Product Description

Anatural evolution from the earlier, much-acclaimed collection In Love
& Trouble, these fourteen provocative and often humorous stories show
women oppressed but not defeated.These are hopeful stories about love,
lust, fame, and cultural thievery, the delight of new lovers, and the
rediscovery of old friends, affirmed even across self-imposed color lines.

Product Details

• Amazon Sales Rank: #211992 in Books
• Published on: 2003-05-19
• Original language: English
• Number of items: 1
• Binding: Paperback
• 180 pages

Features

• ISBN13: 9780156028622
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Review
"She is one of the most gifted writer of her country.' Isabel Allende 'The stories work both as art and as tools for honing consciousness and transforming values' Adrienne Rich"

Review
A thin, often didactic, largely disappointing collection of stories from an enormously gifted author of short fiction (In Love & Trouble) and novels - whose storytelling powers seem wasted on the generally simple-minded material here. The book's first story, for instance, jumps right off with a dazzlingly convincing narrative voice - that of a black Southern small-town woman - but interest soon sinks as the story's bland premise becomes clear: it's a fictionalized, sentimental little riff on Elvis Presley and the black blues writer-singer whose music helped make him famous (with unsubtle echoes of the familiar exploitation issue). Likewise, a vignette of an elderly black, much-feted writer - which is deliciously told but holds only the most obvious ironies. And most of the more intensely serious stories here appear to sacrifice texture of character and incident to sociological debate-and-discussion: reminiscences of black/white sex during the Civil Rights years; two contrasted black women's lives over the years; a monologue-anecdote about a black woman who kills her white lover/abuser; plus some unabashed propaganda re pornography (with special reference to the portrayal of black women in porn). When concentrating on love and marriage, however, Walker seems to ease off a bit and does some genuine exploring: "The Lover" - about a black woman having an affair with a charming, intellectually petty New York Jew at a writers' colony - is unformed but alive; "Laurel" verges on melodrama - a now-married black woman haunted by her mad, white-country-boy ex-lover - but has undeniable grab; and best of all is "The Abortion," the painful anatomy of a deteriorating marriage. Ragged, often superficial work, then - with more sociological interest (the black/feminist intersection) than literary. (Kirkus Reviews )

About the Author
Bestselling novelist ALICE WALKER is also the author of three collections of short stories, three collections of essays, six volumes of poetry, and several children’s books. Her novel The Color Purple won both the Pulitzer Prize and the National Book Award, and her work has been translated into more than two dozen languages. Born in Eatonton, Georgia,Walker now lives in northern California.

Customer Reviews

Poignant but perhaps over my head.
In Alice Walkers You Can't Keep a Good Woman Down the emotions and ideas conveyed are far more important and poignant then the stories themselves. Each story is told to teach us about an idea or at least educate us on the emotion involved. The stories are a tool and not primarily an entertainment construct.
From the first story Nineteen Fifty-Five to the last story A Sudden Trip Home in spring we are given a number of concepts and emotions to experience. These emotions run from despair to triumph and the ideas we are taught deal with porn, inequality, gender relationships and far more. At initial glance there does not seem to be a common theme until you look at the obvious. The obvious of course is the female perspective and perhaps as important the African American Woman perspective.
Each story told is from the perspective of African American woman. We are told a story of trauma and trial through the eyes of each of these women. The trials are not always unique. We all deal with trials and we are all human. This is nothing new. What is new, especially for readers other then African American woman, is the viewpoint. The viewpoint of common and uncommon situations from a unique and often unobserved vantage point is striking and piercing.
The woman who wrote the novel wrote it in a raw and biting manner. A man reading this or more concisely a white man reading this is given the opportunity to experience emotions and trials that otherwise would never be possible. Does this mean a white man would understand some of the issues dealt with by the author after reading this book? I do not believe this is the case or even the point of the book. Understanding is not asked for merely awareness. You can ignore what is unknown but once awareness is involved a step has been taken.

Poignant but perhaps over my head.
In Alice Walkers You Can't Keep a Good Woman Down the emotions and ideas conveyed are far more important and poignant then the stories themselves. Each story is told to teach us about an idea or at least educate us on the emotion involved. The stories are a tool and not primarily an entertainment construct.
From the first story Nineteen Fifty-Five to the last story A Sudden Trip Home in spring we are given a number of concepts and emotions to experience. These emotions run from despair to triumph and the ideas we are taught deal with porn, inequality, gender relationships and far more. At initial glance there does not seem to be a common theme until you look at the obvious. The obvious of course is the female perspective and perhaps as important the African American Woman perspective.
Each story told is from the perspective of African American woman. We are told a story of trauma and trial through the eyes of each of these women. The trials are not always unique. We all deal with trials and we are all human. This is nothing new. What is new, especially for readers other then African American woman, is the viewpoint. The viewpoint of common and uncommon situations from a unique and often unobserved vantage point is striking and piercing.
The woman who wrote the novel wrote it in a raw and biting manner. A man reading this or more concisely a white man reading this is given the opportunity to experience emotions and trials that otherwise would never be possible. Does this mean a white man would understand some of the issues dealt with by the author after reading this book? I do not believe this is the case or even the point of the book. Understanding is not asked for merely awareness. You can ignore what is unknown but once awareness is involved a step has been taken.

Poignant but perhaps over my head.
In Alice Walkers You Can't Keep a Good Woman Down the emotions and ideas conveyed are far more important and poignant then the stories themselves. Each story is told to teach us about an idea or at least educate us on the emotion involved. The stories are a tool and not primarily an entertainment construct.
From the first story Nineteen Fifty-Five to the last story A Sudden Trip Home in spring we are given a number of concepts and emotions to experience. These emotions run from despair to triumph and the ideas we are taught deal with porn, inequality, gender relationships and far more. At initial glance there does not seem to be a common theme until you look at the obvious. The obvious of course is the female perspective and perhaps as important the African American Woman perspective.
Each story told is from the perspective of African American woman. We are told a story of trauma and trial through the eyes of each of these women. The trials are not always unique. We all deal with trials and we are all human. This is nothing new. What is new, especially for readers other then African American woman, is the viewpoint. The viewpoint of common and uncommon situations from a unique and often unobserved vantage point is striking and piercing.
The woman who wrote the novel wrote it in a raw and biting manner. A man reading this or more concisely a white man reading this is given the opportunity to experience emotions and trials that otherwise would never be possible. Does this mean a white man would understand some of the issues dealt with by the author after reading this book? I do not believe this is the case or even the point of the book. Understanding is not asked for merely awareness. You can ignore what is unknown but once awareness is involved a step has been taken.