Product Description

When Mary Yukari Waters's short-story collection, The Laws of Evening, was published, Maureen Corrigan of National Public Radio's Fresh Air said that "Waters's empathic imagination is so vivid she makes her reader feel like a silent witness to the small acts of cruelty and surrender that the history books can't record." In her exquisite first novel, Waters explores the complex relationships among three generations of women bound by a painful family history and a culture in which custom dictates behavior.

Fourteen-year-old Sarah Rexford, half-Japanese and half-American, feels like an outsider when she visits her family in Japan. She quickly learns that in traditional Kyoto, personal boundaries are firmly drawn and actions are not always what they appear. Sarah learns of a family secret -- an interfamily adoption arranged in the throes of World War II. Her grandmother gave up one of her daughters to the matriarch of the family, and the two families have coexisted quietly, living on the same lane. While this arrangement is never discussed, it looms over the two households. In this carefully articulated world, where every gesture and look has meaning, Sarah must learn the rules by which her mother, aunts, and grandmother live.

Delicately balancing drama and restraint, Waters captures these women -- their deep passions and tumultuous histories -- in this tender and moving novel about the power and beauty of mother-daughter relationships.

Product Details

• Amazon Sales Rank: #453075 in Books
• Published on: 2009-06-02
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 288 pages

Features

• ISBN13: 9781416561071
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Review
"Waters is a graceful, subtle writer, gifted at limning the intricate connections between women bound together by blood or marriage. This is a novel of extraordinary beauty."-- Booklist, starred review

Excerpt. © Reprinted by permission. All rights reserved.

Chapter 1

It was an early morning in June 1978, and the Ueno neighborhood was just beginning to stir.

This was an old neighborhood, far enough north of the city's center to have the feel of a small village. It lay in the shadow of high green hills that surrounded the city of Kyoto like a giant horseshoe, trapping the moisture from its four rivers. A century ago, before the emperor's seat had moved to Tokyo (and before smog and pollution made their appearance), this moist climate had been considered ideal for the refined senses of the nobility: it captured the subtle fragrances of each season and fostered the most delicate complexions in the country. The downside, of course, was that Kyoto summers were brutally humid.

Fortunately the air was still cool and crisp, laced with the smells of moss and verdure that had sprouted so lushly during this month's rainy season. The walls and fences, their planks aged as soft and dark as velvet, reflected the pink glow of sunrise. Within cool pockets of shadow, the smell of dew-soaked wood still lingered.

At the open-air market, behind iron shop grates not yet rolled open for customers, rubber-booted fish vendors arranged the morning's catch on beds of ice. Several blocks away, a procession of shaved, robed priests from So-Zen Temple clip-clopped on geta through the crooked, narrow lanes. "Aaaaaa...," they intoned. "Ohhhhh...Ehhhhh..." They performed these vocal exercises each morning to develop stamina of the lungs, and indeed their deep, resonant voices rose up from their diaphragms and into the morning air like the long aftermath of a gong. All throughout the neighborhood, produce peddlers were beginning to make their appearance. These farming women, brown from the sun, came in each morning from the surrounding countryside. Noticeably shorter than their urban counterparts, they padded through the lanes on old-fashioned tabi shoes made of cloth, leaning their weight into wooden pushcarts and grinning up at customers from beneath the shade of white cloths draped under their straw hats. "Madam...? Good morning...," they called out every so often, as a gentle signal to housewives in their kitchens.

None of this registered with fourteen-year-old Sarah Rexford, who slept soundly after yesterday's long plane ride. She didn't hear her mother rising from the futon beside her, or the priests' distant chanting as they headed down Murasaki Boulevard on their way back to the temple complex, or the murmur of women's voices directly outside in the lane -- among which the excited tones of her mother and grandmother were mingled -- as they gathered around a peddler's cart.

