(Bond #21) The newest Bond film, which stands with the classic old ones. Daniel Craig is at the same level as Sean Connery, though plays the character with passion and a realistic edge. Amazing and exciting action, drama, and realistic visual effects that are done with "old-fashioned" reality make this pretty remarkable.

(Bond #2) The most realistic and dark of the Connery Bond films, it is entertaining and features great acting. Down-to-earth, basic, and fun.

(Bond #5) Not as good as the ones preceeding it, but still pretty good. Featured the largest set-pieces and highest-budget action scenes of any Sean Connery Bond movie.

(Bond #15) The first serious, hard-edged Bond movie since From Russia With Love. Timothy Dalton is not as good as Sean Connery, but is better than Moore and Lazenby. It's somewhere between okay and good, so it's got entertainment value.

(Bond #10) There are some famous scenes in here, but it has the uncanny ability to frustrate viewers with one character: Jaws. Jaws fights, gets killed, but WAIT! he's alive, then he fights, gets killed, and so on. Roger Moore is not as good as Sean Connery, nor is he believable in any of his Bond movies, and from the start is way to old to play James Bond.

(Bond #17) It's quite well-liked by many people, but has no real value in any respect. There is some good acting, and Pierce Brosnan is a solid actor himself. The problem with him is that he is not believable and is fairly thin and refined, so his stunts are pretty ridiculous. This film is just not that great, but has some entertaining moments.

(Bond #19) Yet again nothing special. Typical action-flick with a mediocre story. Holds good parts, but Denise Richards' acting is pretty awful.

(Bond #12) Did a fair job getting rid of the slapstick humor that plagued most of Roger Moore's movies. Has some interesting moments, but is nothing memorable.

(Bond #8) Extremely campy, this one shows a huge amount of terrible slapstick humor. Fights are played for laughs, realism is completely dropped, people swallow compressed air and blow up like balloons, and every peril allows some previously unknown gadget save the day. The only plus is Paul McCartney's great theme song.

(Bond #14) Painful to watch. Roger Moore's last Bond outing features him at 58 years old. I mean, how can he be taken seriously anyway? Then the slapstick humor brings countless embarassing moments, including Bond dodging gunfire while sledding down a mountainside, with "California Girls" playing in the background.

(Bond #9) An absolute mess. Slapstick humor at its worst. Bond escapes by giving villains wedgies and kicking them in certain sensitive places. An amazing car stunt is covered by a cartoony sound effect. A midget runs around in circles yelling and slapping Bond. Christopher Lee's performance is great, but that's it.