Track Listing

1. Introduction
2. Yesterdays Tomorrows
3. Flicker of a Little Girl
4. Come Feel the Sun
5. E-Type
6. Other Side of the World
7. Organist Entertains
8. Hungry Saw
9. Mother Dear
10. Boobar Come Back to Me
11. All the Love
12. Turns We Took
13. [CD-Rom Track]

Product Details

• Amazon Sales Rank: #35748 in Music
• Released on: 2008-05-13
• Number of discs: 1
• Formats: Enhanced, Import

Album Description
2008 album from the British outfit fronted by Stuart Staples. As always, Tindersticks take their signature sound and move it forward, never sounding stagnant or stale. Formed in 1991, this U.K. group exists in a dark, romantic netherworld where Scott Walker replaces Elvis as cultural pivot point. Their moody, string-laced arrangements frame frequently gloomy lyrical themes given voice by basso profundo Staples, a master of passionate understatement. 12 tracks including 'Yesterdays Tomorrows', 'The Flicker Of The Little Girl' and the first single 'The Hungry Saw'. "A SATISFYING MIX OF RICHNESS AND SPARSITY, VIBRANCY AND GLOOM. FLAWLESS." MOJO **** 4 STARS. "THE HUNGRY SAW IS AS DARK, MYSTERIOUS AND SEDUCTIVE AS EVER." Q MAG **** 4 STARS. Beggars.

Amazon.co.uk
Five years after their last album, and 18 months since their seemingly final gig, who would have thought we'd be gifted with a new Tindersticks album at all, let alone one that stands out as their best since their first two albums? Their lineup may be depleted, but make no mistake--from the first haunting notes of "Introduction" to the last soulful moments of "The Turns We Took"--The Hungry Saw is as good as it gets. The traditional Tindersticks sound—part smoky heartbreak, part sinister minor-key noir malevolence--is present and correct, and far more focussed, resulting in an early contender for the best album of 2008. Hardcore fans may lament the missing elements, particularly departed violin/second vocalist/arranger Dickon Hinchliffe, but the strength of the tracks, and the sheer thrill of hearing Stuart Staples' sleepy Cohen-esque croon tackle such gems as the title track, the gently mournful "All the Love", or the sinister "Mother Dear" prove that the band are as good as they ever were. The key moment is "Boobar, Come Back to Me"--as affecting and epic as anything they've done, and a good sign that Tindersticks still have a fruitful few albums in them yet. --Thom Allott

Customer Reviews

Deceptively romantic and melancholic with an organic sensibility.
Nottingham's Tindersticks are old hands when it comes to that sort of classy, noirish romanticism. "The Hungry Saw" is yet more of that Tindersticks sctick, but again the music is too immaculately conceived to take them for granted.
The last few years have seen Tindersticks take a back foot as Staples concentrated on his solo work.
In 2006 the band performed at "Don't Look Back" concert series, which although being hailed as a great success marked the ending of the band as a six piece. With half the band leaving, it was time to take stock. And so they did eventually relocate to Staples' home in France to produce "The Hungry Saw".
Spawned in the belly of Staples' Le Chien Chanceux studio, this is an understated record. It is bound to please fans both old and new, presenting the dark, brooding regret still in full effect, the battered soul boy, surrounded by horn swells, twinkling keys and clanking guitar stabs in full effect on "Yesterdays Tomorrow".
For those who feared "Waiting For The Moon" was the irrevocable swansong, "The Hungry Saw" will provide a refreshed, welcome return, but some of the old dissolute glamour is gone
The album is a complex and highly introspective venture, and makes no bones about it: this is an album for Tindersticks, by Tindersticks, and steadfastly refuses to stray from this.
Stuart Staples still sounds like he's on the verge of tipping over into full-on pub singer delivery at various points but, as this is a beautifully measured album, the rest of the band have managed to restrain him in order to deliver a cohesive collection of mellow melancholia.
You may be required to dig pretty deep to find a level on which to engage with music so heavily maudlin. It would be easy to ascribe - or dismiss - "The Hungry Saw" with implications of bleak cloudiness or film noir, but look hard enough (on "The Other Side of the World" or "E-type", for example) and it's apparent that the album does carry a veiled tenderness with a very human constituent.
Flutes, tambourines and trumpets lend a Sufjan-esque folk revue flavour to "The Flicker Of A Little Girl".
Stuart Staples and his band seem to have mellowed with age, and are able to take themselves with a pinch of salt (during the sumptuous "Mother Dear" Staples utters the phrase "it's not so serious, after all").
Tindersticks know their craft, and can execute it with finesse.
It grows on you and haunts you.

A Long-Awaited Return
It can be fiscally dangerous for a band to remain out of the public eye for as long a Tindersticks has. Five years seem an eternity and in the pre-digital age, such a long absence would likely have been something from which the band would be unable to recover. Fortunately, in this age of nearly instant information a band can conceivably alternately wax and wane in the public consciousness with few if any negative consequences for its long-term popularity.
While the new incarnation of the Tindersticks shows little of the edginess which characterized its early albums, The Hungry Saw is immediately recognizable as a Tindersticks album. The voice of Stuart Staples has a quality all its own and though Dickon Hinchliffe is missed, there is a continuity in the style of the arrangements that will bring joy to the fan on this long-awaited return.
The Hungry Saw starts with a tinkling piano intro that evokes the soundtrack for Trouble Every Day then segues into a somber vocal groove that unfortunately does not resume until All The Love later brings the listener back to the original mood. Though this is not the band's best effort, there are some tunes which are quite good. I most like Yesterday's Tomorrows, Come Feel the Sun, The Other Side of the World, and the instrumentals E-Type and The Organist Entertains. I also enjoy The Flicker of A Little Girl, the title cut, and Boobar Come Back To Me although these last three are somewhat spoiled by lame background vocals.
The Hungry Saw comes with a handsome booklet containing lyrics and pertinent album information. No matter which Tindersticks album and style was previously your favorite, you are almost sure to be quite delighted by this. Lets hope the next album comes before another five years pass.

Another masterpiece
This album grows on you like all Tindersticks albums do. I enjoy a lot of music of today, but not too many if any have the quality that the Tindersticks do. Hard to take this out of the cd player. They are musical geniuses lyrically and instrumentally. I hope they come back to US again this coming year, I was lucky to see them 5 years ago or so in SF. Cannot see how anyone can give this less then 5 stars. I hope they don't give it up anytime soon.