Product Details
Fierce People

Fierce People
From Lions Gate

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Product Description

Contrasting the mores of high society with the blunt savagery of primitive tribes FIERCE PEOPLE takes an inside look at the upper classes examining the darkness that lurks beneath the surface of good manners. Sporting a biting wit and featuring charismatic performances from Diane Lane and Donald Sutherland this unflinching drama exposes the trappings of wealth and privilege and their overwhelming power to both seduce and corrupt.Cast: Diane Lane Anton Yelchin Donald Sutherland Kristen Stewart Elizabeth Perkins and Chris EvansDirector: Griffin DunneSpecial Features: "Breaking Down the Tribe" Featurette Director's Commentary Deleted ScenesSystem Requirements:Run Time: 107 Mins.Format: DVD MOVIE Genre: DRAMA/MELODRAMA Rating: R UPC: 031398196372 Manufacturer No: 19637


Product Details

  • Amazon Sales Rank: #26656 in DVD
  • Brand: LIONSGATE ENT.
  • Released on: 2008-02-05
  • Rating: R (Restricted)
  • Aspect ratio: 1.85:1
  • Formats: AC-3, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC
  • Original language: English
  • Subtitled in: English, Spanish
  • Number of discs: 1
  • Dimensions: 1.00 pounds
  • Running time: 112 minutes

Features

  • Contrasting the mores of high society with the blunt savagery of primitive tribes, FIERCE PEOPLE takes an inside look at the upperes, examining the darkness that lurks beneath the surface of good manners. Sporting a biting wit, and featuring charismatic performances from Diane Lane and Donald Sutherland, this unflinching drama exposes the trappings of wealth and privilege, and their overwhelming p

Editorial Reviews

Amazon.com
Taking F. Scott Fitzgerald's adage "The very rich are different from you and me" as his guide, actor-director Griffin Dunne (Practical Magic) paints a poisonous portrait of privilege. When coke-addicted masseuse Liz Earl (Diane Lane) hits rock bottom, she calls in a favor with an affluent client. In exchange for her services, Ogden Osborne (Donald Sutherland in a sly performance) welcomes Liz and her 16-year-old son, Finn (Anton Yelchin), to his East Coast estate. Liz stops drinking and drugging, while Finn bonds with Ogden's grandchildren, Bryce (Chris Evans) and Maya (Kristen Stewart). Though his mother starts dating Ogden's physician, Finn remains convinced her services extend beyond the therapeutic. Nonetheless, he grows fond of the sensitive, if controlling billionaire. Finn's own father, an anthropologist, deserted him years ago to study the Ishkanani, i.e. "the fierce people," of South America. When Finn is attacked by a masked figure, his warm feelings towards the Osbornes turn cold. At this point, the film takes a disappointingly conventional turn as Finn tries to determine who abused him--and to initiate some payback. If the basic premise never quite rings true, the director, son of bestselling author Dominick Dunne, carries on family tradition in trying to understand what makes people like Ogden tick (Dirk Wittenborn adapted the screenplay from his novel). Dunne's sympathies may lie with Liz and Finn, but obvious advantages aside, Ogden runs away with the show. He may indeed be "different," but he's also the most fully rounded character in the entire muddled exercise. --Kathleen C. Fennessy


Customer Reviews

'You think you're changing a tribe, until the tribe changes you'4
From the opening scenes of FIERCE PEOPLE (an interplay of tribal customs as photographed by the anthropologist father of the young narrator Finn Earl, demonstrating why this South American tribe of Ishkanani is so fierce) the direction of the film is nebulous: are we watching a dark comedy about comparing life in the New York streets to uncivilized peoples, or is this a message film of a more serious intent? But as the story develops this fine line between entertainment and philosophical impact becomes increasingly clear. Griffin Dunne's direction of Dirk Wittenborn's adaptation of his novel may be a bit careless at times as it strays from rational plot development, but in the end there is a strong enough final impact to patch up the holes he created.

