Product Description

From acclaimed director Frank Oz (In & Out, Dirty Rotten Scoundrels) comes "a fast, furious and riotously funny farce" (Maxim) that'll have you dying with laughter!

As the mourners and guests at a British country manor struggle valiantly to "keep a stiff upper lip," a dignified ceremony devolves into a hilarious, no-holds-barred debacle of misplaced cadavers, indecent exposure, and shocking family secrets. Packed with extras including audio commentaries and an uproarious gag reel, Death at a Funeral blows the lid off the proverbial coffin as "the film's delicious comic flourishes... sight gags, slapstick, flawless timing... are served up by an outstanding cast" (O, The Oprah Magazine).

Product Details

• Amazon Sales Rank: #1322 in DVD
• Brand: TCFHE/MGM
• Released on: 2008-02-26
• Rating: R (Restricted)
• Aspect ratio: 1.33:1
• Formats: AC-3, Color, Dolby, Dubbed, DVD, Full Screen, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English, Spanish
• Dubbed in: Spanish
• Number of discs: 1
• Dimensions: 1.00 pounds
• Running time: 91 minutes

Amazon.com
Though it doesn't hit the same comic heights as Bowfinger, Death at a Funeral is a fun little romp. Granted, not all of the characters are meant to be humorous, like Daniel (Matthew Macfadyen, Pride & Prejudice) and his wife, Jane (Keeley Hawes, Tristram Shandy), straight-faced foils for the more over-the-top performers. After Daniel's father passes away, the couple offers to host the funeral, so all his relatives descend on the family abode, including Daniel's estranged brother, Robert (Rupert Graves, V for Vendetta). The mood is already tense when their cousin, Martha (Daisy Donovan), arrives with her nervous fiancé, Simon (Alan Tudyk, Serenity). On the way over, Simon takes a Valium that's actually a hallucinogenic concoction cooked up by Martha's pharmacology student brother. By the time they arrive, Simon's inhibitions are gone with the wind. Other guests include Uncle Alfie (Peter Vaughn) and an uninvited American mourner (Peter Dinklage). By the end of the movie, one of these individuals will be dead. Though he's worked in the States for several decades, director Frank Oz was born in the UK, and Death at a Funeral feels like the work of a British filmmaker. As drawing room comedies go, it may not rival Arsenic and Old Lace, but it's still funnier than most. If the film has a flaw, it's one misjudged moment of scatological humor, which is sure to induce more cringes than giggles. Fortunately, it's over quickly, and Tudyk's hilarious performance provides ample compensation. --Kathleen C. Fennessy

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Customer Reviews

Laugh Till You Drop
Director Frank Oz [aka Oznowicz] was actually born in England, and he was raised in America. A very talented actor, with 104 film appearances on his resume -he also specialized in "voice work". He and Jim Henson created the whole MUPPETS phenomenon. He created multiple characters, the most famous of which were Kermit and Miss Piggy. He is equally well known for being the voice of Yoda for the George Lucas STAR WARS series. As a director he has made 14 films, varying from THE DARK CRYSTAL (1982), through the classic fun of WHAT ABOUT BOB? (1991). All the way across the spectrum to the crime thriller, THE SCORE (2001), with Robert De Niro, Edward Norton, and Marlon Brando. DEATH AT A FUNERAL (2007) represents his triumphant return to comedy; and what a dark and delicious foray it is.

A farce of the first order, this film is about a normally dysfunctional family who are forced to confront each other at a patriarch's funeral. The amazing script was written by Dean Craig. He is a young writer/director with only four films to his credit. In 2003 he gave us DIRTY LITTLE SECRETS. His script for FUNERAL was filled with wafts, even wads of wit, had terrific internal timing, a solid structure and plot, with a delectable and irreverent sense of humor. It is a film so completely farcical that I believe it could be produced on stage, in live theatre. All those slamming doors, crossed-over plotlines, and zany characters would lend themselves to some outrageous theatrical moments.

Attending the film I was happy to give in to the instant giddiness that most of the audience immediately lapsed into -beginning to titter and then guffaw while the opening credits were still rolling. If laughter is the "best medicine", and we all know that it is, then this film should be mandatory viewing, and the tickets should look like a medical prescription pad. Viewing this film is definitely good for "what ails you."

