Product Description

Music For The Movies: Bernard Herrmann explores the work of a composer who created music for over 50 films, collaborating with such diverse directors as Orson Welles, Nicholas Ray, and Martin Scorsese. Best remembered for his twelve-year collaboration with Alfred Hitchcock in such classics as Vertigo, North By Northwest ,and the unforgettable Psycho, Herrmann pioneered many fundamental techniques of film scoring in the course of his 35-year career.

Music For The Movies: Bernard Herrmann takes audiences behind the scenes in Hollywood to the mixing rooms and dubbing stages where music is put to picture. We follow Herrmann's relationship with Hitchcock, examining the bitter breakup of one of the richest collaborations in Hollywood history over the score for the 1966 film Torn Curtain. We see Torn Curtain as it has never been seen before ­ accompanied by Herrmann's brilliant score.

Including clips from: Citizen Kane, Sisters, North By Northwest, The Ghost and Mrs. Muir, On Dangerous Ground, The Man Who Knew Too Much, Psycho, Torn Curtain, The Bride Wore Black, and Taxi Driver.

Featuring interviews with directors Martin Scorsese and Claude Chabrol, composers David Raksin and Elmer Bernstein, film scholar Royal S. Brown, Herrmann's first wife, musicians, film editors and sound mixers, as well as home movies, archival photos and interviews with Herrmann himself.

Music For The Movies is an exciting documentary series chronicling the influence music has had on the making of movies. These four programs ­Bernard Herrmann, Toru Takemitsu, Georges Delerue, and The Hollywood Sound ­explore the complex relationship between image and music in cinema, taking audiences behind the scenes to bring the story of movie music to life.

Executive Producers: Richard Copans,Yves Jeanneau, Margaret Smilow
Produced By: Margaret Smilow and Roma Baran
Narrator: Philip Bosco
Directed and Edited By: Joshua Waletzky

Product Details

• Amazon Sales Rank: #34084 in DVD
• Released on: 2007-09-25
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Classical, Color, Dolby, DVD, NTSC, Subtitled
• Original language: English
• Subtitled in: English
• Number of discs: 1
• Running time: 58 minutes

Customer Reviews

Excellent Bio
This is a great biography of the Composer/Conductor Bernard Herrmann. He was one of those inovators particularly in the Hollywood Film Music scene and you hear about him from many of his contemporaries. What a character he was. Herrmann's known chiefly as the composer of choice for Hitchcock in the 50's and early 60's, but he did much more, starting in radio, segueing into film while working on serval substansive pieces of concert music.

I was given the VHS as a gift years ago and now that it's out on DVD I will cherish this version as well.

Bernard Herrmann composer
If you have an interest in Bernard Herrmann or composing music for movies, this is an excellent biography centered primarily on Herrmann's music and music career.

Thanks -Great nephew of Bernard Herrmann

A treat for the movie music fan
For years I've been wishing for a DVD edition of this irreplaceable documentary--one of the few VHS tapes I kept after I gave away most of my VHS collection. Now the DVD, recently ordered from Amazon, has arrived--and after playing it straight through once, I had to go to the chapter selections and watch my favorite parts again.

This 1992 documentary is a treat not only for Bernard Herrmann fans, but for all fans of movie music, because it shows so well how music works with movies. Interviews with directors, composers, musicians, editors, sound mixers, and film scholars, as well as with Herrmann himself and his first wife, shed light on music itself and its relationship to movies, while also illuminating Herrmann's contribution.

Of course, the soundtrack of this documentary is full of Herrmann's music, sometimes serving as background, sometimes accompanying the film clips from ten of the numerous movies Herrmann scored--including the first, CITIZEN KANE, and the last, TAXI DRIVER. The documentary also offers a biographical sketch of Herrmann, and serves as a fine complement to the written biography by Steven C. Smith.

Personally, I can never tire of watching composer Elmer Bernstein and film scholar Royal S. Brown play piano transcriptions of familiar passages from CAPE FEAR, THE MAN WHO KNEW TOO MUCH, VERTIGO, and PSYCHO, explaining why these passages haunt us long after we've seen the movies.