Product Description

Italian-born/French-raised chanteuse Bruni has written a poignant record establishing her as an undeniably gorgeous new voice to American ears. With two previous records, heralded in her home of Europe, Bruni's current creation is her first English language album to hit US shores via Downtown records. Carla's fascination and appreciation of the language prompted her to make an album comprised of her favorite poems (from Emily Dickinson to WH Auden to William Butler Yeats), interpreting them into delicate and introspective songs. Profound, potent, and imbued with a delicate beauty.

Track Listing

1. Those Dancing Days Are Gone
2. Before the World Was Made
3. Lady Weeping at the Crossroads
4. I Felt My Life with Both My Hands
5. Promises Like Pie-Crust
6. Autumn
7. If You Were Coming in the Fall
8. I Went to Heaven
9. Afternoon
10. Ballade at Thirty-Five
11. At Last the Secret Is Out

Product Details

• Amazon Sales Rank: #33469 in Music
• Brand: Dig
• Released on: 2008-02-19
• Number of discs: 1
• Format: Enhanced
• Dimensions: .20 pounds

Amazon.com
"Come, let me sing into your ear," purrs Carla Bruni to open her second album, her French/Italian heritage betrayed in a pan-European accent that's as breathy and relaxing as a summer afternoon nap on the Riviera. Though the prospect of a former supermodel's career exploits is sometimes prettier than others (depends if you prefer the Project Runway pronouncements of Heidi Klum or the talk show/tabloid antics of Tyra Banks), Carla Bruni approaches music armed with something of a legitimate pedigree, both her parents having been musicians in their own right. Calling the album No Promises may reflect some intentional lowering of expectations for Bruni's experiment here, setting 11 reverently-chosen lyric poems by the likes of Emily Dickenson, W.B. Yeats, and Dorothy Parker to her own mellow, wispy music and pleasant voice. Where artists like Feist or Keren Ann use spare instrumentation and airy vocals to achieve delicacy and nuance, the compositions on No Promises seem to run together without much to distinguish one from another, and the result is neither offensive nor particularly inspirational. Maybe next time Carla Bruni will inject a little more fire into her belly and add some sparkle to her hushed soundscape. --Ben Heege

Customer Reviews

Subliminal melancholy.
Carla Bruni, ex model and former love affair of Mick Jagger, is the reincarnation of sensual infatuation, breathy words and purred seduction.
When she first started singing with a frangible but also very enwrapping voice, the French listeners couldn't resist giving Carla as much credit as she would have deserved. "Quelqu'un m'a dit", her first album, released in November 2002, was a bestseller in her adopted country, France. With her new record entitled "No Promises", she maintains her well proved concept, based on the leading acoustic guitar and interspersed variations of harmonising instruments.
She just changed two things which weren't essentially remarkable if we hadn't any understanding of languages. Besides the fact that Carla swapped from the fragile sounding French to the melodically caressing English, she doesn't sing over her own words this time.
The lyrics come from famous poets and they are all distinguished creations from several personalities. Bruni really proved her musical talent though.
All the melodies, which mostly suit and carry the statements of each poem, were composed by the Italian ex supermodel herself.
She's obviously not an eminently blessed compositor, but she improves when it comes to rather simple but effective acoustic tunes, which leave a mark of easiness and subliminal melancholy. On the opener "Those Dancing Days Are Gone"(William Butler Yeats) she uses the guitar like she's talking frolicsomely to a friend.
"If You Were Coming In The Fall" (Emily Dickinson) follows the mentioned example, but it seems a bit inapplicable referred to the poem's depressing theme.
A song close to decent perfection would be "Before The World Was Made" (William Butler Yeats) which contains a tangent instrumentation, modelled on folk and country elements.
"Promises Like Pie-Crust" (Christina Georgina Rossetti) needs less getting used to, according to Carla Bruni's latest efforts, which are mostly classified into the "chanson" genre.
On "No Promises" there's an arbitrary mixture of folkish melodies and pieces abutted to the musician's preferred " chanson" style. And even though the change of language doesn't bring in that much fresh air, the album's overall well rounded and is best suited to relaxed moments in front of a homely fireplace.
The incontrovertible fact that the lyric often is more enthralling than the musical aspect, doesn't reduce the delight that much. In this case, both parts go hand in hand and were made for operating together as one.

Poetry in music for folk guitars and smoky, sultry voice.
Auden and Yeats are among the finest English-language poets of the 19th and 20th centuries, endowed with rare insight and sensitivity.
Now W. H. Auden, W. B. Yeats and several others have taken on an unlikely new guise.
Their poems -- along with those by two other Britons, Walter de la Mare and Christina Rossetti, and two Americans, Dorothy Parker and Emily Dickinson -- are likely to enter the Top Ten in Europe.
Four years after her debut album after her first album, "Quelqu'un m'a dit" (Someone told me), which sold two million copies, Carla Bruni, the Italian former fashion supermodel offers a collection of music and poetry : 11 beautiful poems set to Carla Bruni's inspired melodies.
She gives a real personal interpretation of these poems with romanticism, melancholy which form a feeling of loneliness.
The album, "No Promises", has divided music critics between supporters hailing a new departure for Europop and detractors perplexed by haunting English verse half-sung and half-spoken in a sensual voice accompanied by folk guitars.
Although the writers have been set to music before -- the composer Benjamin Britten collaborated with Auden, and the singer Joni Mitchell has drawn on Yeats's verse, for example -- Bruni's work is a novelty.
In France , some newspapers wrote rave revues.
I personally like it.
It's different,it's delicate, it's elegant.
Have your say !

I LOVE this album!
I truly do not understand how anyone can give less than a 5 star rating for this album. I find it amazing that Carla Bruni took these poems and made them into intriguing, sexy songs. Her voice is so unique and I just cannot say enough about the greatness of "No Promises." When I've had a bad or stressful day, I put this album on and I am immediately calmed. I can't wait for her next album and hopefully she'll release another one in English. I'm extremely surprised that "No Promises" did not pick up as much attention in the U.S. as it deserved.