Product Description

Set in the colorful Prohibition era, this "genuinely captivating" (Los Angeles Times) musical stars Alice Faye as a rising Ziegfeld star who is faithful to her crooked scheming husband (Tyrone Power) even after his showdown with the law. Co-star Al Jolson performs many of his legendary songs.

Behind the Scenes "Rose of Washington Square" is one of Alice Faye's most popular screen roles and marks her final teaming with Tyrone Power. The film also features some of her most memorable songs, including "My Man."

Product Details

• Amazon Sales Rank: #37649 in DVD
• Brand: FAYE,ALICE
• Released on: 2008-10-07
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Color, DVD, Full Screen, Subtitled, NTSC
• Original language: English
• Subtitled in: English, French, Spanish
• Number of discs: 1
• Dimensions: .25 pounds
• Running time: 86 minutes

Customer Reviews

Music and Magic
The history of the cinema is filled with great movies; but more than that, there are special "moments," from the great and even the not-so-great films that thanks to the magic of the movies have been preserved for all time, and now thanks to video and DVD are readily accessible for the viewing pleasure of audiences in living rooms everywhere. These movies are treasures to be cherished and savored, because they're not simply entertainment, but time capsules in which history has in some cases been inadvertently gathered and stored for posterity. And one of the jewels in this vast treasure chest that is the cinema is "Rose of Washington Square," a 1939 picture from 20th Century Fox, filmed in glorious B&W, directed by Gregory Ratoff and starring Tyrone Power, Alice Faye and Al Jolson.

Power is Bart Clinton, a charismatic petty thief and con man whose charm and good looks keeps him one step ahead of the law as he moves from one scam to another. He's not such a bad guy, but more like a salesman without a product who utilizes his natural abilities to put a buck in his pocket. Faye is Rose Sargent, a struggling vaudeville singer, teamed up with Ted Cotter (Jolson), who together have hopes and dreams of making it to the big time. But worlds collide when Bart and Rose meet and fall in love. Ted sees Bart for what he is, but his advice to Rose falls on deaf ears, blinded as she is by her unconditional love for a man who stands in the way of not only her success as an artist, but her happiness, as well. And in the grandest tradition of Hollywood, their story plays out amid the excitement of that most famous of all avenues of aspirations, Broadway, and that town of towns, New York.

It's a good story, but with a plot that's far from unique, which in the grand scheme of things doesn't make any difference. This is solid and involving entertainment that affords the viewer the opportunity of seeing three bona fide stars together, and all doing what they do best. And just seeing them together on the screen is a moment all it's own; Power, Faye and Jolson, captured forever and immortalized through the magic of the motion picture. And at the time, who knew? To Darryl F. Zanuck this was no doubt just another picture that hopefully would produce a profitable bottom line for the studio. Did any of them have any idea what this would mean to audiences sixty years later, or what kind of legacy they were creating for future generations?

One of the best looking actors ever to grace the silver screen, Tyrone Power had a dominating presence and commanded attention in any role he played, from light, romantic fare like "Thin Ice," to bringing the anti-hero, "Jesse James," to life or the swashbuckling title character in "The Mark of Zorro." He could play a heel like Bart Clinton and make him believable, or a guy soul searching for something better, as he did in "The Razor's Edge." And if there's any doubt as to how good an actor Power was, one only has to look as far as his performance in "Nightmare Alley" to realize that he was so much more than just another pretty face. He was the man women wanted and the one other men envied because he seemed to have it all. He did; and it showed in every character he ever created for the screen.

Power, however, did not corner the market on talent and charisma in this film, but was matched every step of the way by his absolutely beguiling co-star, Alice Faye. Beautiful and gifted, Faye could sing and interpret a song in a way that was nothing less than transporting. Her vocal expressions and the emotion that dances in her eyes and plays across her face while she sings created a number of those special moments in a number of films. In this one, when she sings the heart-felt "My Man" while an incognito Power (Bart's on the lam at this point) sits huddled in the audience at the back of the auditorium, it'll grab you by the throat and send chills down your spine. And that is truly one of those memorable "Moments" that have made movies such an everlasting part of our lives and culture. When Faye turns those eyes of hers, fraught with emotion, to the camera as she sings, it's mesmerizing-- a moment that will hold you transfixed and sweep you away to another time and another place.