Our narrator Finn Earl (Anton Yelchin) lives with his coke-addicted masseuse/sexually obsessed mother Liz (Diane Lane) in New York, waiting for the summer when he is to join his anthropologist father on a field trip to South America (a father he knows only from letters and videos), when a drug bust abruptly changes their lives: one of Liz's wealthy clients Ogden Osborne (Donald Sutherland) rescues the down and out family and moves them to his ten acre estate, the epitome of wealth and power. In exchange for being Osborne's private masseuse, Liz and Finn can live in the mansion with the 'filthy rich' Osbornes - daughter Mrs. Langley (Elizabeth Perkins) and grandchildren Bryce (Chris Evans) and Maya (Kristen Stewart). Osborne and his physician lead Liz on the drying out path and Finn bonds with Osborne and his grandchildren, and despite the disparity in poor versus wealthy, the living situation works - for a while. Incidents occur to alter feelings and Finn is attacked and raped by a masked assailant, a turning point for the film and Finn's view of the Osborne family. Osborne reveals his past to Finn and together they manage to discover the truth about Finn's troubling incident - and also about the fierce disease of the wealthy class.

The film uses many clips of tribal activity during the film, drawing some disturbing parallels for some of the more challenging scenes. For this viewer that works well, but when the director elects to place tribal individuals in full regalia within the context of the Osborne estate, the concept feel contrived, as though the audience has to be forced to 'get it'. The various subplots between maid Jilly (Paz de la Huerta) and Finn and the introduction of an obese retarded chalk artist Whitney (Branden Williams) push the credibility edge of emphasizing the line between the wealthy and the 'lower class', but the performances by Sutherland, Lane, and Yelchin are strong enough to make us forgive the film's lapses. Not a great film but one with a lot of worthy ideas splashed around on the screen of a project that often feels lost in its struggle for direction. Grady Harp, February 08

Great Movie5
This movie makes you see how the poor people try to fit into a rich family. The movie draws you in and makes you want to watch more of it.

Circumventing the Dark Side3
Griffin Dunne was nominated for an Oscar for Best Live Action Short for "Duke of Groove" in 1995. Whether it's a screenplay that bounces like a ping-pong ball or the direction, the film seems to be trying to make the connection that even wealthy families have similarities to primitive civilizations. Brutality is an aspect of human nature would also sum up much of the film. The story seems quite unreal and nebulously defined as in the relationship of Donald Sutherland's Ogden C. Osbourne & Diane Lane. The plot is a cousin to the television series "Dirty Sexy Money" in which Sutherland also appeared as a wealthy patriarch.

Anton Yelchin who starred in Hearts in Atlantis with Anthony Hopkins and "Charlie Bartlett" is one of the best things about the film. His character Finn Earl seems like a teen who is always going to land on his feet and adapt to the many curves life throws at him. The violation of the boy is so charged that it makes what seemed like a romantic comedy suddenly dark and sinister. Chris Evans starred in Cellular (New Line Platinum Series), "The Fantastic Four" and this year in "Street Kings." His character seems warm and happy-go-lucky until we come to see the darker side. Evans never fully took me to the dark side or made me believe he was capable of the acts on which the film hinges. He was much better in the comic romantic aspect of the film. Diane Lane is so beautiful and natural as an actress, but again her casting as a boozy lush never really was believable. She never took us completely to the dark side. This is part of the major problem with the film, combining such disparate elements, but not convincingly.

Kristen Stewart who starred with Jodie Foster in Panic Room plays Maya, Osbourne's granddaughter. She comes across very well in the film as an iconoclast, unimpressed by her family's wealth. As Finn's summer romance, she seemed quite tender and sincere. Elizabeth Perkins from TV's "Weeds" puts in a good appearance as the wealthy daughter. The film is interesting. Donald Sutherland, Diane Lane, Anton Yelchin & Kristen Stewart's performances are worth the rental. Enjoy!