The house in which Sarah slept had a gray tiled roof with deep eaves; its outer walls were left unpainted in order to display the wood's aged patina, which had deep chestnut undertones like the coat of a horse. This had been her mother's childhood home, but only her grandparents lived here now. The house stood on a corner, where a narrow gravel lane intersected a slightly wider paved street that fed into Murasaki Boulevard. Each summer the Kobayashi house attracted attention because of its morning glory vines, whose electric-blue blossoms blanketed the entire eastern side of the house. The locals -- housewives walking to the open-air market, entire families strolling to the bathhouse after dinner -- often altered their routes in order to admire the view. As Mrs. Kenji Kobayashi liked to tell people, she had nurtured these vines from a single potted plant that her granddaughter Sarah had given her eight years ago: a first-grade science project, grown from seed. The younger generation of adults would nod, remarking fondly that they'd had the same assignment as children, that they could remember documenting the seedlings' growth in sketch journals. Under Japan's public school system, all schools used the same government-issued textbooks.

Sarah Rexford hadn't attended a Japanese school since she was nine years old. That was the year she and her parents had moved away to America, after selling their home up in the Kyoto hills. There were various reasons for this move, one being that they thought it might be easier for Sarah to be with "her own kind," meaning children who wouldn't stare at her on the street or bully her after school. She was a mixed child, or as they said in Japan, a "half." Her features, however, were predominantly Western: straight nose, light gray eyes, dark wavy hair with brown highlights instead of blue.

The marriage of her mother, Yoko, to John Rexford, an American physicist almost old enough to be her father, had shocked everyone back in the early sixties. The match was particularly unusual because Kyoto was a traditional inland city, far removed from the seaports and military bases where such unions (euphemistically speaking) were known to occur. Fortunately Mr. Rexford was a civilian, a physicist at NASA. If he had been a military "GI," with all the unsavory connotations of that label, the Kobayashi family would not have been able to hold up their heads.

As the years passed and Yoko was neither abandoned nor mistreated by her American husband, the Ueno neighbors gradually came to accept the marriage. Some even suggested, as a graceful way of putting the scandal to rest, that the match had been ordained by fate. As they pointed out, it seemed prophetic in hindsight that the temple astrologer, on whom local parents relied for auspicious Chinese characters when naming their babies, had chosen for Yoko's name an unconventional hieroglyph associated with the Pacific Ocean.

And the neighbors agreed (how clear it seemed, looking back!) that Yoko Kobayashi had always been destined to lead a bigger, bolder life than her peers. Even as a child, there had been a larger-than-life quality about her -- a striking air of confidence, bordering on effrontery, that was apparent in her firm step and erect posture. This wasn't the result of wealth or privilege. The Kobayashis had no money, although like other families with good crests who had been ruined in the war, they still held remnants of their old status. Nor was Yoko unusually beautiful, although her features were above average. In fact, her face had been memorable for its expression of mature comprehension, better suited to a grown woman, rather than the limpid, innocent gaze that was so highly prized in Japanese children.

A more likely explanation for Yoko's charisma was her range of accomplishments. All throughout her academic career, with the exception of one year, she had been ranked first in her class. She was captain of the girls' high school tennis team. Twice, she won a certificate -- a fifth-place and a third -- in the annual municipal haiku contest held for adults. She passed Kyoto University's notorious entrance exam, the nemesis of ambitious young men from all over the country. Long after she married and left home, she continued to hold the record as the youngest pupil ever to have performed a solo at one of Mrs. Shimo's autumn koto recitals. She had been six years old.

Despite her achievements, Yoko Kobayashi was down-to-earth and shomin-teki, "of the people." The only time she abused her powers (although she preferred not to see it in quite that light) was when she defended the weak: a classmate bullied on the playground or, as she grew older, an adult belittled in "polite" conversation. Then Yoko's killer instinct arose and she was at her cruel, cutting best. As a result, some of her staunchest supporters belonged to the social classes beneath her. They were former schoolmates who had grown up to become silk weavers, vendors, or shopkeepers.

