Track Listing

1. Lizard Point
2. Lost Day
3. Tal Coat
4. Shadow
5. Lantern Marsh
6. Unfamiliar Wind (Leeks Hills)
7. Clearing
8. Dunwich Beach, Autumn, 1960

Product Details

• Amazon Sales Rank: #25285 in Music
• Released on: 2008-07-08
• Number of discs: 1
• Formats: Import, Limited Edition
• Dimensions: .8 pounds

Album Description
Limited Edition Japanese "Mini Vinyl" CD, faithfully reproduced using original LP artwork including the inner sleeve. Features most recently mastered audio including bonus tracks where applicable.

Amazon.com essential recording
Released in 1982, On Land is Eno's most mature, perfect ambient work. Combining low, rumbling synths with eerie banging and clanking and the occasional wild-animal chirp or grumble, this recording places the listener alone, in the midst of a massive piece of sonic landscaping. And Eno has left no detail to chance. In fact, the work is so complete that when Eno suggests a windswept plain, the listener gets a chill. When trumpeter Jon Hassell bays with a softly disturbing imitation of a wounded beast, the first instinct is to scan the horizon for its glinting eyes. So subtle, intuitive, and well paced is this recording that as it slips quietly from the speakers and into every corner of the listening room, it transforms the space into a gently pulsing sound environment that seems strangely out of time and away from everything. It's a place you'll be drawn to time and time again. An ageless masterwork. --S. Duda

Customer Reviews

Less than music - and more.
Imagine sitting on a beachside deck some warm evening with a microphone capturing all the noise of the environment: waves washing up, crickets chirping, gulls singing, the neighbors maybe becoming audible when their talking gets loud enough. Maybe some kid is driving down the next block with his stereo rattling the pavement. Maybe somebody's dog is barking far enough away that if you weren't listening closely you wouldn't even notice it. On Land is an exploration of this kind of idea in sound, but intended to re-create places far away or only imagined. Sound strange? In the world of Brian Eno I'd expect nothing less.

Basically it's an album exploring the idea of music or sound that gives a feeling of a certain place. It also perfectly accomplishes his objective with ambient music, which is that it should be "as ignorable as it is interesting." Turn it up and it can bring all kinds of alien landscapes to life in your mind; turn it down and it colors the room subliminally, barely noticeably. Where the previous three in the Ambient series were subdued and trancelike through repetition, this one is evolving all the time and never repeats itself.

And with that, On Land is probably the hardest of all Eno discs to describe. It would be one thing if it was simply made with treated notes or tape loops, as with Discreet Music or the previous Ambient albums. It would be one thing if he was using minimal melodies meant to be ignored. On Land is all and none of those. It uses musical elements but isn't music; it's minimalist but not simple or repetitive. It's pure atmosphere. Forms don't exist. If you're wondering what moods you may find here, just look at the titles. "Tal Coat" is somehow electronic-sounding but purely organic. "Shadow" is a vague lurking moment of doubt. "A Clearing" is a four-minute synth haze radiating pure tranquility. It's not all soothing, but if it's left at a low audible level the dark moments won't really be disturbing.

Comparing this disc to any other ambient music is always an apples/oranges prospect, but I think the difference makes this the most pure and timeless Eno album out there. At the very least it sounds like nothing else I've ever heard, except maybe the sounds of nature itself.

The darker side of Eno
When this came out, I was so used to "Discrete Music" and the previous "Music for Airports" that I had a goodly bit of trouble wrapping my head around this set of rumbly, dark, murky atmospherics. But over the years, I've come to have a special love for this release. This is not the Satie-like ambient of those other two works, but rather like a soundtrack recording for a very obscure, dark film in which most action (action?) is obscured or is occuring just off-lens. Swampy, midnight music. Whereas it's easy to describe some other Eno works, this thing, even some 20 or so years on, defies adequate description. Suffice to say, it's something worth having for most anyone, especially if you're someone who often finds yourself awake at 2-3 AM and have trouble finding music for just that 'certain atmosphere' for the time of day. A singular, beautiful, and intriguing release.

One of his best "ambient" albums
This was made to be played on a 3 speaker system...so if you have a "wide stereo" or "music expansion" button on your player push it and you will not believe all the hidden sound that appears throughout this dark and beautiful CD!

One of the best(ie;most interesting)ambient releases by Eno.A lot of variation here between songs,and the tracks don't go on "forever". As one other review says here,it is not always a pleasant ,"new age" ambience...but some dark visions are nice for a change too.

A great place to start for those interested in Eno's version of "ambient"...if you like this,then get Eno's "Music For Films" too(or try and find the "Eno and Cluster" CDs).More cool stuff!