Product Description

In this powerful early noir from the great Akira Kurosawa, Toshiro Mifune bursts onto the screen as a volatile, tuberculosis-infected criminal who strikes up an unlikely, unhealthy relationship with Takashi Shimura s jaded physician. Set in and around the muddy swamps and back alleys of postwar Tokyo, Drunken Angel is an evocative, moody snapshot of a volatile time and place, featuring one of the director s most memorably violent climaxes.

Product Details

• Amazon Sales Rank: #21863 in DVD
• Brand: IMAGE ENT.
• Released on: 2007-11-27
• Rating: PG-13 (Parental Guidance Suggested)
• Aspect ratio: 1.33:1
• Formats: Color, DVD, Full Screen, NTSC, Subtitled
• Original language: English
• Subtitled in: Japanese
• Number of discs: 1
• Dimensions: 1.00 pounds
• Running time: 98 minutes

Features

• In this powerful early noir from the great Akira Kurosawa, Toshiro Mifune bursts onto the screen as a volatile, tuberculosis-infected criminal who strikes up an unlikely, unhealthy relationship with Takashi Shimura's jaded physician. Set in and around the muddy swamps and back alleys of postwar Tokyo, Drunken Angel (Yoidore tenshi) is an evocative, moody snapshot of a troubled time and place,

Amazon.com
Upon its release in 1948, Drunken Angel was hailed in Japan as Akira Kurosawa's directorial breakthrough, comparable to Kubrick's Paths of Glory in the way it catapulted Kurosawa into a higher level of artistic achievement. Kurosawa himself noted, "In this picture I was finally myself. It was my picture. I was doing it and nobody else."

It is indeed an important, vital film, confidently conceived and expertly executed, illuminating themes that would dominate the finest films in Kurosawa's exceptional career. The setting is a rancid, jerry-built section of a postwar city, where a filthy, disease-ridden pond functions as a physical threat and also as the film's central symbol of decay. It's in this hardscrabble environment that a brash young gangster (Toshiro Mifune, in the role that made him a star) visits an alcoholic doctor (Takashi Shimura) to have a bullet removed from his hand. The doctor discovers that the hot-tempered thug is also doomed by tuberculosis, seen here as the physical manifestation of the gangster's moral decay. The doctor is himself diseased by his drinking, and as these clashing men struggle to make some kind of difference in their pathetic lives (spurned by the return from prison of a ruthless yakuza boss), Kurosawa makes unlikely heroes of them both--men who undergo a personal transformation in a vile and violent world.

Drunken Angel is a transitional film for Japanese cinema and especially for Kurosawa; it offers a vivid glimpse of postwar life (both rotten and restoring), and signals the full blossoming of Kurosawa's talent. And while the title role belongs to Shimura (so memorably poignant in Kurosawa's later masterpiece, Ikiru), the film belongs to the forceful presence of Mifune, whose vitality touches nearly every scene of this timeless and powerful drama. --Jeff Shannon

Customer Reviews

An Absolute Beauty
I am biased, I'll tell you that up front. Kurosawa is my favorite director. Even if he were not, I would still love this film.
Takashi Shimura (the head samurai in "Seven Samurai") plays an alcoholic doctor in a dumpy urban part of post-war Tokyo. Toshiro Mifune plays a small-time gangster who initially visits the doctor regarding a bullet wound. The doctor discovers that the gangster also has tuberculosis, and stubbornly tries to treat it. I say stubbornly because the gangster tries to act macho about the disease. The two charactors are both so strongly portrayed that the doctor's attempt to treat the disease and the gangster's faked but desperate non-chalance makes their relationship a struggle; at times they actually come to blows over the doctor's persistence. The doctor, I think, sees something of himself in the gangster; someone on the edge of society, someone with flaws, someone with unfulfilled dreams. The doctor wants the gangster to survive, and the gangster desperately wants to survive, but his "toughness" keeps him from admitting that he wants to live.
In any event, my wife and I fall in love with the doctor everytime that we see this film. He is the better angel of our nature, scolding and caring. Watch the film; you too will fall in love with it.

Brilliant character study
The key to "Drunken Angel" is the two main characters, both flawed and somewhat nobel. Mifune is Matsunaga, a powerful gangster coming to grips with his own weakness. He has tuberculosis. Shimura plays Dr. Sanada, a good hearted doctor who's weakness for alcohol has left him in the lower depths of society. When Mifune arrives to be treated for a gunshot wound, Shimura sees something in him, and attempts to treat him for his TB.

This uneasy friendship, and the balance of the two characters as they get to know each other, is the strength of "Drunken Angel." Both performances are gripping. The plot involving a gang boss released from jail, allows the two characters to develop with each other. The direction is tight and controlled.

This is easily a masterpiece, from one of cinema's greatest directors.

scruffy, alcoholic angels
Filmed only three years after the end of World War II, Kurosawa Akira's Drunken takes place within the filthy confines of shanty town marketplace where a heavily polluted swamp dominates the scenery. Within this black market, gangsters rule through their money and weapons, controlling the flow of alcohol, drugs, and rations. However, even within such a dismal place there are some bright spots, even if that bright spot is an alcoholic, scruffy doctor.

Drunken Angel opens with Matsunaga, Mifune Toshiro, coming to the office of Dr. Sanada. He claims that his hand was accidentally slammed in a door, and when the doctor notices that it is also bleeding, he states that there was also a nail. Dr. Sanada, without using painkillers, digs into the wound with a pair of tweezers and eventually finds a bullet and he eventually cleans the wound up and bandages it. Because he has a cough, Matsunaga asks the doctor to give him some medicine. However, the doctor states that Matsunaga should get himself checked for tuberculosis since his "high lifestyle" leaves him a prime candidate to catch the disease. Dr. Sanada does a halfhearted examination with his stethoscope, it is halfhearted because x-rays are necessary to detect the beginnings of tuberculosis, and he soon discovers a fist-sized hole in Matsunaga's lungs. Matsunaga is angered by the news, but this occurrence soon begins a tenuous friendship between Dr. Sanada and Matsunaga. The often drunk doctor not only wants to save Matsunaga from his tuberculosis, but from the environment in which he lives: as a member of the yakuza he is tied to a feudalistic code of "honor" that ties him to a continuous circle of murder and revenge. However, there is something else as well that the doctor hopes to save Matsunaga from.

After World War II came to a close, The Occupation Forces led by SCAP, Supreme Commander of the Allied Powers controlled basically all forms of media, including books and films. When a new film was beginning production, the producers of the film had to send a short synopsis to the Civil Censorship Detachment which cut certain aspects of the film if it had anti-American sentiments, depicted remnants of World War II, the black market, etc., and encouraged the filmmakers to include such things as the different classes working together, anti-feudalistic ideals, kissing, etc. Kurosawa, often considered one of the most "Western" of filmmakers, was in fact quite against Western ideals, i.e. American, ideals forced on Japan and slowness in which the occupation forces restored Japan to a habitable level. The yakuza in the film are the ones who have truly embraced the West. Matsunaga wears an aloha shirt and sports Western-tailored suits, he drinks Western liquor, and dances to jazz music. The dangerous Okada also quickly embraces Western dress after he is released from prison. The filthy swamp could be seen not only as the result of the devastation caused by World War II, but also as a continuous stagnation of the country as long as the American forces were present.

While often not listed as one of his best films, Drunken Angel marks a deviation from earlier films such as No Regrets for Our Youth (1946) and One Wonderful Sunday (1946) which held closer to the standards and ideals established by SCAP.