Product Description

"From two-time Palme d'Or-winning director Shohei IMAMURA comes a powerful and unforgettable human drama with exquisite cinematography. A milestone in Japanese Cinema, this film will question your fundamental view of humanity, and offers a glimpse into a timeless world where survival overrules compassion, and the decisions of who shall live and die are born of starving necessity and animal instinct.

In a small village in a remote valley, everyone who reaches the age of 70 is banished to the top of Mt. Narayama to die, so as not to be a burden on the village and bring disgrace upon their family. Old Orin is 69, and despite being in good health, in the coming winter it will be her turn to leave. But first, there are a few things that need doing.

DVD Features:

Aspect Ratio: 1.85:1
Presented in Anamorphic Widescreen
Japanese with English Subtitles

Bonus Material Includes: Image Gallery
Program Notes
Original Theatrical Trailers
"

Product Details

• Amazon Sales Rank: #52169 in DVD
• Brand: KOCH ENT.
• Released on: 2008-06-10
• Rating: NR (Not Rated)
• Aspect ratio: 1.85:1
• Formats: Color, DVD, Subtitled, Widescreen, NTSC
• Original language: Japanese
• Subtitled in: English
• Number of discs: 1
• Dimensions: 1.00 pounds
• Running time: 130 minutes

Features

• In a small village in a remote valley, everyone who reaches the age of 70 is banished to the top of Mt. Narayama to die, so as not to be a burden on the village and bring disgrace upon their family. Old Orin is 69, and despite being in good health, in the coming winter it will be her turn to leave. But first, there are things to do, and a score or two to settle. Format: DVD MOVIE Genre: 

Customer Reviews

Imamura's Humanism
Shohei Imamura did something astonishing with his film 'The Ballad of Narayama.' Not only did he attempt to update a popular Japanese legend, he was creating an alternate version of the established classic, made by Keisuke Kinoshita [see Twenty Four Eyes] at the height of his powers. Reverence for the aged is a hallmark of Japanese society, so the ancient tradition of mountain people of exposing their no-longer productive relations on a mountaintop to die is very shocking to the Japanese. Kinoshita addressed the legend in a very stylized way, distancing the viewer from the action and thereby making the actions of these poor people somehow less terrible. Imamura, in stark contrast, emphasized the savagery of the traditional mountain society by parallelling it with the savagery of the natural world in which it, too, must survive. Imamura thereby makes the tradition seem somewhat inevitable and all the more moving because of its inexorability. These people aren't inhuman savages. They are survivors in a harsh environment. Imamura examines character so honestly that the people he depicts are revealed in their true humanity, and their actions are shown to be all the more tragic. A triumph for Imamura.

A Haunting Film Of Survival: Accepting One's Own Mortality!
"The Ballad of Narayama," by director Shohei Imamaura, is a very depressing and haunting film. But that is not to say the film is not a great film. The film deals with the harsh realities of life in a 19th Japanese village. This village is small, and more importantly hunger-stricken. The community concerns of survival outweigh the morality of those who must accept their deaths when they reach the age of 70. The villagers in this 19th-century Japanese village must adhere to a very strict policy regarding population control if they are to survive. And what does this mean? Well for starters, the elderly are sent to die near a mountain called Narayama when they reach the age of 70.

This is not a happy film, for the most part, yet the viewer must understand that the very survival of the villagers depend upon survival in its most extreme form. Stealing food in this village means instant death. Truly a disturbing film---yet we must not pass judgment, because for these villagers, their very lives depend on draconian measures. Because starvation is a chronic threat to the villagers, draconian measures must be adhered to. And in this village death is an accepted fact of life. The first time I viewed this film I was very depressed by it, however, viewing it again recently made me understand that these villagers must adhere to strict policies if they are to survive. It is too easy to pass judgment on there villagers: they must do what they can in order to survive. However, there is also humor in this film. But the rather sad fate of those who reach the age of 70, and must accept their death, makes one forget about the humorous parts [at least to me].

The cruel realities of this village are not lost on the viewer. And many may have a difficult time with this film. But it is at least worth a watch. [I own the VHS]. Although it is not one of those films one takes out too often for repeated viewings, it is one that everyone should view at least once. The film centers on the life of one elderly woman named Orin (Sumiko Sakamoto). She is now in her seventieth year of life, and must therefore prepare to die. Her son Tatsuhei (Ken Ogata) has the responsibility of taking his mother up to the base of Narayama to die. This is truly an unforgettable film. This self-sacrifice for the survival of the village will leave a lasting and searing image in your mind, especially as you view Orin about to face her inevitable death. This is not a film one soon forgets after viewing. This film is highly recommended. [Stars: 4.5]

Interesting character study of a poor community
The story of a small mountain village whose inhabitants must struggle to eke out their meager living. Theft is not tolerated, and the old are left on a mountaintop to die from exposure. This is a fascinating portrayal of how people are sometimes forced by their circumstances to be as merciless as nature itself. It is easy to condemn many of the practices seen in this film, but we are forced to wonder how we might behave if we were similarly deprived. To what extent is our ethics a product of our relatively luxurious lifestyle? It is also interesting to see how various characters face their conditions--some retain their dignity and humanity, while others display what is most ugly and base in human nature.