live. But the dream was of a place utterly familiar. I mean, emotionally familiar, familiar in memory, and evidently, familiar to my body. I can still feel the tingling just behind my cheekbones and the low-voltage electric discomfort in my chest. I guess Annie Proulx touched something in the geography of my own soul with her story. And even in the sadness that swirls around my eyes, I am grateful to her for that. And amazed that this woman could write so tellingly of men's hearts.

I said that I am a middle-aged man. So I have a history behind me. That's part of what makes you middle-aged. When you're young, who you want to be someday is the largest part of who you are. When you're middle-aged, the evidence begins to mount. The past is what it was and that is the largest part of who you are. It's harder to make believe anymore. And the story includes loss, confusion, missed opportunities, cowardice, fear, and memories of your own Brokeback Mountain. And sometimes the only redemption for the past, if it is redemption, is to remember it, fully. That's all.

Now that I am back in the waking world a bit more, I also want to say how beautifully Annie Proulx weaves the English language, with the kind of strength, color and contrapuntal roughness that makes it so earthy and satisfying. There were a few passages that I read out loud, just for the rhythm, the accents, the tumbled spring-thaw rush of sound. In a story about people not noted either for reflective insight or poetic diction, she has, paradoxically, by her own re-membering of them, let them be themselves, without apology, and yet re-situated them in a place of human grandeur.

I guess Aristotle had a point when he wrote about poetry as a moment of katharsis, of the compelling power of pity and fear. I bet he never thought he could find it on Brokeback Mountain.

Proulx will break your heart with that last story--
--but the rest of the collection is powerful, too. If you haven't read Proulx, pick this one up. It's rough, raw, brutally honest storytelling.

But honestly, I can't explain what it is about Brokeback Mountain that makes me pull the book off the shelf at least twice a year since it came out five years ago. It's got to be one of the most intensely moving stories I've ever read in my life.

Those men, their lives. The scattered, fragile moments where they do connect, like that scene on the front porch when they haven't seen each other in four years or that moment where he finds the flannel shirts. Kick me in the gut while you grab my heart and rip it to shreds. You'll love it, I promise.

I'm sure that some people unfamiliar with Proulx's work or this story will permit the film adaptation to become another banal symbol of those crazy gays taking over EVERYTHING--and deny themselves the pleasure of reading good, solid American fiction.

Regardless, do yourself a huge favor: read this story before seeing the film (fingers crossed).

I cried after reading this book
The first time I picked up Close Range: Wyoming Stories.
I thought MMm...Just another collection of boring stories about
white rural hicks. I've read stuff like this before. Usually set in the South. With the typical set of colorful charicters.
From the pompous upper crust to reddest of rednecks.
But I started reading. And kept on reading, for nine hours
strait!
I couldn't put it down. Annie Proulx is one powerful writer!
She made me rethink my attitudes about how rural folk lived.
Their lives are just as complex, mixed up and sad as us city dwellers are.
I chuckled at the first two or three stories. Felt empathy for
fourth. but it was the last story, Brokeback Mountain. That
one tore my heart out.
I ached for the charicters of Ennis and Jack. They lived in a
time that had no kind words for what were or how they felt about
each other. If they had lived 3000 years earlier or just 40 years later they could've been very happy together. But spending all those years apart. Only seeing each other maybe one or if they were lucky twice a year. Just made what they had even more bitter sweet. The ending had me in tears for three days, And I'm not the emotional type!
I've just ordered the audio version. and can't wait to
hear this wonderful book set to the spoken word.
Please, Please buy this book!