Over this past week, Mrs. Kenji Kobayashi had used her daughter's history to her advantage, enlisting the shopkeepers' expertise in choosing uncharacteristically expensive cuts of fish and the choicest slices of filet mignon. Although Mrs. Kobayashi was not as socially democratic as her daughter, Yoko, she was nonetheless admired for the cool elegance of her etiquette and poise. It was widely known that before her marriage, she had grown up in one of Kobe's most exclusive seaside neighborhoods. Perhaps it was the cosmopolitan sophistication of her birthplace -- not to mention her pleasing height -- that gave Mrs. Kobayashi the flair for carrying off, to such dashing effect, those Western-style clothes that almost everyone wore nowadays. "I'll take some of this Kobe beef, for Yoko and her daughter. They're coming to visit from America," she told the butcher, and in the same breath wondered aloud -- almost as if talking to herself -- whether it would be at all possible to adjust the price.

"For you, madam, certainly," he assured her. He could hardly say no.

"It's their first time back in five years...," Mrs. Kobayashi explained, and it was understood that today's favor would be balanced out by increased sales over the course of the visit. The butcher remembered the little "half" girl, wheedling her elders to buy this or that in an impeccable Kansai dialect that was completely at odds with her Caucasian features.

Mrs. Kobayashi's purchases now lay, shrink-wrapped and waiting, inside her tiny icebox. Some of them, like the sweet bean condiments and slices of teriyaki eel (for restoring strength to tired bodies), were already laid out on the table along with the usual breakfast staples: sweet omelettes, hot rice in a linen-draped wooden tub, julienned carrots and burdock roots cooked in mirin and soy sauce, a tall tin of dried seaweed, umeboshi with shiso leaves. A stack of lacquered bowls awaited the miso soup, which would be prepared at the last minute with skinny enoki mushrooms and tender greens. Mackerel steaks, sprinkled liberally with salt and broiling on the grill, filled the house with their savory aroma.

At the opposite end of the house, Sarah slowly awakened to the low, liquid burbling of pigeons in the lane. She had forgotten about the pigeons -- there weren't any back home in Fielder's Butte, California. Their contented bubbling struck a deep chord in her memory; suddenly she was a little girl again, half-asleep, cradled by the sound...

Customer Reviews

The Soul of an Author
A touring novelist is often asked: Did that really happen to you? The answer is invariably no and, if the author is feeling particularly risky, yes. An important task undertaken by a writer is to make connections that are vital but missing from both the personal and the common consciousness. To accomplish this, an author of fiction must mine everything that he or she knows and shoot it through a prism of experience. It is hard to separate the writer from the story, and asking him or her to quantify a specific aspect would be akin to asking you if you just drank the perfect glass of water. What does it matter if it is genuinely authentic and essential?

This is one of the aspects that elevates award-winning author Mary Yukari Water's beautiful and poignant first novel, The Favorites. It is the tale of a group of Japanese women who are working through intergenerational relationships and the decisions that position them inside their personal stories. Fourteen-year-old Sarah Rexford is a half-Japanese and half-American visitor to her mother's Japanese homeland for the summer. Waters understands this experience, and she reveals the cultural and family dynamic as both an insider and a visitor to this exotic locale. She accomplishes this in a way that the well-researched writer or the well-traveled journalist cannot. There are inner circles and outer circles within the family that can only be penetrated by tacit agreement, and there are inside faces and outside faces--wrought by historical, social, and person decisions--that may never be unveiled during the course of lifetime. "Uchi versus Soto: inner circle versus outer circle. ... Uchi meant the few allies in whom a woman could place absolute trust. Soto was everyone else..." Understanding these circles is vital to daily interaction. Treading through them like an American means disaster.

