She's Gotta Have It
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Average customer review:Product Description
No Description Available.
Genre: Feature Film-Comedy
Rating: R
Release Date: 15-JAN-2008
Media Type: DVD
Product Details
- Amazon Sales Rank: #9860 in DVD
- Brand: JOHNS,TRACY CAMILLA
- Released on: 2008-01-15
- Rating: R (Restricted)
- Aspect ratio: 1.66:1
- Formats: AC-3, Black & White, Color, Dolby, DVD, Subtitled, Widescreen, NTSC
- Original language: English
- Subtitled in: English, French, Spanish
- Number of discs: 1
- Dimensions: .18 pounds
- Running time: 85 minutes
Editorial Reviews
Amazon.com
Spike Lee made a splash in the independent film world with his debut feature, an inventive low-budget romance with a strong-willed heroine. Nola Darling (Tracy Camilla Johns) can't decide among her three boyfriends: serious but sweet Jamie (Tommy Redmond Hicks), self-centered clotheshorse Greer (John Canada Terrell), and goofy, wisecracking bike messenger Mars Blackmon (Lee). Within this loose story line Lee launches into a character study of Darling and offers a slice of black urban life rarely seen on the screen. According to Lee's published diary, he interviewed dozens of women and gathered feedback on screenplay from female friends, and his efforts show. Nola is an unapologetic, sexually independent character who resists the efforts of the men in her life to change who she is to please them--the wonderful concluding twist thumbs its nose at romantic conventions and gives Nola her due. Lee combines direct address and documentary techniques with a simple, often elegant narrative style to create a multilayered portrait of Nola and her men and question perceptions and conventions of sex, sexuality, and relationships in the modern world. Though somewhat primitive in the light of his more accomplished works, this first feature introduces Lee as a fresh voice and a creative force to be reckoned with. --Sean Axmaker
Amazon.com
Spike Lee made a splash in the independent film world with his debut feature, an inventive low-budget romance with a strong-willed heroine. Nola Darling (Tracy Camilla Johns) can't decide among her three boyfriends: serious but sweet Jamie (Tommy Redmond Hicks), self-centered clotheshorse Greer (John Canada Terrell), and goofy, wisecracking bike messenger Mars Blackmon (Lee). Within this loose story line Lee launches into a character study of Darling and offers a slice of black urban life rarely seen on the screen. According to Lee's published diary, he interviewed dozens of women and gathered feedback on screenplay from female friends, and his efforts show. Nola is an unapologetic, sexually independent character who resists the efforts of the men in her life to change who she is to please them--the wonderful concluding twist thumbs its nose at romantic conventions and gives Nola her due. Lee combines direct address and documentary techniques with a simple, often elegant narrative style to create a multilayered portrait of Nola and her men and question perceptions and conventions of sex, sexuality, and relationships in the modern world. Though somewhat primitive in the light of his more accomplished works, this first feature introduces Lee as a fresh voice and a creative force to be reckoned with. --Sean Axmaker
Beyond She's Gotta Have It
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Customer Reviews
PUT THIS MOVIE ON DVD NOW
This is the film that gave Spike Lee his rise. It is a brilliant first film. Why is the movie viewing public having to wait for the release of this historical film on DVD and for that matter why is Girl 6 not on DVD. Every Spike Lee film ever made should now be available on DVD. She's Got to Have It on DVD NOW!
Finally, the first Spike Lee joint on DVD!
It's been WAYYYY too long, but finally Spike Lee's debut, "She's Gotta Have It" has made it to DVD! It has always astounded me that Spike's other films have made it to DVD long before this one, but in January 2008, those of us who are fans of his work will get our wish. The ripple effect of this movie in the twenty-plus years since its release has been an abundance of films made for and by black folks - some of them good, some bad - but the main thing is that "She's Gotta Have It" proved that movies starring black actors do indeed have an audience and inspired many others to step out and attempt to make the same impact.
In case you may be one of the few who are unaware of the plot behind this deliciously brash and sexy comedy, it focuses on the lead character Nola Darling (Tracy Camilla Johns), a young Brooklyn print artist that has not one, but three lovers, all who feel that they are the right man for her. Nola makes no apologies for the type of woman she is...a virile, independent being who enjoys sex and enjoys giving it to whomever she is dealing with. She makes it known what it is she wants from a man, and the three that she juggles here are all sprung by her charms. She is the inattainable prize of these men who each want to have her to themselves. Of course, as the film progresses, they each are pushing her to make a choice between them, and she is unable to - and wondering just why she has to.
Nola's men are as different as day is from night: Jamie (Tommy Hicks), who is sweet, sensitive but possessive; Greer (John Canada Terrell), a narcissistic pretty-boy model who believes the world revolves around him and the loony offbeat homeboy on a bike, Mars (Spike Lee himself). The three guys represent qualities that Nola would probably like to find in one man, but since she hasn't, she deals with three.
Filmed on location in Spike's beloved Brooklyn on a bare-bones budget in 1986 in mostly black and white, this independent gem looks very much like a documentary at times, with characters talking to the camera. It was a very effective method and almost makes you feel like you are looking through a window at this young woman's love life. Some people have been critical of this movie, saying it portrays black women as promiscuous. But truthfully speaking, men have exhibited the same kind of "loose" behavior for centuries and they get pats on the back and told that they are "THE MAN". In sharp contrast, women get bashed if they live their lives the way Nola does in this film - a true double standard. She brings this up in the movie, and although you may not totally agree with her logic, you have to admit that she is on point.
The only real "negative" message I can see in "She's Gotta Have It" is the fact that this woman has three lovers in the age of AIDS, but aside from that, I have to commend Spike for continuing to make films that show various sides of black life, in either a humorous or serious light (or sometimes both at once) that were not normally shown to the mainstream. His work is essential, inspirational and of great historical value in African-American culture - hell, in AMERICAN culture, period! Add this movie to your Spike collection if you haven't done so already!
Update: Slightly disappointing about the DVD packaging is that there are no extras - no director's commentary, interviews with the cast or outtakes/deleted scenes (although the budget may not allowed for too many of those). These are things I would have liked to see included on the DVD, but I'll take this just the way it is! :)
Please baby please baby please baby please!
One of director Spike Lee's earlier, funny films (his debut, actually). A sexy, hip, and fiercely independent young woman (Tracy Camilla Johns) juggles relationships with three men (who are all quite aware of each other's existence). Lee steals his own movie by casting himself as the goofiest and most memorable of the three suitors- "Mars", a hilarious trash-talking Brooklyn version of the classic Woody Allen nebbish. Lee milks maximum laughs from the huffing and puffing by the competing paramours, as they each jockey for the alpha position (and makes keen observations about sexist machismo and male vanity along the way). Spike's dad Bill Lee composed a lovely jazz-pop score. Despite being a little rough around the edges (due to low budget constraints) it was still a groundbreaking film in the context of modern independent cinema, and an empowering milestone for an exciting new wave of talented African-American filmmakers who followed in its wake.








