Product Description

(Action) A cross between Shakespeare’s Hamlet and Tarantino’s Kill Bill, scheming royals and other officials attempt to consolidate power in a empire in chaos. Packed with deadly plots, sweeping camerawork, and elaborate fight choreography.

Product Details

• Amazon Sales Rank: #14889 in DVD
• Brand: WELLSPRING/GENIUS
• Released on: 2008-02-26
• Rating: Unrated
• Aspect ratio: 2.35:1
• Formats: Color, Dubbed, Subtitled, Widescreen, NTSC
• Original language: English, Mandarin Chinese
• Subtitled in: English, Spanish
• Dubbed in: English
• Number of discs: 2
• Dimensions: 1.00 pounds
• Running time: 126 minutes

Amazon.com
Tackling William Shakespeare's Hamlet, director Xiaogang Feng presents a unique take on the bard's famous play with the action drama Legend of the Black Scorpion, which is beautifully filmed and well acted. Ziyi Zhang stars as Empress Wan, a conniving woman whose beauty is equaled by her taste for power. She lustfully longs for her stepson Wu Lan (Daniel Wu). But when the Emperor dies, it is Wu Lan's younger brother who ascends to the throne, setting off a chain of events that are tragic. Though the story is familiar, the presentation is anything but; just as Hamlet captivated readers with its tale of lust, greed, and betrayal, Legend of the Black Scorpion draws viewers in with a story that is both fascinating and repulsive, but shot so beautifully that the eyes are drawn to the screen. Legendary fight choreographer Woo-ping Yuen (Crouching Tiger, Hidden Dragon, the Matrix trilogy) orchestrates some beautifully fierce aerial battles that while no longer novel are still thrilling to watch. We are used to seeing Zhang in the wide-eyed ingénue roles. As the cold-hearted matriarch, she more than proves her abilities as an actress who is ready to move onto meatier roles that aren't driven by her beauty. --Jae-Ha Kim

Customer Reviews

3 ½ stars: Beautifully shot and Artfully Presented...ultimately comes off a bit Cold. Geared towards an international audience.
LEGEND OF THE BLACK SCORPION (a.k.a. The BANQUET) is the Chinese rendition of Shakespeare's "Hamlet". Directed by Mainland China's own acclaimed director Feng Xiaogang, joined with the lush cinematography by Tim Yip (Croaching Tiger Hidden Dragon) and the action choreography by Yuen Woo-Ping( Fearless); the film is set to bring Chinese Wuxia epic to new heights. Feng even acquired the services of one of China's most renowned international actresses; Zhang Ziyi.
The film was released in Asia in 2006( before "Curse of the Golden Flower"), set for the American market but for reasons unknown, "Curse of the Golden Flower" was marketed instead to U.S. shores.

Synopsis loosely derived from Media Asia DVD back cover:
The story is set in ancient China during the period of Five Dynasties and Ten Kingdoms. Against this backdrop of internal turmoil and external threat poised by the neighboring Khitan Empires, lives Empress Wan (Zhang Ziyi). As beautiful as she is limber, she harbors forbidden desires for her stepson Crown Prince Wu Luan (Daniel Wu). When the Emperor dies of reasons undetermined and his younger brother Li takes the throne, Wan marries Li to protect Wu Luan and seal her own position in the ruling body. But Li is not a fool and dispatches assassins that ultimately fail to kill Wu Luan. When Emperor Li proclaims a big banquet, Wu Luan and Wan realize it is time to strike.

The Banquet (I prefer to call it by its original title) is a beautiful film; elaborate costumes and set designs are the main draw of the film. Frankly, I liked this film's cinematography, atmosphere and set designs more than "Curse of the Golden Flower". The film simply looks astounding, the colors and way it is shot is truly amazing. However, beauty and cinematography can only carry a film so far. The expectations for "The Banquet" are extremely high, and while it does succeed as a high-quality spectacle that is a visual and aural feast; it fails to deliver on emotions and its characters. Even Yuen Woo-Ping's action direction feels a little hampered with the overused slow-motion approach undertaken by the director. Still, the film is better than most. It presents itself similar to a stage play (which is fine, it is "Hamlet") but I believe this style does hurt the film a little. The film is carefully and superbly arranged with characters well-mannered that even assassins conduct themselves politely even in the face of blood. The Banquet is more a period drama than a Wuxia film, in fact, I believe the film could have survived without any martial arts action.

