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With sublime awkwardness, Seth Rogen throws himself into the role of a deluded, socially inept shopping mall security guard. Ronnie Barnhardt (Rogen) protects his little kingdom with a mixture of grandiose passion and borderline incompetence; he can’t catch a flasher in the parking lot or a thief with inside connections because his prejudices and desires cloud his ability to see what’s right in front of him--all he can see is the trashy cosmetics salesgirl Brandi (Anna Faris) who thinks he’s nothing but a creep. Though he resents the intrusion of a police detective (Ray Liotta), Ronnie decides to pursue his true dream: Becoming a cop so he can carry a gun. The plot isn’t what matters in Observe and Report--this comedy is about letting talented actors create strange characters with enough roots in reality to make them very, very funny. Even the supporting actors shine with a mixture of weirdness and banality, including Michael Peña (Crash) as Ronnie’s sidekick who turns out to have a secret life, and Celia Weston (Junebug) as Ronnie’s boozing and wildly inappropriate mother. Writer/director Jody Hill (The Fist Foot Way) has a gift for pushing an ordinary moment into comic exaggeration, though he doesn’t always find the right balance; every now and then Observe and Report veers into territory that’s funny, but undercuts the movie’s internal reality, and there are several moments of unexpectedly graphic violence that will make some viewers recoil. But when the movie hits the mark--and it does so more often than not--Hill and Rogen tap into a rich vein of humor that stands apart from the usual Hollywood formula gags. --Bret Fetzer

Customer Reviews

New King of Comedy
Not to say that writer/director Jody Hill is the new Scorscese (he's not), but I was constantly reminded of Scorscese's early 80s disturbo-comedy "King of Comedy" when watching this. Whereas Scorscese uses stark realism, though, Hill uses the conventions and expectations of modern comedy to nail us. This could have easily been another crude and rude comedy along the lines of Superbad or Pineapple Express. Those (hell, most) comedies made today feature borderline-sociopathic, emotionally-retarded, and hopelessly immature males. Hill simply tips his characters over the edge. There is no denying that Ronnie (Seth Rogan) is a full-blown psychopath. What's surprising is how close this character is to every other character Seth Rogan has ever played!
Your reaction to this film will be greatly effected by your expectations. If you expect an extremely dark, yet often silly, film instead of yet another "Superbad" or, god forbid, "Paul Blart: Mall Cop", you should not be disappointed in the least.

An absolutely stellar black comedy.
Ronnie is a mall cop with big dreams: he wants to be a cop. Partly to carry a gun, partly so people will finally respect him. When a flasher appears on his turf, it's war--especially when one of the victims is Brandi, the makeup-counter girl whom Ronnie has a crush on. But when a real detective intrudes in the case, Ronnie decides to take matters in his own hands--to win respect, to win the case, and to win the girl.

OBSERVE AND REPORT is perhaps the darkest comedy in ages. Seth Rogen does not play Ronnie as a beloved character, as many a lesser actor would; in Rogen's hands, Ronnie is a borderline-sociopath, a bipolar loser who is as hilariously aloof as he is dangerous. Anna Farris, as Brandi, is a comedic delight as always; she throws her self-esteem to the wind in order to wring the last little laugh from every scene. Michael Pena, as Ronnie's sidekick, is a scene-stealer. However, it's Ray Liotta who walks away with the only character to hold his own against Ronnie; as Detective Harrison, Liotta is tough and unforgiving, and the climax between the two ends the only way it could (though you'll be holding your breath the whole way).

In other words, Jody Hill's OBSERVE AND REPORT is the darkest of dark comedies, often bordering on a (non-supernatural) horror movie; the comparisons it's garnered to TAXI DRIVER are well-founded, and often-times you don't know whether to wince or laugh. Hill doesn't just take things too far; he takes them to limits no one else would dare to. OBSERVE AND REPORT is not a comedy for the squeamish, but it's certainly a film for those of us who don't mind a few chills with our humorous thrills.

Hit and miss dark comedy
Observe and Report may very well be one of the darkest comedies to get a wide release from a major studio in some time, and though it is hit and miss in terms of its comedic moments, it does manage to find Seth Rogen in surprisingly fine form. Rogen stars as Ronnie, a semi-delusional mall security guard who wants to be a cop just so he can carry a gun. In the meantime, Ronnie yearns to catch the perverted flasher terrorizing customers, and yearns even more so for trashy makeup girl Brandi (Anna Faris), while royally angering a detective (Ray Liotta). Helmed by Foot Fist Way director Jody Hill (who had said that his intention was to make a comedy version of Taxi Driver), Observe and Report has some moments of laugh out loud absurdity and even some genuine shocks, but they don't always work for the better. Still though, Observe and Report has enough going for it to make it worth seeing, and Rogen in particular takes on his role with such gleeful abandon that it makes the film worth seeing alone.