Product Description

New West Records will release John Hiatt s new full length album Same Old Man, his first album since 2005 s critically acclaimed Master of Disaster. Same Old Man was recorded at Highway 61 Recordings and produced by John Hiatt. Appearing on the album are Kenneth Blevins on drums, Patrick O Hearn on bass and Luther Dickinson on guitar, mandolin and national resonator. John s daughter, Lilly Hiatt, sings harmony on the songs Love You Again and What Love Can Do.
John Hiatt s career has spanned more than 30 years and his songs have been covered by everyone from Bonnie Raitt, Bob Dylan, Eric Clapton and BB King to Iggy Pop, Three Dog Night and The Neville Brothers.

Track Listing

1. Old Days (4:02)
2. Love You Again (4:13)
3. On With You (3:52)
4. Hurt My Baby (4.33)
5. What Love Can Do (4:12)
6. Ride My Pony (3:40)
7. Cherry Red (4:09)
8. Our Time (4:08)
9. Two Hearts (4:18)
10. Same Old Man (4:04)
11. Let s Give This Love A Try (4:09)

Product Details

• Amazon Sales Rank: #4048 in Music
• Brand: Dig
• Released on: 2008-05-27
• Number of discs: 1
• Dimensions: .16 pounds

Review
John Hiatt
Same Old Man (New West)
John Hiatt's conversational lyrics sound off-the-cuff, which means they likely resulted from many hours of labour. The work was worth it, because Same Old Man ranks with the best music of Hiatt's 34-year recording career.
He sings about love in the opening round and love on the ropes, about food and paper cuts and doppelganger caterwauling. Same Old Man is sweet but not sentimental, tuneful, honest and very, very funny.
On his first release since 2005's fine Master of Disaster, Hiatt produced and engineered himself, and he puts his voice front and centre. As always, Hiatt sings like someone straining to complete the final set of the night at the local roadhouse. The raw vocals are a perfect match for such songs as Hurt My Baby, where pain is palpable as Hiatt delivers the chorus.
He's supported by bass, drums and Luther Dickinson, who plays guitar and mandolin and provides an ideal counterpoint to the vocals by making every note count. Hiatt's daughter, Lilly, contributes lovely harmony on two songs.
Dad delivers his droll lyrics as if they're throwaways, which makes them even better. I'm a long shot, baby, he sings. But they do come in. In fact, Same Old Man laps the field.
CHECK THIS OUT: On the hilarious opener Old Days, Hiatt reminisces about his early touring career and crossing paths with John Lee Hooker, Gatemouth Brown and other bluesmen. He concludes the memories aren't that sweet because I played practically free. --Associated Press

Review
Same Old Man, John Hiatt (New West)

John Hiatt's career is long and checkered. After his first break of having Three Dog Night cover his song Sure As I'm Sitting Here, Hiatt emerged as a singer-songwriter with a particularly quirky edge.

When punk/new wave hit, he was heralded by some as an American Elvis Costello, but ignored by most. It wasn't until his 1987 album Bring the Familythat Hiatt finally got the recognition he deserved. Since that time, many other artists have had hits with his songs and Hiatt has become one of the cornerstones of Americana music.

Hiatt's latest album, Same Old Man, is about looking back. On the bouncy opening track, Old Days, Hiatt recounts his adventures opening for blues and jazz legends - sharing a room with Sonny Terry, Mose Allison commenting on his songs and John Lee Hooker sitting his two dates on the stage while Hiatt was playing his set: And that's called 'Evenin' son. I'm the headliner!

Hiatt's nostalgia is not mournful. Throughout other tracks Hiatt looks back at the best moments of a romance that has endured and looks ahead.

Hiatt has rarely released a bad collection of songs, but Same Old Man is one of the best of his career. Self-produced, the album is friendly and casual. North Mississippi Allstars' Luther Dickinson adds guitar chops. Hiatt's daughter Lilly Hiatt, adds harmony vocals on two of the best tracks and John's squirrely vocals sound better and happier than ever. Songwise, Hiatt may not be breaking new ground, but he never seems to strain for a good line. If he resorts to aphorisms, it simply sounds like natural conversation.

Sometimes being the same old man is a good thing. --Knoxville News Sentinel

Review
When the book is finally closed on John Hiatt's fabulous career, it will only make sense for someone to etch the words Songwriter Supreme on the cover.
Hiatt has been just that for more than three decades, crafting masterpieces like 1987's Bring The Family, but more often just being the picture of consistency.

His easy-going, autobiographical writing style surfaces frequently here, starting with the twangy album opener Old Days, which recounts some of his early years on the road, including memories of stars like Sonny Terry and John Lee Hooker, the latter whom Hiatt vividly recalls as walking into a club in Washington with a woman on each arm.

This is primarily an acoustic-flavored recording, with Hiatt assisted by drummer Kenneth Blevins, bassist Patrick O'Hearn and multi-instrumentalist Luther Dickinson. Hiatt's daughter Lilly Hiatt provides sublime high harmonies on Love You Again, and the elegant What Love Can Do.

The man himself is a slight bit raspier than usual, notably on the Dylan-esque On With You, but not to worry, he's still singing with passion and clarity.

Hiatt's gift for crafting near perfect melodies is nearly unmatched and he delivers a dandy in Cherry Red, as well as on the shuffling Ride My Pony.But it is indeed the title track that provides some of the most vivid imagery and one that seems destined to be a classic.
Against Dickinson's mandolin, Hiatt sings of a long-time marriage that has endured plenty of trials and tribulations. He's particularly poignant when he sings, I'm still the same old man that you married way back when/(a) few less brain cells, a lot less hair/honey tell me do you still care?

