Entirely solo recording, as if turning the dial on 21 songs of "all-Belew radio." The opener and finale are perfect stunner bookends to an amazing variety of material. Crank up and behold the glory.

Adrian's legendary debut with King Crimson for perhaps their finest record ever, alternately aggressive and mesmerizing. Belew proves himself among the quartet of incomparable musicians.

Beautiful and bracing with many all-time Belew stand-outs. Another "completely solo" record, alternately escapist and socially conscious. "Fly" will prove your speakers worth what you paid for them.

Belew plays on about a third of this 23-track Byrne masterpiece of sound and rhythm, 2/3's instrumental, and an often-overlooked work of inventive genius.

Compilation from two all-acoustic releases, highlighting his talent as a songwriter. Not quite as solid but easier to buy than the first Acoustic Adrian Belew cd.

Better-rounded of the Bears' first two lps, outstanding for their wonderful melodies and compositions. Ade and Rob Fetters, a comparably-talented singer/guitarist/songwriter, make fabulous cohorts.

Two excellent concert performances of the 80's era Crimson, with Ade as frontman, guitarist, and sometimes drummer! The video quality is somewhat dated, but it's a fine intro to Crimson.

Belew's latest release explores the "power trio" sonic structure, with Claypool and Carey pitching in on three tracks. Short, but with many standouts.

Exceptional pinnacle performances of the 80's Crimson before their "retirement." Awesome sound quality, excellent selection.

Central release of the 90's Crimson, an impeccable six-man lineup of raging power and precision. The double-trio formation creates unprecented cacophony mixed with periodic serenity.

Adrian shines on Tori's cover collection, practically bringing the whole cd to life during the opening rendition of the Velvet's New Age, as well as Young's Heart of Gold and Lennon's Warm Gun.

Belew's (already) unique guitar sound livens up about half this arty off-the-wall Bowie album in the early 80's, which, though challenging, has dated surprisingly well.

The last of the 80's Crim lps, spotty but with standouts like "Sleepless." Belew now frequently drops jaws by playing the insanely-complex title track solo on his acoustic guitar. (See #9 above.)