Product Description

In this thought-provoking documentary, Director Amir-Bar-Lev tracks the overnight celebrity of little Marla Olmstead, a toddler who creates gallery-worthy paintings on the dining room table of her family home. A media sensation by the age of four, critics compare her work with Jackson Pollock’s. Sales of her paintings reach $300,000. But, sadly, the bubble bursts. When a 2005 profile by "60 Minutes" suggests that Marla had help making her paintings, the finger is pointed at her father, an amateur artist and night manager at Frito Lay. Almost overnight, her family is ensnared in a web of accusation and denial – with the burden of proof placed squarely in their lap: Is Marla a child prodigy or an innocent victim of a hoax?

Product Details

• Amazon Sales Rank: #16882 in DVD
• Brand: Unknown
• Released on: 2008-03-04
• Rating: PG-13 (Parental Guidance Suggested)
• Aspect ratio: 1.77:1
• Formats: AC-3, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English, Spanish, French, Thai
• Number of discs: 1
• Dimensions: .25 pounds
• Running time: 83 minutes

Amazon.com
Suitable for framing, Amir Bar-Lev's "family human interest story" indelibly captures the media maelstrom that engulfed the Olmsteads of Binghamton, N.Y. when their daughter, Marla, age 4, became the darling of the art world with her abstract paintings. As a gallery owner tells Bar-Lev, the situation is "perfect": The family is charismatic, and Marla is, indeed, "a doll" and her paintings, "unbelievable." More on that later. Bar-Lev chronicles how a community newspaper article about Marla was picked up by the New York Times, leading to more newspaper articles, sold out gallery showings, and media throngs. Marla's paintings sold upward of $25,000 (the owner of the Houston Rockets bought one), and talk-show hosts (Conan, Dave, Oprah) wanted Marla on their shows. "You're in for a wild ride, I hope you're prepared for this," the gallery owner says he told Mark Olmstead, Marla's father, a Frito Lay factory worker who also dabbles as an artist. But no one is prepared when Charlie Rose, during a 60 Minutes Wednesday broadcast, raises questions on whether Marla is the sole artist. Was she coached? Were the paintings doctored, or even painted by someone else? Could she even be called a prodigy? Bar-Lev's canvas expands to consider the nature of art and media culture. It also becomes something of a self-portrait as he struggles with his own growing suspicions about Marla's paintings after he has befriended the family and earned their trust. My Kid Could Paint That is not a masterpiece, but it will resonate especially for everyone who says they don't know art, but they know what they like. It would be an excellent companion to Who the #%&% is Jackson Pollock? --Donald Liebenson

Stills from My Kid Could Paint That (click for larger image)

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Customer Reviews

Well, perhaps YOUR kid could paint that...
This documentary exposes, in a very objective manner, the manipulations of the "art world," the media and a very young child by parents.

Parents are ultimately charged with assuring the well-being of their offspring. This is a not-for-profit endeavor. I was as disturbed by the actions of these parents as I am by the pushy stage mothers who dress their daughters up as mini-adults and parade them on stage to win pageants. I perceive that the father in this story would be just as easily at home on a Little League field bullying an umpire as well as engineering this greed and publicity driven scheme.

My heart was also aching for the little brother. The scene depicting him pulling on his father's chair, seeming to beg for attention by announcing that he also painted while "in his mother's belly" spoke volumes.

I viewed the father as a strutting peacock who glories in the exploitation of this situation, and squirmed with discomfort as I watched the mother seem to gain sudden "awareness" while watching the televised expose. When that dawn came, it did nothing to bring the exploitation to an end. The documentary later shows her tearfully regretting what has transpired, but this masterpiece of manipulation and exploitation continues. Therefore, I hold her just as culpable as the father, who is the ring-master of this sad circus.

What is tremendously clear in this documentary is that this situation had become quite disturbing, that this negativity was abundantly clear to the parents, and that they fostered the continuation of the exploitation.

This is a brilliant and objective but very disturbing film.

Is It "Art" If a 4-Year Old Can Do It?
This is a fascinating documentary for anyone interested in art and the deeper questions about art and the art world. I was pleasantly surprised by the depth of the film and the philosophical questions it raises.
When the parents of 4-year old Marla Olmstead begin to sell her abstract paintings, the questions and the investigations begin (interestingly it is not really the painting of the art that seems to be the issue, but the selling of it). Is Marla a prodigy? Is the only difference between her artwork and that of other 4-year olds the fact that she is getting thousands of dollars for hers? What does it mean to say a 4-year old "created" a painting? Was she "coached," or "encouraged" by her father? Does that really matter? The human interest aspect of this film is enjoyable, but the deeper questions it raises about the nature of art, and the reaction of the media and individuals to art, are even more fascinating. The reflections offered by Michael Kimmelman, the New York Times chief art critic, are especially thought-provoking.
The extras included with the film are not to be missed, for they go even deeper into the philosophical questions, and add much to the basic story presented in the film itself.
Highly recommended!

Fantastic
I too watched the movie, all the extras, and then watched the movie itself AGAIN with the commentary track. So well constructed!