Product Description

Written by authors from Quebec as well as France, the majority of these stories have been published in the last decade and reflect a rich diversity of styles and themes. From Daniel Boulanger's exploration of revenge and the desire for recognition in The Hunter's Cafe, to Alain Gerber's brief and poetic You Never Die, these stories make excellent reading in any language.

Product Details

• Amazon Sales Rank: #92176 in Books
• Published on: 2001-01-01
• Released on: 2001-01-02
• Original language: French
• Number of items: 1
• Binding: Paperback
• 240 pages

Features

• ISBN13: 9780140265439
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Language Notes
Text: English, French (translation)
Original Language: French

About the Author
Richard Coward taught at Bishop's Startford College and Sherborne School in England. He is now a Housemaster at Eton College, England.

Customer Reviews

full spectrum of writings and translation
The content in the original French ranges from the beautiful "On ne meurt jamais" to the confusing "Le personnage" Some works are interesting but others seem tedious. The collection presents to the reader a wide range of contemporary French literature and, if one is a student, an excellent opportunity to see the French language used in all its various applications. The editor takes the liberty of translating the sense of idiomatic phrases rather than attempting to force the words into something that resembles the original, with mixed results. The longest piece, 'David' is also one of the best, as is 'L'objet d'art'; my favorite 'On ne meurt jamais' made the purchase worthwhile all by itself.

depressing and difficult
Here is a partial body count from the twelve stories: one dead young boy, one dead young man, two children run away from home, one woman nearly freezing to death, one dead woman, and one dead donkey. There is more (many mentally unstable people, physically deformed people, etc.), but you get the point. For the most part, the stories are depressing and dull. Lots of mental anguish, lots of internal suffering, and not much else. And, as alluded to in my title, the difficulty level starts fairly low but rises quickly to the point that even in English translation some are difficult to follow. If you find the stories interesting -- as clearly the editor does -- this won't be a problem. If not, then you might consider buying something a little bit more "crowd-pleasing" like the dual-language Guy de Maupassant book.

Speaking of Guy, the editor makes the comment in the introduction that Maupassant wrote "short, sardonic narratives in which one always looks for the sting in the tail." Given that the editor is a French Literature professor, I find it absolutely mind-blowing that his entire familiarity with Guy de Maupassant is through "The Necklace." Out of the nearly 300 stories he wrote, one can count on one hand the number of stories with a "sting in the tail" and still have fingers left over. I guess I should have taken his total lack of familiarity with the greatest short-story writer of all time as a sign that maybe he and I wouldn't see eye-to-eye on what constitutes a good short story.

The English translation is excellent and very helpful.

Challenging Prose - Nicely Edited - Worth the Effort
This collection of twelve stories by contemporary French and Quebec authors is challenging for the beginning and maybe even intermediate level student of French. However, Penguin has done an excellent job of matching the English translation on the facing pages, so it is easy to follow the stories in the two languages line by line. Coward's short introduction to the stories is smart and places the themes and techniques of the writers in context. Most of these characters are introspective to a fault(!), isolated, obsessive, delusional, desperate but also desperately hopeful. There is little in the way of humor in these pages - mostly irony and it is decidely dark. But you will be moved in different ways by 'Heloise', 'The Hunters' Cafe', the 'Accursed Notebooks', and you will be made to feel the bitter almost hallucinatory cold of a Montreal winter night in "The Objet d'Art'. You will be surprised by where these writers take you in their stories. In the end this collection is sufficiently intereresting to motivate even a relatively inexperienced student of French to push through some fairly dense prose.