Product Description

Forced to give up his dreams of art school, Zach spends his days working a dead end job and helping his needy sister care for her son. In his free time he surfs, draws and hangs out with his best friend, Gabe, who lives on the wealthy side of town. When Gabe's older brother, Shaun, returns home, he is drawn to Zach's selflessness and talent. Zach falls in love with Shaun while struggling to reconcile his own desires with the needs of his family.

Product Details

• Amazon Sales Rank: #2510 in DVD
• Brand: RYKODISC
• Released on: 2008-05-27
• Rating: R (Restricted)
• Aspect ratio: 1.66:1
• Formats: Closed-captioned, Color, DVD, NTSC, Widescreen
• Original language: English
• Number of discs: 1
• Dimensions: 1.00 pounds
• Running time: 89 minutes

Features

• A man overcomes his hectic life to fall in love with his friend's brother in this engaging drama. SHELTER stars Brad Rowe (BILLY'S HOLLYWOOD SCREEN KISS) and Tina Holmes (EDGE OF SEVENTEEN). Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 858423001353 UPC: 858423001353 Manufacturer No: LIB00135

Amazon.com
The feature-film debut from art director Jonah Markowitz (Quinceañera) pivots on the tension between responsibility to family and responsibility to self. Recent high-school graduate Zach (Trevor Wright) has one summer to reconcile the competing halves of his life. The aspiring Picasso lives in blue-collar San Pedro with his irresponsible sister, Jeanne (Tina Holmes, Half Nelson), her five-year-old son, Cody (Jackson Wurth), and their rarely-seen father. Zach gave up his art school dreams to toil in a diner and help look after his much-loved nephew. With his best friend, Gabe (Ross Thomas), away at college, Zach draws, surfs, and skateboards by his lonesome. When Gabe's novelist brother, Shaun (Brad Rowe, Billy's Hollywood Screen Kiss), returns to his Orange County home to recover from a broken heart, he and Zach alternate between riding the waves and encouraging each other to pursue their aspirations. Shaun is gay, while Zach appears to be straight, but a casual kiss between the two soon leads to a secret relationship. Before the former returns to Los Angeles, the latter has to decide who he is--gay, straight, artist, cook, uncle, or father--and what he's going to do about it. Except for the location shooting, this low-budget indie plays like an extended episode of The O.C. what with all the "bro"s and "dude"s and love scenes tame enough for network TV. Nonetheless, Markowitz’s heart is in the right place, and Shelter may provide some real-life Zachs with the courage they need to follow their passions. --Kathleen C. Fennessy

Customer Reviews

lyrical, sweet and poignant
I'm previewing "Shelter" for the Brisbane Queer Film Festival where it screens on Saturday 24th May 2008. "Shelter" shines as a film with huge heart, and one that's been made with equal care by the actors and all of the film-makers.

It's not at all like the angst-ridden abomination of a gay surf flick "Tan Lines". In "Shelter" surfing is simply a fact of life element - it's not used or abused as a device.

"Shelter" is a beautifully edited, spectacular looking and luscious sounding film which is definitely character driven. Each of the main characters is carefully developed so that we quite soon decide that we really do care about Zach, his young nephew Cody and Zach's love interest, Shaun. We want things to work out for them.

We understand that Zach is in a bind - he's allowed himself to be the physical and emotional anchor for a progressively more dysfunctional family, but we know that he deserves much better life options. The writer and director of Shelter has done a fantastic job - not a look or word is wasted, and yet the whole pace of the film is very relaxed.

"Shelter" deserves every accolade that any individual or Festival might care to bestow.

Straight audiences must find "Shelter" to be equally rewarding. The film's theme is, after all, about love, honour and commitment. What could be more wholesome than that?

