Product Description

Viggo Mortensen and Academy Award® nominee Naomi Watts star in this electrifying thriller from critically acclaimed director David Cronenberg (A History of Violence). Criminal mastermind Nikolai (Mortensen) finds his ties to a notorious crime family shaken when he crosses paths with Anna (Watts), a midwife who has accidentally uncovered evidence against them. Their unusual relationship sets off an unstoppable chain of murder, mystery and deception in the explosive film critics are calling "provocative and engrossing" (Claudia Puig, USA Today).

Product Details

• Amazon Sales Rank: #6524 in DVD
• Brand: Universal Studios
• Released on: 2007-12-23
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: AC-3, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English, French, Spanish
• Dubbed in: French
• Number of discs: 1
• Dimensions: 1.00 pounds
• Running time: 100 minutes

Amazon.com
David Cronenberg's signature obsessions flower in Eastern Promises, a stunning look at violence, responsibility, and skin. Near Christmastime in London, a baby is born to a teenage junkie--an event that leads a midwife (Naomi Watts) into the world of the Russian mob. Central to this world is an ambitious enforcer (Viggo Mortensen) who's lately buddied up with the reckless son (Vincent Cassel) of a mob boss (Armin Mueller-Stahl, doing his benign-sinister thing). Screenwriter Steve Knight also wrote Dirty Pretty Things, and in some ways this is a companion piece to that film, though utterly different in style. The plot is classical to the point of being familiar, but Cronenberg doesn't allow anything to become sentimental; he and his peerless cinematographer Peter Suschitzky take a cool, controlled approach to this story. Because of that, when the movie erupts in its (relatively brief) violence, it's genuinely shocking. Cronenberg really puts the viewer through it, as though to shame the easy purveyors of pulp violence--nobody will cheer when the blood runs in this film. Still, Eastern Promises has a furtive humor, nicely conveyed in Viggo Mortensen's highly original performance. Covered in tattoos, his body a scroll depicting his personal history of violence, Mortensen conveys a subtle blend of resolve and lost-ness. He's a true, haunting mystery man. --Robert Horton

Stills from Eastern Promises (click for larger image). Photos by Peter Mountain.

Vincent Cassel (left) and Viggo Mortensen (right) star in David Cronenberg's EASTERN PROMISES, a Focus Features release.	Armin Mueller-Stahl (center) stars in David Cronenberg's EASTERN PROMISES, a Focus Features release.	Viggo Mortensen (left) and Naomi Watts (right) star in David Cronenberg’s EASTERN PROMISES, a Focus Features release.
Viggo Mortensen (left) and Naomi Watts (right) star in David Cronenberg’s EASTERN PROMISES, a Focus Features release.	Naomi Watts stars in David Cronenberg's new thriller EASTERN PROMISES, a Focus Features release.	Armin Mueller-Stahl (left) and Naomi Watt (right) star in David Cronenberg's EASTERN PROMISES, a Focus Features release.
Mina E. Mina (left), Vincent Cassel (center) and Viggo Mortensen (right) star in David Cronenberg's EASTERN PROMISES, a Focus Features release.	Vincent Cassel stars in David Cronenberg’s EASTERN PROMISES, a Focus Features release.	Viggo Mortensen stars in David Cronenberg’s EASTERN PROMISES, a Focus Features release.

Customer Reviews

Intriquing, well-acted, ADULT-THEMED thriller!
I emphasized the "ADULT-THEMED" idea in my title because one of the best things about seeing a film like EASTERN PROMISES is that it is so adult, so uncompromised. Cronenberg gets to make the movies he wants to, and it doesn't have to be watered down or dumbed-down to make it sell to a broad audience. We get a brutal, sometimes squirm-inducing look at a underworld we haven't seen like this before...and there's no gloss, no pandering to a teen audience, no sappy ending, etc. etc. The ending is SATISFYING...but it isn't easy or "Hollywood."

First of all, the script is outstanding. From the creator of another stunning film about London's "seamy underbelly," DIRTY PRETTY THINGS...the plot makes sense, the threads all come together and the characters are simply but sharply delineated. Yet at no time do I feel the themes are being spoon-fed. Also, some of the acts that are perpetrated on Viggo Mortensen's character near the end of the film are acts of amazing betrayal...yet if you haven't been paying attention, you might miss that. It's not a super-complex plot...but it doesn't grab you by the hand and lead you from place to place.

Speaking of Mortensen...this is his best performance ever. Granted, Aragon is crown-jewel, and he handled it well...but those films were events, such spectacle that often what he simply needed to do was wear his costume, ride his horse and look great. In EASTERN PROMISES, he has to make us care about a very nasty piece of work indeed. He's also very stony-faced...so much of what we learn about him, especially early on, comes from very subtle work. Again, each word of the script is perfectly chosen, and Mortensen digs deep here. He's not always my favorite actor...I actually wasn't nuts about him in A HISTORY OF VIOLENCE (A film I otherwise greatly admired)...but he's perfectly cast here. And of course, he's amazing to watch in the now infamous nude fight scene. It's a little bit distracting being aware of male full-frontal nudity flashing around...almost enough to take one out of the scene...but the scene is so well staged that the sheer PAIN of it soon wipes out any feeling of "hey, we get to see ALL of Viggo Mortensen."

