This should be included in every film history class. Amazing how contemporary it feels 60 years later. Anything but predictable: great script, great direction and great acting, especially Bogart owning the crazy.

Gandhi is an action hero, just not the type of action that movies are used to. So that this film captures the passion and the importance of his life in such a compelling manner makes it one of the best biopics of all time.

This movie was so good, the acting, the script, the direction, it made me ache. Anyone who has had a loved one succumb to Alzheimers will find this a reflective work of great nuance and subtle beauty.

Whew...hot indeed. Don't watch this movie unless you're in Phase 3 (for all you NFPers out there) *I was a little disenchanted after reading about the play's subject matter, but it doesn't change that the movie is an excellent tale of reconciliation.

A damn smart twisty thriller. With great actresses (ok, the actors do well too)and a great script that actually has something to say about the current state of news media. I expected a recogizable name to be listed at the end as the director, so kudos to Kevin Mcdonald who guides the film with a steady hand and the right amount of verve.

It's a shame, because it could have been a GREAT movie. There is a lot of good things about it and its very funny. But ultimately, the crude language (why did they have to mar the ending?) reaches the point where the movie can't be recommended. My favorite parts though? the music and Maya Rudolph.

Impressive that a movie where you KNOW how it will end can still make you feel tension and wonder, "How is this NOT going to succeed?" A discussion starter.

What elevates this above your typical insipid teen comedy? Tina Fey's smart, heartfelt script that tackles a problem so common in our schools it's usually written off as just "how it is with girls" and in addressing it, draws out some real laughs. Ms. Lohan does a fine job in the role, but in life, is even more depressing after seeing this movie.

A very interesting character ensemble, even if there are characters that don't quite fit into the ensemble. Lily Tomlin and Ronee Blakely inject their roles with perfect emotion. And "I'm Easy" will probably get stuck in your head for a few days.

And in the role of Sneering Grumpy Old Man who Learns a Better Way: Clint Eastwood. I laugh when I think how similar this movie is to "Up"

First off, I remain immune to and even baffled by Annette Benning's "charms". Secondly, Aaron Sorkin's writing is always smart (I am craving Sports Night just thinking about it) but when he does politics, he veers so far left it's absurd. I particularly enjoyed the scene with the Republicans plotting-all old, bald, or old and bald.

What we can learn from this movie: A few days in the sex trafficking business will leave a 17 year old girl no less giggly than before. Seriously, terribly written exposition and resolution (Can I carry your luggage for you?) But the meat of the movie is the swift meted justice, and that was very satisfactory.

Good music and likable main characters, Norah's friend is hilarious, Nick's gay guardian angels are distracting, the feeling most strongly imparted to me in this movie was "I would NEVER raise children in NYC." Urban life is so distracting, makes it even harder to be yourself. Nick and Norah's brokenness, insecurities and longing speak to this.

As I watched, I kept thinking, "Did I already watch this movie 5 years ago?" The plot is so unarresting and formulaic, even at the end I'm still not sure of the answer to that question. Looking on the bright side: the score was great!