The curiosity of a child compels this foreign understanding, but Sarah suffers a psychological deficit for being half-Japanese and raised abroad in America, and she will continually battle the inevitable barriers from her family and even her own mother. Within this conundrum, the Japanese American contraposition is used, occasionally with humor, as a mirror to Sarah's dilemma. At one point, Sarah and her cousins play a game of "American Emotions," wrought through their skewed perception of American pop culture. "Sarah, wanting to seem as Japanese as possible, had been parodying American movies. 'I love you, son,' she said in a deep voice. 'You are very special to me.'" The idea of the western outward expression of feelings versus the eastern reluctance becomes a haunting theme as the story unfolds.

At the core of the secret family life--which ceremonially and rhythmically turns in beehive fashion with great energy, duty, and honor--is the revelation that due to overwhelming post WWII circumstances Sarah's grandmother was pressured into giving up her newborn child to her nearby childless sister-in-law. Like American Indians, shifting children within the tribe is not unusual, but in Sarah's family, the effects ripple through the generations. For the adopted child, who has let her true identity go unrecognized and unspoken for a lifetime, the result is an impenetrable outside face toward Sarah (her niece), Sarah's mother (her sister), Sarah's grandmother (her true mother), and likely the entire world. Sarah comes of age through this understanding, and only after tragedy strikes the heart of the family is a rare and unexpected connection achieved. So how different are we all in the end?

The Favorites is a novel that requires patience in the early going. We are slowly sipping foreign water here, mixed with drama that we will immediately recognize as our own. For Sarah, the family secrets arrive in pieces and riddles, but the unraveling is so deftly written it leaves the impression that the author was indeed part of the story. The sensory details--the taste, smell, and sight of Ueno, Japan--operate at a master's level. The emotional resonance--the love, compassion, and dignified handling of the characters--forces the reader to take pause in the small moments that so importantly define this family if not Japanese existence in general.

Like any novel that impresses and lingers both during and after the reading, the author's soul resides somewhere within these pages. The writer and story live in harmony and lift the book beyond the ordinary, or just like Sarah observes about Japanese emotions, first as a joke early on in the story and then more poignantly toward the end: "We let them ferment, her mother had said, till you can't tell them apart."

This is essential to understanding the story of how life goes forward, and it does not matter from which spring it was drawn. The Favorites is real, full of the stuff of life that we can all savor.

Family and Tragedy in Kyoto
In her debut novel, The Favorites, gifted short story writer Mary Yukari Waters tells the story of a Japanese family once torn apart by war and now living with the sacrifices of the past. The Kobayashi and Asaki households live side by side, seemingly related only by marriage; however, a deeper, unspoken secret unites them.

Divided into four parts, The Favorites begins when fifteen year old Sarah Rexford and her mother Yoko arrive in their native Kyoto for the summer. Sarah is a "half" -- half-Japanese and half-American -- and thus does not belong fully to either culture. However, as she navigates the complex family relationships, sees her mother for the first time as popular, becomes reacquainted with her young cousins, and gets settled into the Japanese household, Sarah begins to understand some deep truths about her extended family and where she belongs in its hierarchy. In later sections, the point-of-view switches to those of the Japanese women and their methods of coping to a family tragedy that ignites the wounds of their past.

At first, the cultural details are somewhat heavy-handed, and they seem designed to instruct rather than provide richness to the story itself. When combined with Sarah's unsophisticated point-of-view, these facts give the first part the feel of a young adult, or possibly middle school, novel. Fortunately, Ms. Waters leaves Sarah's point-of-view for a subtle but much deeper look into the family dynamics through the eyes of the Japanese women. The way the Japanese women cope with their unspoken emotions gives this novel the heart it lacks in the beginning.

Ms. Waters is an excellent writer, and her accessible prose and characterizations carry this story forward with ease, even though it reads at times like an extended short story. As the novel moves from teenage blunt force to delicate beauty, it offers the rewards of a well-written tale.

-- Debbie Lee Wesselmann

Great story in a beautiful setting
This remarkable story develops through the visits of a Japanese/American girl to her mother's home in Kyoto. The complexity of relationships and cultures is entertaining on many levels and full of insight. You'll have to make an effort to keep the names of the characters straight, but it's a touching story well told.