Product Description

François Truffaut s first feature is also his most personal. Told through the eyes of Truffaut s cinematic counterpart, Antoine Doinel (Jean-Pierre Léaud), The 400 Blows sensitively re-creates the trials of Truffaut s own difficult childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime. The film marked Truffaut s passage from leading critic to trailblazing auteur of the French New Wave.

BLU-RAY SPECIAL EDITION FEATURES:
New, restored high-definition digital transfer, with an uncompressed monaural soundtrack
Two audio commentaries: one by cinema professor Brian Stonehill and another by François Truffaut s lifelong friend Robert Lachenay
Rare audition footage of Jean-Pierre Léaud, Patrick Auffay, and Richard Kanayan
Newsreel footage of Léaud in Cannes for the showing of The 400 Blows
Excerpt from a TV program in which Truffaut discusses his youth, his critical writings, and the origins of Antoine
TV interview with Truffaut about the global reception of The 400 Blows and his own critical impression of the film
Theatrical trailer
PLUS: An essay by film scholar Annette Insdorf

Product Details

• Amazon Sales Rank: #6381 in DVD
• Brand: IMAGE ENT.
• Released on: 2009-03-24
• Rating: NR (Not Rated)
• Aspect ratio: 2.35:1
• Formats: Black & White, Subtitled, Widescreen
• Original language: French
• Subtitled in: English
• Number of discs: 1
• Running time: 99 minutes

Features

• Fran ois Truffauts first feature is also his most personal. Told through the eyes of Truffauts cinematic counterpart, Antoine Doinel (Jean-Pierre L aud), The 400 Blows sensitively re-creates the trials of Truffauts own difficult childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime. The film marked Truffauts passage from leading critic to trailblazing auteur of

Amazon.com essential video
Francois Truffaut's first feature was this 1959 portrait of Antoine Doinel (Jean-Pierre Léaud), a boy who turns to petty crime in the face of neglect at home and hard times at a reform school. Somewhat autobiographical for its director, the film helped usher in the heady spirit of the French New Wave, and introduced the Doinel character, who became a fixture in Truffaut's movies over the years. Poignant, exhilarating, and fun (there's a parade of cameo appearances from some of the essential icons and directors from the movement), this film is an important classic. --Tom Keogh

Amazon.com
The knowing yet innocent face of Jean-Pierre Leaud, the 14-year-old star of The 400 Blows, is the heartbreaking core of Francois Truffaut's most intimate film. As Antoine Doinel, Leaud begins his career as director Truffaut's alter-ego, a young boy neglected by his mother and stepfather who, to cover his absence at school, tells a lie that leads him to run away from home and end up in reform school. There's nothing remarkable or surprising about the plot; the power of this film comes from how completely it draws you into Antoine's life. Antoine is a vivid, natural presence, one of the most compelling collaborations between a writer/director and an actor. The movie seems to capture him as he lives. Antoine endures his parent's indifference, humiliations at school, deprivation and juvenile delinquency--yet the movie never feels pitying or condescending, as if it were trying to rub your nose in Antoine's suffering. On the contrary: His resilience is what grabs you, his refusal to be broken down as he struggles towards a more adult understanding of the world. Truffaut and Leaud made many excellent films together (Day for Night, Two English Girls), including further chapters in Antoine's life (Bed and Board, Stolen Kisses), but none were quite as simple, rich, and devastatingly potent as The 400 Blows. (The title, incidentally, refers not to abuse or anything sexual, but is a French idiom for a wild and unruly youth or "raising hell.") --Bret Fetzer

Review
One of the all-time great coming-of-age movies. --Time Out New York

Customer Reviews

400 Blows
I've spent decades avoiding THE 400 BLOWS, afraid it was either dark and brooding, or a documentation of child abuse (physical and/or emotional), or an angry and vindictive assault on the authors' of Francois Truffaut's traumatic childhood.
I shouldn't have worried. THE 400 BLOWS is a gentle and compassionate movie. It isn't overwhelmed by its anger, although a few characters, particularly the coming-of-age hero's mother and his school teacher, aren't terribly sympathetic. Being new to THE 400 BLOWS, I found the commentary by Premiere magazine film critic Glen Kenny especially helpful in understanding French New Wave cinema in general and Truffaut in particular. By the way, according to Kenny "400 blows" refers to a French colloquialism similar to the American "paint the town red." It means to give oneself over to every type of excess, and raise a little heck in the process.

A True-to-the-Bones-and-Heart Modern Day Dickensian Fable
The most heart-felt movie I've ever seen is a powerful mix of sharp-eye, hardhitting autobiographical remembrance of a nearly bruised childhood and a celebration of the wide-open, spontaneous and lyrical qualities of cinema to capture pointed truths of family, school and street lives as seen through the curiously haunted eyes of one Antoine Doinel, a modern-day Dickensian hero in a decidedly unglamours Paris, searching, often wrongheadly, for love and acceptance while, almost against himself, challenging the authorial rules imposed on children growing up in conformist post-WWII France. The film's tone is one of anguished bittersweetness and quiet defiance, counterpointed by bursts of joyful freedom and naughty prank playings as shared by many in their pre-adolescenthood. Doniel's friendship with the well-off but neglected Rene is also among the most moving portraits of childhood friendship ever. An unforgettable portrait, a cutting social study, a New Wave classic and Truffaut's best, but most importantly a timeless and univsersal "true" story. And yes, the last freeze, when it comes, is a stunner. Gosh, I just love it! (P.S., this relatively small and quiet masterpiece also happens to be the all-time favorite film of John Woo, imagine!)

Get this one only if you are not interested in all the Doinel films.
However, if you are a fan of this entire film series by Truffaut, then you should spring for the Adventures of Antoine Doinel boxed set. It comes with all the extras found on this disc, plus a bonus disc which features excerpts from a 1961 documentary on Truffaut, which touches on this film, and a promotional art gallery for this film. Neither of these bonus features are found on this disc, nor is the bonus short film, Antoine and Colette, which is on the 400 Blows' disc in the boxed set. Great if you only want this movie, but I'd pay the extra dough as it's well worth it to have the entire Criterion boxed set, which is loaded with extras covering all the other films.