Which is exactly what happens when Al Jolson takes the spotlight as Ted Cotter. Jolson was perhaps the entertainer of his time, a man who entertained millions from the footlights of the most famous stages around the world. And what a treasure it is to have even part of his act preserved here on film. Some of the songs he made famous, like "Rock-a-bye-Your-Baby With A Dixie Melody," and the one that became his trademark, "Mammy," are seamlessly integrated into this story. Although this kind of entertainment may not be readily embraced by younger viewers-- those raised on hard rock and grunge, for example-- there is a magic in Jolson and his songs that defines an era, and with his unique voice and magnetic personality, it is riveting to watch him now in this film.

The supporting cast includes William Frawley (Harry), Joyce Compton (Peggy), Hobart Cavanaugh (Whitey), Louis Prima (Bandleader), Horace McMahon (Irving) and Moroni Olsen (Buck). It may not be the greatest musical-- or movie-- ever made, but nevertheless, "Rose of Washington Square" is a treasure, for all the reasons discussed here and more. It's a film that will be enjoyed and appreciated on any number of different levels by anyone who watches it; pure entertainment, with a particular magic all it's own. This one's a keeper. It's the magic of the movies.

AL JOLSON STEALS THE SHOW
This movie used to appear on television from time to time and I couldn't wait to see it when I was a kid in the 1960's. Now with this video edition, complete with deleted musical scenes, Al Jolson is a joy to watch. Alice Faye and Tyrone Power were originally given this as a vehicle, and Al Jolson's career was at a low point. He was thrown a bone and was given an oppourtunity to appear alongside these two other fine actors. When reviewers first previewed the movie they said Jolson stole the movie from the other two. The Jolson stage sequences are PURE MAGIC. When filming The Jolson Story in 1945, it is said Larry Parks picked up alot of Jolson's way of putting over a song by studying this movie. Take a look at California Here I Come and compare it to Parks' remarkable version in the latter movie. When this video first came out I was amused that it was part of the Alice Faye collection. I like Alice Faye, but lets be serious. This movie is JOLSON, JOLSON, JOLSON from beginning to end.

Slashed but enjoyable
When you view this film, you may find it very choppy like I did. The "Hidden Hollywood" series have revealed that a lot of the film was cut from the released prints. At least 3 musical numbers disappeared completely, including Alice Faye's memorable "I'll See You in My Dreams", of which 2 versions exist with and without a chorus. Stills also reveal dramatic scenes missing. Apparantly, film was shot by another director, Roy del Ruth, then reshot by Gregory Ratoff but the truth about this is yet to surface. The direction lacks imagination.

What remains is not bad, just frustrating and lacking continuity. The plot is in fact the story of Fanny Brice, the subject of "Funny Girl". Faye plays a vaudeville performer who reaches the big time in the Ziegfield Follies. Along the way, she falls for small time crook, Tyrone Power, who ends the film with a prison sentence but Faye sobbing that she will wait for him. Brice sued the studio for plagiarism and the studio settled out of court.

Alice Faye sings memorably as usual, although some of her numbers are interrrupted with disruptive dialogue. She also displays a brittle quality to her acting which was new to the audience. She sings Fanny Brice's signature tune "My Man" with passionate warmth and comparison to Barbra Streisand's version in "Funny Girl" demonstrates just what a fine singer Faye was. Tyrone Power is perfectly cast as the charming heel, a not dissimilar role to his one "In Old Chicago" which he did so well. Al Jolson is electrifying and even likeable (now that was unexpected) as Faye's vaudeville buddy. He gives the dialogue a real charge.

Let's hope that those dedicated people at UCLA can provide us with a restored version using the original script and issue it with the released version on DVD as Fox has with "In Old Chicago". A much better film may be lurking hidden away.