Product Description

Gripping performances by Keanu Reeves, Academy AwardÂ(r) Winner Forest Whitaker* and an all-star supporting cast power this action-packed crime thriller, in which a veteran cop finds himself ensnared in a deadly web of conspiracy and betrayal. Reeves stars as Tom Ludlow, a hard-nosed detective with a talent for delivering brutal street justice. When evidence implicates him in the murder of a fellow officer, the violence around Ludlow explodes as he realizes his own life is in danger and he can trust no one.

Product Details

• Amazon Sales Rank: #13029 in DVD
• Brand: TCFHE
• Released on: 2008-08-19
• Rating: R (Restricted)
• Aspect ratio: 2.40:1
• Formats: AC-3, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English, Spanish
• Dubbed in: French, Spanish
• Number of discs: 1
• Dimensions: .25 pounds
• Running time: 109 minutes

Amazon.com
Street Kings is a pungent bouquet of corruption, violence, multi-ethnic mayhem, macho glee laced with macho angst, and fluorescently obscene dialogue from the mind of James Ellroy. Its hero, though he'd scarcely consent to be called one, is L.A. police detective Tom Ludlow (Keanu Reeves), for whom life is a wound that won't heal and dealing out retribution to scumbags is the ongoing treatment. Ludlow's the star player--"the tip of the [expletive] spear"--on a team of detectives headed by Capt. Jack Wander (Forest Whitaker). Coach Wander relies on his boys to keep breaking lurid cases, usually through deeply darkside underground work, and raising his profile with the media and the department. In pursuit of these goals, nothing is forbidden except failure, and the truth is what you make it look like. This is familiar Ellroy territory, most effectively translated to the screen in L.A. Confidential (which should have won the 1997 Oscar, and would have if Titanic hadn't launched that year). If you know Ellroy's ground game, you can pretty much guess where Street Kings is going, and where it's been. Still, the twists and torques of its urban road-rage course maintain the centrifugal force needed to hold us in our seats (a tactical highlight: refrigerator adapted as rolling barricade), and the movie keeps bopping us with oddball casting coups: comic Jay Mohr and Northern Exposure/Sex and the City veteran John Corbett as two members of Coach Warden's gonzo detective squad; Cedric the Entertainer doing a nicely nuanced turn as a street creature; Hugh Laurie doing a less-hyper version of House, if House worked Internal Affairs.

The problem is that director David Ayer keeps everything intense. Dialogues are shot too close-up, line readings are too strident, the action is too nonstop slam. Recall Curtis Hanson's L.A. Confidential and the mind's eye summons up a whole spectrum of existence, mood, place, historical period, emotional investment; there's an amplitude to the picture and the sensibility bringing it to us, something besides the whodunit and the endless rap sheet of nasty what-they-done. Everything in Street Kings is one-note, and with Keanu Reeves playing it implosive and Forest Whitaker locked in crazier-than-an-outhouse-rat mode, that's no way to stay the course. --Richard T. Jameson

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Stills from Street Kings (Click for larger image)

Customer Reviews

Exciting police drama
Keanu Reeves has come a long way as an actor. If you watch his early films you can see how he struggles to make his emotions authentic, without always succeeding. I think this was a break-through film for him. He is very believable as Tom Ludlow the soused "street fighter" cop who bends and breaks rules to get the job done. Whether he is romancing his gal, grieving over a dead cop, or exploding with rage - the emotions feel "real". And he is even more handsome than he was in his youth.
This was an exciting film from start to finish. There is not one dull moment where your mind begins to wander. The soundtrack was excellent- a menacing heartbeat that always forewarns us of dangers to come. The beautifully done cinematography included vivid colors, wrenching close-ups and sweeping panoramas of L.A. Great work! I think it is too bad that so many movie critics gave this one luke-warm reviews because "Street Kings" is a good film worth seeing. I know I will be eagerly awaiting the dvd release.

Entertaining Modern Update to LA Confidential
I was intrigued when I heard that writer James Ellroy, of LA Confidential fame, was attached to this movie. Street Kings plays like a modern version of LA Confidential, albeit much darker and more cynical.