Armin Mueller-Stahl plays the older patriarch of the Russian mafia family, and he's the best of this type of character I've seen in awhile. You know the one...the old gangster who is so sweet and loving to the youngsters in his family, so polite and full of grace and manners. Picture Brando in the wedding scenes of THE GODFATHER or even Paul Newman in early scenes of ROAD TO PERDITION. Stahl is even better...his eyes twinkle with charm. But boy, when the mask drops and we see the real guy...still soft-spoken and considered...he's stunningly evil. I really enjoyed seeing him again...it seems like it's been awhile since he was in a film.

Vincent Cassel plays Stahl's hot-headed son...another gangster cliche...the kid who is supposed to take over the business, but is actually a bit of a moron and troublemaker. But again, the character has surprises up its sleeve. Also, Naomi Watts plays the nurse who brings a motherless baby unwittingly into this underworld...and she is reliably good. Her character doesn't get to have all the dramatic flourishes...but Watts gives another patented, fully committed, honest performance. I believe she may be our most under-rated actress, even though she has been nominated for awards and starred in many films...I think she's still undervalued. EASTERN PROMISES won't win her new fans or an Oscar...but she is still very good.

Notice I didn't talk much about the plot. Others have done it better, and to be honest, I'd love it if you just went to see the film having little idea of what you were about to experience. It's a brutal journey...but it is full of unexpected turns...not just of plot but of character. I'll bet come year end, this will still be one of my favorites of the year! Highly, highly recommended for ADULT audiences!!

'Eastern Promises' Delivers!
EASTERN PROMISES as written by Steven Knight and directed by David Cronenberg is one of the grittiest, insightful, and well-acted films of the year. Maintaining his keen eye for the dark side of life and the people who dwell in its shadows, Cronenberg has once again brought us characters so strongly etched on film that they will be remembered for many years.

The setting is London where lives the enigmatic Russian-born Nikolai Luzhin (Viggo Mortensen in an Oscar caliber performance) who serves as a driver for a cloaked mysterious Russian family, members of the Russian mafia called the Vory V Zakone, a bizarre brotherhood populated with men whose lives of crime are told in tattooed stories on their bodies. The head of the family is the elegant restaurateur Semyon (Armin Mueller-Stahl) whose son Kirill (Vincent Cassel) carries on the crime aspects of the family but shows no role of leadership in his dissipated life style. As the film opens we observe the birth of a little girl to a drug-addled mother Tatiana (Sarah-Jeanne Labrosse): she dies during childbirth having been delivered by a midwife Anna (Naomi Watts) who herself has a history of a stillborn child. Anna finds a diary in Tatiana's purse, saves it, and takes it to her uncle to translate it form the Russian. Opening the diary opens dark secrets for Semyon and Kirill: Tatiana was apparently one of the many illegal Russian prostitutes imported by the Vory V Zakone crime syndication and was raped by Semyon whose daughter was born as Tatiana died. Anna's investigation as to the baby's heritage includes the invaluable help of Nikolai who despite his past has a soft spot for Anna and her plight and it is the manner in which the interplay of Anna, Semyon, Kirill and Nikolai works out that brings the film to its conclusion.

The acting is impeccable with Mortensen, Watts, Cassell, and Mueller-Stahl at peak form. Cameo roles by Sinéad Cusack and Jerzy Skolimowski, among others, are fully fleshed. The accents are believable and the multiple tattoos on Mortensen's body (seen fully in the much ballyhooed bathhouse scene, more about killing than about voyeurism) match the dark, dank atmosphere well captured by the cinematographer Peter Suschitzky and echoed with the musical score by Howard Shore. This is a tough movie for the squeamish to watch, but the story is superb and the film is Cronenberg at his best. Grady Harp, December 07

Could EASILY win best picture
Cronenberg is a fascinating director. Even when he "just made horror films" he produced veritable masterpieces of mood and unnerving atmosphere, almost all incorporating his very unique "body horror," such as the now-classic Scanners, Videodrome, The Brood and Shivers. Fans of such films accused him of "selling out" when he made History of Violence. The main problem with this claim is that History of Violence was astounding. Well, he's done it again. Eastern Promises is EASILY his best film. Here Cronenberg proves he's a master. Promises is a beautifully simple film, so well-made and nearly perfect that other modern directors would do well if they could only emulate his style and class. The film is chocked full of nuance and subtlety. The performances are grand and the soundtrack is gorgeous. I would not be surprised if Viggo wins best actor, Cronenberg best director or if Promises wins best picture. Yes, it's that good. (On a side note, watch out for the bathhouse knife fight. It's the most realistic and visceral fight scene in a film since Friedkin's The Hunted.)