Product Description

After a 14-year hiatus Emerson Lake & Palmer reunited to record a new album, Black Moon, and embarked on a world tour to showcase the new material and play their classic repertoire from the '70s. This DVD contains their electrifying October 1992 concert at the famed Royal Albert Hall in London. Captured here performing "Paper Blood" and other selections from Black Moon, ELP remind their fans why they are still one of the preeminent progressive rock bands. They dazzled the audience with familiar favorites, from the opening notes of "Karn Evil 9: 1st Impression - Part 2" (with its classic lyrics "Welcome back my friends to the show that never ends") to the final medley of "Fanfare For The Common Man/America/Blue Rondo À La Turk." Now available once again on DVD, this beautifully arranged and masterfully performed concert gives fans the legendary ELP live experience they have been waiting for.

Product Details

• Amazon Sales Rank: #46025 in DVD
• Brand: Sony
• Released on: 2009-01-27
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Color, DVD, Live, NTSC
• Original language: English
• Number of discs: 1
• Running time: 88 minutes

Amazon.com
Progressive rock's pioneering power trio still packed a musical wallop when Emerson Lake & Palmer recorded this 25th anniversary concert in London's Royal Albert Hall in October 1992. Keith Emerson, Greg Lake, and Carl Palmer had reunited to promote their studio album Black Moon, but the set list of this DVD, which differs from ELP's Albert Hall CD, is more of a "greatest hits" sampler, including such ELP standards as "Tarkus" and "Pictures at an Exhibition" (featuring an epic Palmer percussion solo), and Lake's still- beautiful ballads "From the Beginning" and "Lucky Man." Time had clearly taken its toll. Keyboard wizard Emerson rubs his wrists (which later required surgery) before forging ahead at full intensity (climaxing with his traditional "assault" on a Hammond organ), and Lake avoids high notes (most regrettably on "Pirates") to accommodate his mellowing voice. Still, the band's precision remains intact, and this DVD, despite a weak 5.1-channel sound mix, is a must-have for ELP's devoted fans. --Jeff Shannon

Customer Reviews

good but could have been better
Don't misunderstand me, I am a long time ELP fan however my expectations go back all way to concerts in the 70's when they toured with a full orchestra. Certainly the last two tracks of the concert bring life to this dvd and finished strong. If you are a long time ELP fan you will not be dissapointed. Gregg Lake voice sounds good but stage presence was lacking but did he ever have stage presence. Keith Emerson was the highlight of the concert and truely shows what a great talent he brings to ELP. That in itself is worth getting this DVD and seeing his talent... Pirates is reproduced very well and was the highlight of this dvd. ...

Finally, an ELP show on video!
I've been a fan of ELP since 1974, when I first heard "Brain Salad Surgery". It blew my mind. I was in the 8th grade at that time. Kind of hard to believe an 8th grader could appreciate that kind of music, eh? Well, I did, and still do.
I have to admit I haven't listened to ELP much at all in the past 20 years or so. The other day I was in the video store to rent some movies, and saw this DVD, and I grabbed it instantly. I was not disappointed. Keith, Greg and Carl are in top form. They are every bit as amazing here as they were when I saw them live in 1975, levitating piano and all, at one of the best concerts I've ever seen. Emerson is still up to his old tricks here. He's the Jimi Hendrix of keyboards: doing backflips, jumping up and down on, and abusing his shreiking Hammond organ, until he finally tips it over on top of himself and plays Bach on it backwards!! Pretty amazing for a 52 year old geezer. Over the top, yes, but then so was Jimi. ELP have always had quite a bit of theatrics in their performances.

As for the music, Emerson's playing is just as jaw-dropping as ever. Palmer's drumming is as precise and intense as it always was. Lake does a good job but seems to have trouble with his voice hitting some notes and doesn't seem (to me) to be having as much fun as the others. The selection of tunes is good, I just wish "Hoedown" would have been on here. Great version of "Pirates" without all the orchestration cluttering things up. The reason I give it four stars instead of five is the camera work is not very good in places, showing close-ups of Keith's face when he's playing amazing lines on the keys, come on! It's like films of Hendrix where he is playing incredible stuff on the guitar and they are just filming his face. Drives me nuts. Also, I heard several noticable glitches in the audio, which other than that is quite good (could have just been a bad copy). I had it blasting through my home theatre system and it sounded great. I'm thinking I need to add "Welcome Back My Friends..." (a great live album) to my CD collection now, I miss listening to this stuff.

I would highly recommend this DVD for any ELP fan or fan of classically based rock, and I plan on purchasing it for my collection.

OK performance; decent sampling of tunes; AWFUL camera work
Yes, I was a big ELP fan back in the 70's, and I was excited to get this DVD in the hope of bringing back memories of when I saw them in person decades ago. Overall, I was a bit underwhelmed by this disc.

Although never extraordinary in terms of stage presence, I must say that the band members exhibited some pretty tight playing at this performance, which took place in 1996 at the Royal Albert Hall (London). They did an especially good job with "Welcome Back" and "Pirates," and I was pleasantly surprised by their rendition of the classic theme from Prokofiev's "Romeo & Juliet." Although I consider "Tarkus" (one of my all-time favorite LP's) and "Pictures at an Exhibition" to be absolute masterpieces, this show presents only excerpted versions of both. Typical of live performances, yes; however, I'm always left a little disappointed. One major blemish to the show was Keith Emerson's theatrics of pounding, jumping on, then tipping over, one of his keyboards near the end (sooo 70's). Lots of noise. Maybe he hung out with Keith Moon when he was younger, but I wasn't impressed. Besides, this wasted valuable time that could have been used for another song or two.

What weighed most heavily in my rating was my total annoyance with the poor camera direction in this production. For example, Emerson was true to form with his trademark arms-apart keyboard stance between stacks of synthesizers. Why then was there so much close-up filming of just his face? I mean, REALLY close-up! Same with Carl Palmer: too many camera views angling between cymbal stands or over tom-toms, with only his head in view. Somehow, the director failed to understand that watching a keyboardist or drummer means focusing on the hands and arms. Too bad. I felt cheated out of some incredible drumming. Also, see how many OTHER cameramen you can count sneaking around between the amps.

Bottom line: it's an acceptable performance, but I wouldn't recommend this disc to anyone but a serious ELP fan.