A Generously Spirited Love Story
"Pure being," a friend of mine once said enviously of the surfers riding the waves along the Southern California coast some thirty years ago. Though there was a strict demarcation between the gay section of the beaches and those parts that belonged to the surfers alone, even then a few surfers hung out at night in the Breakers or one of the other gay bars along Highway One, especially in Laguna. There, what seemed so easy a life out in the Pacific, just following the next big waves one after another, became less obvious and more conflicted. Stories about coming out have so dominated many gay films that the theme has developed into an archetype, a genre of its own with endless variations: from dark into light, from secrets into revelation. In Shelter, Zach is a young artist who has turned down a scholarship at CalArts in order to stay home to care for his nephew Cody. Zach has inherited the family gene, from his mother he says. All the concerns and nearly all the love the five year old Cody should find in his mother, Zach's sister Jeanne, he gets from Zach alone. Zach has had a long time girlfriend, but everything about their relationship is tentative, on hold. When he meets his best friend's older brother again after several years, they surf together, just as they used to. But Shaun is an openly gay man who has published a novel which Zach has read. Shaun's sexuality is no secret to Zach, but Zach's is to Shaun--as it may still be to Zach himself, at least in the sense that he has never before been with a man (or in all likelihood a woman; his responses to his girlfriend are mostly tepid, except when his real longings frighten him). What Zach wants more than anything are family and love. After a night during which he and Shaun kiss, Zach is happy but its meaning is still uncertain. He rides the waves, paces the deck of the house he shares with his sister and nephew in what he calls San Pedro's ghetto, then drives back to the family house on the beach where Shaun is staying to recuperate emotionally after a boyfriend has dumped him in L.A. What follows between Zach and Shaun is stunning in its impact upon both men. Their coupling, however, is not filmed as soft core porn, all or nearly all about the physical alone, but as love scenes. What matters most is the feeling shown through their eyes. All the acting in this emotionally profound film is superb, but the love beyond words Zach and Shaun manage to express just with their eyes has almost never before been seen in movies, not even, say, in Brokeback where to some degree it was often having to be hidden by one or the other man. What follows in Shelter is Zach's coming to understand what that love means to him for the rest of his life. Part of this is the usual problem of coming out to his friends and to his sister, though nearly all that effort is accomplished for him; they know before he tells them. But he must also come to see himself better; he must change, too, as he tells Shaun later. Part of that transformation is his discovering more fully who Shaun is. Shaun has been criticized by some viewers for being too patient with Zach. But patience is part of love, one of the virtues that help people abide all the messes we make or almost make out of our lives. When Zach learns that Shaun has mailed his application and portfolio to CalArts, he sees, quietly, the man's generosity. In a way, Shaun has shown that he loves Zach as kindly and patiently as Zach loves Cody. Zach's and Shaun's erotic communion is intense. But this is a love that is also caritas, deep, perhaps abiding. It is his recognition of that possibiity, if not certainty that leads Zach back to Shaun, especially after a talk with his girlfriend in which he says his only regret (about being gay) is that he wanted to make a family with her. In this moment between them, it is her goodness which allows her to encourage Zach to return to Shaun, to the different family he might find now through Shaun and with Cody. At least, she says, he should try. Near the end, after Zach and Shaun drive to the house to pick up Cody from Zach's sister who is moving to Portland with her rough boyfriend, Zach turns to Shaun and takes his hand in his. It is a gesture of love between them as telling as any more passionate embrace. The seemingly unencumbered lives both men had known together surfing when younger--Shaun the master, Zach the pupil in a running joke between them--has grown into a love that is in every sense good. I think this is one of the best movies ever made about gay men, searchingly decent and generously spirited about love without any loss in erotic force. It is also wonderfully realized, except in a few of the songs on the soundtrack, in both the director's eye and the hearts of all the performers, even those in relatively minor roles (Gabe is as perfect a surfer dude as one can imagine, but with more than the usual soul). But Trevor Wright as Zach gives to his character an especially touching complexity. Zach is in some ways still a kid, talking in the lingo of surfers, tagging buildings, riding his skateboard. But he's also emotionally older than everyone else in his life, already committed to a way of living many people never come to. His coming out is more painful to himself than it is to others perhaps because his need for real communion is already so great. Yet he finds it. This is emotionally complex work for so young an actor. But every gesture he makes, everything he expresses is true; no moment ever feels false or contrived. What the movie leaves one with is a sense of both the hopes and ambiguities of moral being, a far more difficult, yet greater life than merely riding the waves of one's youth.

UnMISSable
What a WONDERFULLY romantic film! Like the other reviewers before me, I was besotted by the film. This is definitely one of the best gay themed movie to come in a long while. Production values, acting, actors were all top notch. Definitely something you would keep as a collector.