As he states clearly, his love still stands and his loyalty endures. The same could be said for his relationship with his fans, for he's earned that loyalty 20 times over during his career. Hiatt may never be an American Idol but he remains an American treasure.

The album is also being released as a limited edition 180 gram vinyl record for all you vinyl junkies out there. --Springfield Republican

Customer Reviews

John Hiatt's New Album - Great Album, So So Title Track
This new album by John Hiatt is a very compelling work of soulful introspective ballads delivered in his signature rough voice. Overall I like the album very much. There are a few disappointments for me, mainly the title track. That aside, I like most else that is here.

It's awesome that Amazon is selling the MP3 version before the official release of the CD version. That gave me a chance to get all these songs at a great price and not have to wait for the CD to be released for shipment. Thanks Amazon!

John Hiatt has to be compared to Tom Waits because of his voice and his song-writing style. Yet he often reaches for "Dylanesque" themes and complexities. Some of his songs remind me of Willie Nelson because of his writing style and under-stated delivery. His voice has that gutteral feel of Joe Cocker or perhaps an elder Johnny Cash with more roughness. This is not music for the masses but rather music for those who are willing to really work to appreciate a great song-writer despite cosmetic flaws. In fact, the roughness of John Hiatt actually adds a lot of character to the music. Like I said, not for everybody, but for those who do get over the hesitation well worth the price of admission.

John does have a very cult-like following, once again very similar to Bob Dylan and Tom Waits. Sometimes it seems that his fans believe he does no wrong. Well here some mistakes seem to have been made.

The title track "Same Old Man" sounds like a roughly sung pop song instead of the powerful song-writing we get with John's best stuff. It starts flat with him almost speaking the lyrics. When he does start to sing a little bit, you can't help but notice that the lyrics on this title track aren't as good as the other songs on this album. In fact they are a little over-simplified.

Why this was chosen as the title track is beyond me. Maybe it has some personal meaning to him. In any case, it's still OK. It's just not up to the standard Mr. Hiatt has set for himself.

The other songs are great and you can even preview them here before you buy them.

"Hurt My Baby" is the kind of deliberate and deep ballad we expect and love from John. Probably my favorite song on the album so far. "Our Time" has to be a close second and is very similar in profundity and delivery.

"Old days" is kind of a "John Cougar Melloncamp" recollection song with some interesting hooks.

"Love You Again" brings Bob Seeger to mind for me. "Cherry Red" is a similar kind of track and both have radio play potential.

"On with You" and "Ride My Pony" add that country / blues feel that makes John accessible.

Once again, the title track has decent hooks but perhaps too pop for me. But by the time he closes with "Let's Give This Love A Try" he has more than redeemed himself.

If you're a huge fan, you're going to buy this no matter what. If you're on the fence or newly initiated, I hope this review helps you to appreciate what John Hiatt has created here.

Enjoy.

John Hiatt's new CD 'Same Old Man' among his best
John Hiatt

"Same Old Man" (New West)

John Hiatt's conversational lyrics sound off-the-cuff, which means they likely resulted from many hours of labour. The work was worth it, because "Same Old Man" ranks with the best music of Hiatt's 34-year recording career.

He sings about love in the opening round and love on the ropes, about food and paper cuts and "doppelganger caterwauling." "Same Old Man" is sweet but not sentimental, tuneful, honest and very, very funny.

On his first release since 2005's fine "Master of Disaster," Hiatt produced and engineered himself, and he puts his voice front and centre. As always, Hiatt sings like someone straining to complete the final set of the night at the local roadhouse. The raw vocals are a perfect match for such songs as "Hurt My Baby," where pain is palpable as Hiatt delivers the chorus.

He's supported by bass, drums and Luther Dickinson, who plays guitar and mandolin and provides an ideal counterpoint to the vocals by making every note count. Hiatt's daughter, Lilly, contributes lovely harmony on two songs.

Dad delivers his droll lyrics as if they're throwaways, which makes them even better. "I'm a long shot, baby," he sings. "But they do come in." In fact, "Same Old Man" laps the field.

CHECK THIS OUT: On the hilarious opener "Old Days," Hiatt reminisces about his early touring career and crossing paths with John Lee Hooker, Gatemouth Brown and other bluesmen. He concludes the memories aren't that sweet because "I played practically free."

John Hiatt's best in a long while
Never met a John Hiatt album I didn't like, but this one is cream of the crop.
For me 'Walk On' was Hiatt's last album for the ages. The self-aware and lackluster follow up, 'Little Head', was a bit of a disappointment and it's been a mixed bag since then. Certainly 'Crossing Muddy Waters' was a stand-out in a stellar catalogue.
I was worried when I found out he was working with many of the same lineup as 'Master of Disaster' because that one just never seemed to gel for me. Something just seemed a bit worn and maybe like it's just coming a little too easy for John nowadays.
'Same Old Man' is a pleasant surprise. Though it shares the same stripped down vibe as 'Master of Disaster', this one comes off as vibrant and fresh. Hiatt's tone is much more conversational, personal, and the music is more intimate and urgent. John has stretched some of his phrasing near the breaking point and pulled off more levels of depth in these lyrics than he has of late. In short he sounds like he means it again.
His voice is a showing it's age a bit, but it's the honesty and feeling that comes through on this great John Hiatt album. Really humorous, confessional, insightful and poetic...prime Hiatt.
Keep it up old man.