Product Description

A glorious survey of 20th-century English garden design, illustrated with 200 color and duotone photographs.

Product Details

• Amazon Sales Rank: #404253 in Books
• Published on: 2005-06-25
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 224 pages

Review
“This gorgeous book, printed on thick, glossy paper, is generously illustrated with 200 superb photographs. Highly Recommended.” -- Library Journal

“critic Richardson has produced a landmark study, rich in fresh insights and significant amplifications and reassessments of familiar narratives.” -- Choice

From the Publisher
For over a century, COUNTRY LIFE magazine has been influential in the world of garden design. Since 1897, its superbly illustrated essays on houses and gardens sought to inform and educate taste. Drawing from the unrivaled photographic archives of COUNTRY LIFE, this magnificent volume charts the challenges, changes, and surprises of English garden design throughout the last century. The story begins with Arts and Crafts gardens, typified by herbaceous borders and modern planting, and it continues with the Edwardian debate between formality and "wild" gardening, inter-war grandeur, postwar practicality, and pioneering artists' gardens. Beautifully illustrated with 200 color and duotone photographs, this is an illuminating survey of an outstanding century of British garden-making.

About the Author
Garden historian Tim Richardson, formerly the gardens editor of COUNTRY LIFE and landscape editor of WALLPAPER, is the founding editor of the award-winning gardens magazine, NEW EDEN. He is also the author of the highly praised book, Sweets: A History of Temptation.

Customer Reviews

A century of beautiful gardens
For over a century, Country Life magazine has been documenting the great houses and gardens in England. Their photographic library consists of over 10,000 images - this book presents 200 of them, beginning with the formal bedding gardens of Victorian England and progressing through the Arts and Crafts gardens of the Edwardian era as well as modernist gardens, artists gardens, wild gardens and cottage gardens. The emphasis is on the Arts and Crafts gardens and the influence that Gertrude Jeckyll and Edward Lutyens had on garden design. An entire chapter is devoted to Jeckyll - other chapters cover landscape architects who were influenced by Jeckyll and Lutyens, the popularity of borders, Sissinghurst and Hidcote, the Modernist Garden, Romance and Restraint (following World War II), From Smart to Art (Artist's Gardens) and the final chapter "Making it Over" which discusses how some of the major estate gardens have been saved and restored. The prose is very interesting and informative (although the author can be very opinionated) but the highlight of the book are the remarkable photographs. Most of them are black and white with the exception of a few duotones (of Jeckyll's gardens) and color photos in the last chapter. The book is beautiful, printed on heavy glossy paper and any garden lover will love it.

A Jewel
I find this book fascinating. It's not a typical coffee table book or a how-to-book. Rather it's a book about the history of English landscaping in the late nineteenth and twentieth centuries. The black and white photos are period pictures that are being used to illustrate points made by the author about gardens as they were once (not as they are now, if they even still exist.) The pictures are not just being used as eye candy. Mind you I love books filled with beautiful pictures. (Oh, I really do!), but that is not the purpose of this book. This is the book to read *after* you have looked at the picture books, and you find yourself yearning for more. Look at the picture books...then read this one.

I am learning a lot about the design of the great gardens of England and even some of my personal tastes in garden from this book. Worse yet, it has started me redesigning (in my own mind) a couple of the local historic gardens near me.

Enormous disappoinment
I read the glowing reviews and purchased the book - it is a shame that no one mentioned the fact that 75% of the images used to illustrate the book are black and white photos. The book concerns gardens of the 20th century, and was published in the 21st century - someone needs to let the author know that photographic techniques have advanced quite a bit. At the very least it would have been nice to know that the book I was purchasing with over "200 superb photographs" were mostly low contrast black and white images. I suppose I should have paid more attention to the "printed on thick, glossy paper" part of the review as a warning.