Product Description

"Both academics and radio enthusiasts will appreciate this book."
—Library Journal

"Without a doubt, this is the most detailed and well-researched book ever published on the history of free radio in America. This includes the most comprehensive history ever written on the modern microradio movement; culled from personal interviews, the writing is mostly engaging and fast-paced...A must read."
—The About Guide

"The book is a great addition to the literature of the ways in which the state uses regulatory edicts and strong-arm tactics to stifle people's freedom."
—George C. Leef, Freedom Daily

"Jesse Walker's lively book is the first to offer a thorough history of what's come to be known as alternative radio."
—Time Out New York

"The story of early radio broadcasting is a fascinating one and well told."—Monitoring Times

"Walker goes a long way toward showing the considerable creativity in nonmainstream radio, despite its lack of funds and other problems. The strongest part of the discussion is that dealing with the last thee decades. An interesting balance to the perceived story of American radio."
—Choice

Boring DJs who never shut up, and who don't even pick their own records. The same hits, over and over. A constant stream of annoying commercials. How did radio get so dull?

Not by accident, contends journalist and historian Jesse Walker. For decades, government and big business have colluded to monopolize the airwaves, stamping out competition, reducing variety, and silencing dissident voices. And yet, in the face of such pressure, an alternative radio tradition has tenaciously survived.

Rebels on the Air explores these overlooked chapters in American radio, revealing the legal barriers established broadcasters have erected to ensure their dominance. Using lively anecdotes drawn from firsthand interviews, Walker chronicles the story of the unsung heroes of American radio who, despite those barriers, carved out spaces for themselves in the spectrum, sometimes legally and sometimes not. Walker's engaging, meticulous account is the first comprehensive history of alternative radio in the United States.

From the unlicensed amateurs who invented broadcasting to the community radio movement of the 1960s and 1970s, from the early days of FM to today's micro radio movement, Walker lays bare the hidden history of broadcasting. Above all, Rebels on the Air is the story of the pirate broadcasters who shook up radio in the 1990sand of the new sorts of radio we can expect in the next century, as the microbroadcasters crossbreed with the even newer field of Internet broadcasting.

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Product Details

• Amazon Sales Rank: #432826 in Books
• Published on: 2004-06-01
• Released on: 2004-06-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 256 pages

From Library Journal
Contemporary mainstream radio offers very little diversity; play lists are chosen in corporate offices, and stations across the country sound very similar. An associate editor for Reason magazine, Walker argues that government collusion with big business for decades is responsible for reducing variety and eliminating dissident voices in radio broadcasting. Opening his history of alternative radio with the amateur operators in the early 1900s, he shows that as soon as the first regulations were passed in the Radio Act of 1912, pirate stations began defying the rules. Walker de0ions that pushed the limits of radio broadcasting (both legally and illegally), documents the history of the Pacifica Foundation and the community radio movement of the 1960s and 1970s, and ends with some open questions about the future of micro radio and the potential of the Internet. The use of interviews and anecdotes brings life to this history. Both academics and radio enthusiasts will appreciate this book. Judy Solberg, George Washington Univ. Lib., Washington, DC
Copyright 2001 Reed Business Information, Inc.

Review
"A great addition to the literature of the ways in which the state...stifle[s] people's freedom." -- George C. Leef, Freedom Daily, March 2002

This includes the most comprehensive history ever written on the modern microradio movement...the writing is most engaging and fast-paced. -- The About Guide

“Both academics and radio enthusiasts will appreciate this book.” -- Library Journal:

Review

"Rebels on the Air is a joyous, smart, lucid, hilarious, critical and engaging celebration of community based, non-commercial radio in the United States. Jesse Walker vividly captures the people, their visions and achievements, their friends and enemiesall in a book that is great fun to read."

- Matthew Lasar, author of Pacifica Radio: The Rise of an Alternative Network

"Throughout Rebels on the Air: An Alternative History of Radio in America, Walker surveys the current state of radio and finds it wanting."

- Chronicles

"Present-day American radio—both public and commercial—has, with its blandness, hidden the bodies of hundreds of idealists who tried to make it meaningful and interesting and alive. Whether it's micro radio, pirate radio, the Citizens Band, or Pacifica, Jesse Walker has done his homework, digging up often funny tales of strange characters who tried, in one way or another, to better the airwaves."

- Lorenzo W. Milam, author of Sex and Broadcasting and the Radio Papers

"The book is a great addition to the literature of the ways in which the state uses regulatory edicts and strong-arm tactics to stifle people's freedom."

- George C. Leef, Freedom Daily

"Without a doubt, this is the most detailed and well-researched book ever published on the history of free radio in America. This includes the most comprehensive history ever written on the modern microradio movement; culled from personal interviews, the writing is mostly engaging and fast-paced...A must read."

- The About Guide

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Customer Reviews

Finally, a *true* history of how radio happened
So many other radio 'history' books just tell you all about what programs were on which corporate network and which DJs were indicted for payola -- without bothering to explore how radio broadcasting came about, where the innovations came from, and how and why most of the current spectrum has become so bland in the last twenty years. Jesse Walker gets into all this and more: he gives just about the best and most complete history of radio broadcasting's *true* pioneers, from spark-gap to internet: the underground and alternative radio movement. I thought I knew a lot about the subject (at least regarding pre-1980 radio), but Walker's book has five times more in it than I even knew existed -- and extends right to the end of the 1990s. I highly recommend this book!

Radio Ga Ga
Is radio doomed by the Internet? When was its golden age? Is it a triumph of capitalist business or government planning?

In the course of telling tale after absorbing tale, Jesse Walker answers these questions and dozens of others in "Rebels on the Air."

Unlike most people who talk on the radio, however, Walker writing about radio doesn't come across as a simpleton. He is a very thoughtful appreciator of excellence as well as a fine diagnostician of failure. He understands the theory of radio as a business enterprise, and is unencumbered by a narrow ideology. He knows what happened; he is a master of fact. And he has insight into what might have happened; he is the master of the counterfactual. Further, being informed and no fool, he is as reliable prophet as any; it pays to listen to what he says.

From the beginnings of radio as point-to-point communication through its strange evolution to broadcasting, winding up in recent dispensations of "piracy," micro radio, community radio, and even the Citizens Band, Walker ushers the reader through a rogue's gallery of fascinating revolutionaries. Radio, it turns out, is not just a humdrum affair. It has featured strange people saying odd, perceptive and occasionally wise things, playing music other than top 40 or classical warhorses, turning listeners on their ears.

To most people, commercial radio and NPR delimit the narrow confines of the medium: to these, Walker's history will come as a revelation. To the knowing few who have heard (or at least heard of) Firesign Theater or Jean Shepherd or The Crazy Cajun Show, Walker is a sensible surveyor of diversity on radio, the ideal defender of both idiosyncratic entertainment and responsible "enlightenment."

Radio may usually be boring, but Walker's book is not. For anyone who cares about the medium or its messages, "Rebels on the Air" is indispensable.