Lost love, mistaken identities, bumbling morticians, caskets that come alive, those terrible and dark secrets regarding the patriarch's "special needs", hallucinogenic bursts of inhibition, nudity, toilet hi-jinks, suppressed sex, unrepressed sex, deviant sex, pregnancy, predispositions and misunderstandings, jealousy, an ice queen for a wife and mother, a Spartacus toga party, a centurion's costume, an unpublished novel, harping, cajoling, bondage, wrestling, roof-romping, with enough turnabouts, fop haws, reversals, and surprises to flesh out three other comedic films, plus a really excellent cast -makes this darkest of drawing room comedies land on its dancing feet somewhere lodged half way between Oscar Wilde and Noel Coward, or say George Bernard Shaw and Harold Pinter, who is emulating Carl Reiner, who collaborated with Mel Brooks, after consulting with Woody Allen. This solid little film my not be tinged with "greatness", but it is absolutely the funniest evening I have spend in the theater this year.

Hilarious Romp Through Unlikely Subject Material
Like so many others this viewer avoided the theatrical release and deferred to the DVD release of DEATH AT A FUNERAL, thinking that a comic take on a potentially morbid subject might not be very entertaining. Couldn't have been more wrong! This is the kind of humor the Brits do so well - intelligent, expertly delivered dialog and action that can make even the most unlikely situations hilarious. Writer Dean Craig and Director Frank Oz have created a farce and have put this tongue in cheek situation in the hands of some the best of the British actors. The result is a spinning top that only gradually allows the viewer to breathe from laughing during the clever final credits.

The father of a very dysfunctional family has died and son Daniel (Matthew MacFadyen) and his wife Jane (Keeley Hawes) have agreed to host the funeral. After the mortuary first delivers the wrong corpse the tone is set for all the wrong things to happen. The arriving family is a bizarre clan of characters - a novelist living beyond his means in New York (Rupert Graves), a man who unwittingly mistakes an hallucinogen for Valium and ends up on a trip that entertains all, a 'drug distributor', a crotchety old man with toilet problems, and the usual stuffy and goofy associates that so often populate the British comedies. And when it seems as though little else could support sanity, up pops a figure form the US (Peter Dinklage) with a secret about the deceased and proceeds to cause a situation that becomes the focal point of this zany funeral.

Saying too much about each of the characters diminishes the surprises that abound. Were it not for the fact that each of the actors in the film is 'top drawer' this little movie could have become mawkish or tasteless, but this cast and director have produced one of the most refreshingly funny films of the past year. Grady Harp, February 08

Sneaks Up And Surprises You
The great thing about DEATH AT A FUNERAL is that there really is something for everyone. From brief bathroom humor to dark jokes, it's all there, laid out by UK-born director Frank Oz.

The title itself is a bit misleading, in that you would think it to be more horror-ish or dramatic. The words "Death" and "Funeral" don't normally make you skip to the theater thinking "Oh boy! Let's go watch this funny movie!" For that, I would fault only the production person who stamped the name on it. But that would be my only one; one which has nothing to do with the rest of this riotously funny film.

Like a snake creeping upon its prey, Death at a Funeral also slowly makes its way along, never lurching or jumping ahead of itself, building the comedic moments one upon the other. Starting out (as all the trailers have shown) with Daniel (Matthew Macfadyen) standing in his livingroom, watching his father's coffin being delivered in preparation for a British homestyle service. But once the coffin is open, Daniel states, "That's not my father." The funeral home quickly whisks away the casket and returns with the right one. This gradual sinking in of dark comedy holds the film together exceptionally well.

We're then introduced to the rest of the cast...

Jane (Keeley Hawes, Tristram Shandy - A Cock and Bull Story), Daniel's wife who's pressuring him to buy a flat in the city and leave his now widowed mother with his successful brother in New York.

Simon (Alan Tudyk, Serenity), who is arriving at the funeral with his soon-to-be wife and is stressed about meeting (again) his future father-in-law, so is accidentally given a pill thought to be valium but, in reality, turns out to be a powerful hallucinogenic. This sends Simon on a running joke throughout the film, including periods of catatonia, color fascinations, and rooftop nudity.

Uncle Alfie (Peter Vaughan, KISS KISS BANG BANG), a crotchety old fart who's brought to the funeral in a wheelchair only to find himself with explosively needy bowels and the witness to a possible murder.

Peter (Peter Dinklage), a midget-of-a-man with big life aspirations who comes to the funeral not only to mourn the death of a close "friend," but to also get what "he deserves" from the family.

There are other perpetrators in the film, too, but these are the main ones who's paths cross just about everyone else's.

The film's short 90 minute run time is excellent in that none of the funnies are overdone. They have their moment and are either tossed aside or folded over into the film's grand finale. The number one folding in of jokes has to be the faux-valium pill bottle that gets lost and re-lost only to spring up at the most hilarious moments.

This is a laugh-a-minute film that has perfect comedic timing and crucial usage of British pompous humor, along with dark moments that will make watchers cringe and giggle at the same time.