Amazingly beautiful Zhang Ziyi struggles to carry the film. As good and beautiful the actress is, even Zhang cannot carry a film all by herself. Her portrayal of Empress Wan is actually the film's center; Zhang's character is in the middle of deception, lust and eventual betrayal. Thankfully, Zhang has the charisma to pull off an underdeveloped character such as Empress Wan. However, Zhang feels a bit unseasoned and too young (perhaps) for the role of the empress. Don't get me wrong, I think Zhang Ziyi is an awesome actress, but the role feels tailor-made for Chinese veteran actress Gong Li. Daniel Wu plays Wu Luan; a brooding, quiet and never shows his emotions in calculating vengeance. Wu plays an acceptable performance, after all, he does play "Hamlet" which was meant as a person with minor momentum, instead of displaying raw anger he imposes his wrath through indirect means. I guess it was a good move for the screenplay to emphasize Empress Wan's character than Wu Luan himself, I doubt Daniel Wu will be able to carry the film at all.

The performances are good for the most part. It's just that the characters seemed a bit underdeveloped that the lead characters will have some difficulty connecting with its audience. The film does take off strongly but it couldn't stay aloft. Supporting actress Zhao Xun (Ming Ming) has huge talent but her character of Quing is too simple and a bit one-dimensional. Ge You comes out with an outstanding performance as Emperor Li; his powerful portrayal is truly superb and note-worthy. Ultimately, while this film is loosely based on "Hamlet", the climax does occur in a banquet and this is a Chinese film where the old adage applies: No evil deed will go unpunished and repaid.

The Banquet is a very difficult film to judge. The film feels too mainstream for a Wuxia Epic drama and it seems geared towards international audiences and not to the people of Feng's native land. The film is definitely a part of the superficial, overindulgent popular Chinese film for viewers in the U.S. It is not a contemporary Wuxia film but rather one so polished for international acclaim (then again, I've read it was its intention). The lack of emotions and character depth never allows the film to surpass its gorgeous costumes and set designs. The film does succeed in the classic manipulations and plots of betrayal; but ultimately, the lasting impression is how beautifully shot and expensive the film is that it falls a bit short of epic grandeur. The film is better than most, it is better than Chen Kaige's "The Promise" but if you saw "HERO" and " HOUSE of FLYING DAGGERS"; the film just cannot surpass the coldness of its exterior.

RECOMMENDED [3 ½ stars]

Note: The Dragon Dynasty release (re-titled Legend of the Black Scorpion) will carry an English dubbed track.

On Par With The Best of Yimou Zhang
How this film missed the American theater circuits is inexplicable! One of the most visually sumptuous portrayals of court life and intrigue since Bertolucci's The Last Emperor, and on par, if not surpassing, the historical martial arts epics of Yimou Zhang. This is a must for anyone that enjoys or appreciates this genre of Chinese cinema, and is the best cinematic adaptation of Hamlet that I can recall. It also is accompanied by an excellent critical commentary (which may aid those who find the film "cold" or the ending incomprehensible).

Sometimes aesthetics are enough
There's no point in rehashing the premise/actors/other details of this film, as other reviewers are hitting it. I'll simply make my arguments.

I agree that this film, for all its depiction of treachery and pathos, is cold and cerebral. I agree that the action is also depicted on a very cerebral level: it is so stylized that it is robbed of its intensity--certainly robbed of the visceral aspect that would appeal to those who are looking for an action movie. So I certainly advise against it for those looking for a great martial arts film. Check out "Tai Chi Master" or "Fong Sai Yuk" for that!

What is left after the emotional attachments and thrill of combat are removed? A purely aesthetic masterpiece. This is truly an "art" film: sight and sound combine in moving paintings, symbols, and stylized archetypes.

You will not be drawn in by the story and the characters. You will be drawn in by the crystalline imagery and sound that form an alternate universe in which everything is perfect form, hypnotic motion. Beautiful images are frozen in space and time, haunting music and movement and color supersede all other concerns.

We know Hamlet. We know this story. We know these characters. Here story and character are cyphers. In this film the source Hamlet simply functions as a framework to hang a filmed aesthetic, a transformation of the world into stylized form. Is it enough? Is this all that is necessary to make a great film? Yes. If you are sensitive to it, you will be stunned and enthralled. If you are not, you will be bored.