You have similar parallels to the original LA Confidential. Chris Evans of Fantastic Four fame, plays Detective Paul Diskant, more akin to the idealistic Guy Pearce. Keanu Reeves, no introduction needed, plays the bruiser type with an honest heart- more along the lines of Russell Crowe's Bud White. Lastly, Forrest Whittaker gives an entertaining performance as the politically savvy and corrupt vice squad captain, much like James Cromwell's Captain Dudley Smith.

Keanu put on some weight for the movie, I found his performance fine. He's often criticized for being too wooden, but I didn't notice anything that detracted from his performance. It's a genre movie, so certain plot points are predictable, yet I was also pleasantly surprised by a few twists.

If you liked LA Confidential, and are looking for the modern update, then look no further.

3 ½ Stars: Once You Open your Eyes...
STREET KINGS is the latest police thriller by director David Ayer, responsible for other police thrillers such as "Training Day" and "Dark Blue". Police corruption has been the main theme for most police dramas, and this film is no different. The screenplay by James Elroy is full of intrigue and bleakness that delves into the dark side of the LAPD.

Tom Ludlow (Keanu Reeves) is a cop on the edge, an alcoholic and would stoop to the most extreme measures to solve a crime; usually his suspects turn out dead. He does get the job done though, and is favored by his commanding officer, Captain Jack Wander (Forest Whitaker). As a result, Tom's past sins have been covered up for years, he works tightly in a special unit and his existence is a melting pot of violence and death. One day, his former partner (Terry Crews) becomes an informant for Internal Affairs, is killed in a convenience store shooting. The incident had awakened some "intestinal fortitude" in Tom, and now he must find those responsible along with a young detective (Chris Evans). Little do they know that they are opening up a huge can of worms.

"Street Kings" does have all the elements I like in a cop film; it's gritty, very violent and fast-paced. The film isn't going to be recognized for originality, it has all the usual formulas we've all seen before; corrupt authority figures and the hunger for money and power. The film does do one thing right and it does convince the audience that it is worth watching. The heavy and mean dialogue combined with gunfights which are quite bloody and full of intensity, it has all the qualities of a film that any male movie fan would love. The director understands what he has set out to do, and he has structured the film to move as pure adrenaline as it goes through the insides and outs of the LAPD. The film is full of detail as to how and why the corruption is inherent in the "cop system".

The screenplay plays a bit like a morality play as hotshot cop; Tom Ludlow goes through the workings of evidence tampering and cover ups. Tom's character is a man who barely sees injustice due to the things he has seen; his phrase "Bad creates more Bad" actually sums up his bleak view of his world. The script is full of "bad language" that it sometimes makes Tom's use of complex terms a little out of place. Keanu Reeves is a decent actor in my book, but I did somehow see his limits with this role.

The film does have a complex plot and is quite intense, and this is where the problems begin. The film needed to breathe at times and relax and let all its complexities settle in. The unraveling of its main twist in the third act seemed a little too `cardboard' that seemed to fail its maze of intrigue and controversy in the film's set up. The film made a compelling point when it made the darkness of the police system come full circle, with a lot of paranoia and mistrust that suggested a strong clever resolution to all the mayhem. I expected something more than a climax full of cliché that is quite familiar in action films. Forest Whitaker's final speech seemed a little too melodramatic that the film's primary set up just didn't match up.

It would be really difficult to express as to why I would say "Street Kings" is a good film because honestly, it did have a lot of faults. Some parts of the investigation seemed a little too convenient and too easy, while the final act seemed to lose much of its forward momentum when it proved less than stimulating as I've hoped for. However, I did enjoy "STREET KINGS"; it's full of attitude and the sharp-tongued dialogue did convince me to look beyond its holes. Director Ayer knew the film's limits and knew exactly what he needed to do in order to hide its flaws. It does provide an exciting ride while seeing through the eyes of a burned-out cop. The film is cleverly paced, and its action and grittiness will definitely see you enjoying its tough-guy thrills with a lot of bloodshed and body count.

Recommended! [3 ½ Stars]